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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 41 82 it is the complementary color RGB 223 214 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 41 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 32 41 82: RGB 37 41 77, RGB 54 59 96, RGB 71 77 115, RGB 88 95 134 and RGB 105 113 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 41 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 32 41 82: RGB 32 41 82, RGB 15 23 63, RGB 0 5 44, RGB 0 0 25 and RGB 0 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

Complementary color

CMYK 0 / 4 / 22 / 13

HEX #DFD6AD

RGB 223 214 173

HSL 49.2, 0.44%, 0.78%

LAB 85.4, -3.4, 21.4

 

CMYK 52 / 47 / 0 / 70

HEX #25294D

RGB 37 41 77

HSL 234, 0.35%, 0.22%

LAB 17.99, 9.66, -22.85

 

CMYK 44 / 39 / 0 / 62

HEX #363B60

RGB 54 59 96

HSL 232.86, 0.28%, 0.29%

LAB 26.03, 8.61, -22.65

 

CMYK 38 / 33 / 0 / 55

HEX #474D73

RGB 71 77 115

HSL 231.82, 0.24%, 0.36%

LAB 33.74, 7.84, -22.56

 

CMYK 34 / 29 / 0 / 47

HEX #585F86

RGB 88 95 134

HSL 230.87, 0.21%, 0.44%

LAB 41.18, 7.24, -22.57

 

CMYK 31 / 26 / 0 / 40

HEX #697199

RGB 105 113 153

HSL 230, 0.19%, 0.51%

LAB 48.4, 6.75, -22.65

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 76 / 63 / 0 / 75

HEX #0F173F

RGB 15 23 63

HSL 230, 0.62%, 0.15%

LAB 9.59, 12.29, -26.71

 

CMYK 100 / 89 / 0 / 83

HEX #00052C

RGB 0 5 44

HSL 233.18, 1%, 0.09%

LAB 2.62, 9.54, -24.06

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 61 / 60 / 0 / 69

HEX #1F2050

RGB 31 32 80

HSL 238.78, 0.44%, 0.22%

LAB 14.97, 15.78, -29.75

 

CMYK 53 / 61 / 0 / 69

HEX #261F50

RGB 38 31 80

HSL 248.57, 0.44%, 0.22%

LAB 15.34, 18.19, -29.13

 

CMYK 41 / 61 / 0 / 69

HEX #2F1F50

RGB 47 31 80

HSL 259.59, 0.44%, 0.22%

LAB 16.32, 20.6, -27.49

 

CMYK 31 / 61 / 0 / 69

HEX #371F50

RGB 55 31 80

HSL 269.39, 0.44%, 0.22%

LAB 17.33, 22.91, -25.82

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 61 / 50 / 0 / 48

HEX #344385

RGB 52 67 133

HSL 228.89, 0.44%, 0.36%

LAB 30.49, 15.55, -39

 

CMYK 61 / 50 / 0 / 28

HEX #485CB8

RGB 72 92 184

HSL 229.29, 0.44%, 0.5%

LAB 41.99, 21.16, -51.13

 

CMYK 61 / 50 / 0 / 8

HEX #5C76EB

RGB 92 118 235

HSL 229.09, 0.78%, 0.64%

LAB 53.2, 25.83, -62.15

 

CMYK 61 / 48 / 0 / 88

HEX #0C101F

RGB 12 16 31

HSL 227.37, 0.44%, 0.08%

LAB 4.95, 2.61, -10.42

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 0 / 61 / 1 / 69

HEX #501F4F

RGB 80 31 79

HSL 301.22, 0.44%, 0.22%

LAB 21.02, 30.37, -19.06

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 0 / 61 / 50 / 69

HEX #501F28

RGB 80 31 40

HSL 348.98, 0.44%, 0.22%

LAB 19.39, 23.98, 5.44

 

CMYK 50 / 0 / 61 / 69

HEX #28501F

RGB 40 80 31

HSL 108.98, 0.44%, 0.22%

LAB 30.13, -25.03, 24.24

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 0 / 61 / 1 / 69

HEX #501F4F

RGB 80 31 79

HSL 301.22, 0.44%, 0.22%

LAB 21.02, 30.37, -19.06

 

CMYK 0 / 11 / 61 / 69

HEX #50471F

RGB 80 71 31

HSL 48.98, 0.44%, 0.22%

LAB 30.18, -2.12, 25.09

 

CMYK 61 / 0 / 60 / 69

HEX #1F5020

RGB 31 80 32

HSL 121.22, 0.44%, 0.22%

LAB 29.75, -27.81, 23.14

 

CMYK 61 / 50 / 0 / 68

HEX #202952

RGB 32 41 82

HSL 229.2, 0.44%, 0.22%

LAB 17.93, 10.2, -26.35

 

CMYK 0 / 61 / 19 / 69

HEX #501F41

RGB 80 31 65

HSL 318.37, 0.44%, 0.22%

LAB 20.31, 27.69, -10.61

 

CMYK 0 / 11 / 61 / 69

HEX #50471F

RGB 80 71 31

HSL 48.98, 0.44%, 0.22%

LAB 30.18, -2.12, 25.09

 

CMYK 61 / 0 / 41 / 69

HEX #1F502F

RGB 31 80 47

HSL 139.59, 0.44%, 0.22%

LAB 29.99, -25.11, 14.61

 

Description

Color code: RGB 32 41 82 | qconv.com Color code: RGB 32 41 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 41 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 41 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 50 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 50% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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