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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 33 123 it is the complementary color RGB 222 222 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 33 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 33 33 123: RGB 38 33 118, RGB 55 51 137, RGB 72 69 156, RGB 89 87 175 and RGB 106 105 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 33 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 33 33 123: RGB 33 33 123, RGB 16 15 104, RGB 0 0 85, RGB 0 0 66 and RGB 0 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

Complementary color

CMYK 0 / 0 / 41 / 13

HEX #DEDE84

RGB 222 222 132

HSL 60, 0.58%, 0.69%

LAB 86.72, -12.87, 44.06

 

CMYK 68 / 72 / 0 / 54

HEX #262176

RGB 38 33 118

HSL 243.53, 0.56%, 0.3%

LAB 19.26, 30.42, -47.82

 

CMYK 60 / 63 / 0 / 46

HEX #373389

RGB 55 51 137

HSL 242.79, 0.46%, 0.37%

LAB 26.69, 28.26, -47.61

 

CMYK 54 / 56 / 0 / 39

HEX #48459C

RGB 72 69 156

HSL 242.07, 0.39%, 0.44%

LAB 34.05, 26.44, -47.27

 

CMYK 49 / 50 / 0 / 31

HEX #5957AF

RGB 89 87 175

HSL 241.36, 0.35%, 0.51%

LAB 41.27, 24.93, -46.93

 

CMYK 45 / 46 / 0 / 24

HEX #6A69C2

RGB 106 105 194

HSL 240.67, 0.42%, 0.59%

LAB 48.34, 23.66, -46.63

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 85 / 86 / 0 / 59

HEX #100F68

RGB 16 15 104

HSL 240.67, 0.75%, 0.23%

LAB 12.29, 33.98, -50.26

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 61 / 73 / 0 / 51

HEX #30217C

RGB 48 33 124

HSL 249.89, 0.58%, 0.31%

LAB 20.72, 33.96, -49.23

 

CMYK 49 / 73 / 0 / 51

HEX #3F217C

RGB 63 33 124

HSL 259.78, 0.58%, 0.31%

LAB 22.3, 36.53, -46.57

 

CMYK 36 / 73 / 0 / 51

HEX #4F217C

RGB 79 33 124

HSL 270.33, 0.58%, 0.31%

LAB 24.34, 39.69, -43.17

 

CMYK 24 / 73 / 0 / 51

HEX #5E217C

RGB 94 33 124

HSL 280.22, 0.58%, 0.31%

LAB 26.51, 42.93, -39.54

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 73 / 73 / 0 / 32

HEX #2F2FAE

RGB 47 47 174

HSL 240, 0.57%, 0.43%

LAB 28.63, 42.34, -67.04

 

CMYK 73 / 73 / 0 / 12

HEX #3C3CE1

RGB 60 60 225

HSL 240, 0.73%, 0.56%

LAB 37.17, 52.93, -82.73

 

CMYK 71 / 71 / 0 / 92

HEX #060615

RGB 6 6 21

HSL 240, 0.56%, 0.05%

LAB 2.02, 2.6, -7.08

 

CMYK 74 / 74 / 0 / 72

HEX #131348

RGB 19 19 72

HSL 240, 0.58%, 0.18%

LAB 9.58, 19.77, -33.05

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 0 / 73 / 15 / 51

HEX #7C216A

RGB 124 33 106

HSL 311.87, 0.58%, 0.31%

LAB 30.43, 46.86, -21.53

 

CMYK 44 / 0 / 73 / 51

HEX #457C21

RGB 69 124 33

HSL 96.26, 0.58%, 0.31%

LAB 46.7, -34.71, 41.82

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 0 / 73 / 73 / 51

HEX #7C2121

RGB 124 33 33

HSL 0, 0.58%, 0.31%

LAB 28.07, 39.05, 23.07

 

CMYK 73 / 0 / 73 / 51

HEX #217C21

RGB 33 124 33

HSL 120, 0.58%, 0.31%

LAB 45.43, -44.65, 40.11

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 0 / 73 / 15 / 51

HEX #7C216A

RGB 124 33 106

HSL 311.87, 0.58%, 0.31%

LAB 30.43, 46.86, -21.53

 

CMYK 0 / 0 / 73 / 51

HEX #7C7C21

RGB 124 124 33

HSL 60, 0.58%, 0.31%

LAB 50.46, -11.6, 46.82

 

CMYK 73 / 0 / 59 / 51

HEX #217C33

RGB 33 124 51

HSL 131.87, 0.58%, 0.31%

LAB 45.6, -42.53, 31.93

 

CMYK 73 / 73 / 0 / 52

HEX #21217B

RGB 33 33 123

HSL 240, 0.58%, 0.31%

LAB 19.4, 31.55, -50.81

 

CMYK 0 / 73 / 36 / 51

HEX #7C214F

RGB 124 33 79

HSL 329.67, 0.58%, 0.31%

LAB 29.25, 43.07, -5.75

 

CMYK 0 / 0 / 73 / 51

HEX #7C7C21

RGB 124 124 33

HSL 60, 0.58%, 0.31%

LAB 50.46, -11.6, 46.82

 

CMYK 73 / 0 / 36 / 51

HEX #217C4F

RGB 33 124 79

HSL 150.33, 0.58%, 0.31%

LAB 46.05, -37.49, 17.15

 

Description

Color code: RGB 33 33 123 | qconv.com Color code: RGB 33 33 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 33 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 33 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 73 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 73% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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