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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 176 41 it is the complementary color RGB 223 79 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 176 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 32 176 41: RGB 37 176 36, RGB 54 194 55, RGB 71 212 74, RGB 88 230 93 and RGB 105 248 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 176 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 32 176 41: RGB 32 176 41, RGB 15 158 22, RGB 0 140 3, RGB 0 122 0 and RGB 0 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

Complementary color

CMYK 0 / 65 / 4 / 13

HEX #DF4FD6

RGB 223 79 214

HSL 303.75, 0.69%, 0.59%

LAB 58.16, 71.07, -41.62

 

CMYK 79 / 0 / 80 / 31

HEX #25B024

RGB 37 176 36

HSL 119.57, 0.66%, 0.42%

LAB 62.99, -60.94, 56.5

 

CMYK 72 / 0 / 72 / 24

HEX #36C237

RGB 54 194 55

HSL 120.43, 0.56%, 0.49%

LAB 69.21, -62.64, 56.29

 

CMYK 67 / 0 / 65 / 17

HEX #47D44A

RGB 71 212 74

HSL 121.28, 0.62%, 0.55%

LAB 75.4, -63.76, 55.51

 

CMYK 62 / 0 / 60 / 10

HEX #58E65D

RGB 88 230 93

HSL 122.11, 0.74%, 0.62%

LAB 81.54, -64.48, 54.44

 

CMYK 58 / 0 / 55 / 3

HEX #69F870

RGB 105 248 112

HSL 122.94, 0.91%, 0.69%

LAB 87.63, -64.9, 53.24

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 91 / 0 / 86 / 38

HEX #0F9E16

RGB 15 158 22

HSL 122.94, 0.83%, 0.34%

LAB 56.7, -58.61, 54.46

 

CMYK 100 / 0 / 98 / 45

HEX #008C03

RGB 0 140 3

HSL 121.29, 1%, 0.27%

LAB 50.41, -55.06, 52.7

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 82 / 0 / 64 / 31

HEX #20B03F

RGB 32 176 63

HSL 132.92, 0.69%, 0.41%

LAB 63.11, -59.17, 46.38

 

CMYK 82 / 0 / 51 / 31

HEX #20B057

RGB 32 176 87

HSL 142.92, 0.69%, 0.41%

LAB 63.38, -55.87, 35.29

 

CMYK 82 / 0 / 37 / 31

HEX #20B06F

RGB 32 176 111

HSL 152.92, 0.69%, 0.41%

LAB 63.76, -51.48, 23.24

 

CMYK 82 / 0 / 23 / 31

HEX #20B087

RGB 32 176 135

HSL 162.92, 0.69%, 0.41%

LAB 64.25, -46.07, 10.82

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 82 / 0 / 77 / 11

HEX #29E335

RGB 41 227 53

HSL 123.87, 0.77%, 0.53%

LAB 79.42, -74.6, 67.11

 

CMYK 83 / 0 / 78 / 91

HEX #041705

RGB 4 23 5

HSL 123.16, 0.7%, 0.05%

LAB 5.87, -9.57, 6.56

 

CMYK 82 / 0 / 77 / 71

HEX #0D4A11

RGB 13 74 17

HSL 123.93, 0.7%, 0.17%

LAB 26.8, -31.63, 27.43

 

CMYK 82 / 0 / 77 / 51

HEX #177D1D

RGB 23 125 29

HSL 123.53, 0.69%, 0.29%

LAB 45.55, -47.01, 41.76

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 82 / 20 / 0 / 31

HEX #208CB0

RGB 32 140 176

HSL 195, 0.69%, 0.41%

LAB 54.24, -16.62, -27.24

 

CMYK 0 / 82 / 53 / 31

HEX #B02052

RGB 176 32 82

HSL 339.17, 0.69%, 0.41%

LAB 39.36, 58.48, 8.24

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 78 / 82 / 0 / 31

HEX #2720B0

RGB 39 32 176

HSL 242.92, 0.69%, 0.41%

LAB 25.56, 50.35, -73.33

 

CMYK 0 / 78 / 82 / 31

HEX #B02720

RGB 176 39 32

HSL 2.92, 0.69%, 0.41%

LAB 39.22, 53.79, 38.72

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 82 / 20 / 0 / 31

HEX #208CB0

RGB 32 140 176

HSL 195, 0.69%, 0.41%

LAB 54.24, -16.62, -27.24

 

CMYK 0 / 82 / 4 / 31

HEX #B020A9

RGB 176 32 169

HSL 302.92, 0.69%, 0.41%

LAB 42.96, 68.71, -40.05

 

CMYK 0 / 61 / 82 / 31

HEX #B04420

RGB 176 68 32

HSL 15, 0.69%, 0.41%

LAB 43.46, 42.24, 42.79

 

CMYK 82 / 0 / 77 / 31

HEX #20B029

RGB 32 176 41

HSL 123.75, 0.69%, 0.41%

LAB 62.94, -61.23, 54.82

 

CMYK 82 / 45 / 0 / 31

HEX #2061B0

RGB 32 97 176

HSL 212.92, 0.69%, 0.41%

LAB 41.2, 9.1, -47.79

 

CMYK 0 / 82 / 4 / 31

HEX #B020A9

RGB 176 32 169

HSL 302.92, 0.69%, 0.41%

LAB 42.96, 68.71, -40.05

 

CMYK 0 / 37 / 82 / 31

HEX #B06F20

RGB 176 111 32

HSL 32.92, 0.69%, 0.41%

LAB 52.62, 19.58, 51.25

 

Description

Color code: RGB 32 176 41 | qconv.com Color code: RGB 32 176 41 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 176 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 176 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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