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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 56.2 205.6 it is the complementary color RGB 225 198.8 49.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 56.2 205.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 56.2 205.6 shade: RGB 35 56.2 200.6, RGB 52 74.2 219.6, RGB 69 92.2 238.6, RGB 86 110.2 255 and RGB 103 128.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 56.2 205.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 56.2 205.6 shade: RGB 30 56.2 205.6, RGB 13 38.2 186.6, RGB 0 20.2 167.6, RGB 0 2.2 148.6 and RGB 0 0 129.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 56.2 205.6 shade: RGB 29 56 205, RGB 51 29 205, RGB 98 29 205, RGB 145 29 205 and RGB 193 29 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 56.2 205.6 shade: RGB 29 56 205 and RGB 29 29 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 56.2 205.6 shade matches the following richer shades: RGB 29 56 205 and RGB 10 42 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 56.2 205.6 shade: RGB 29 56 205, RGB 48 69 186, RGB 67 82 167, RGB 86 96 148 and RGB 105 109 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 56.2 205.6 shade: RGB 29 150 205, RGB 29 103 205, RGB 29 56 205, RGB 50 29 205 and RGB 97 29 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 56.2 205.6 shade: RGB 19 36 133, RGB 24 46 169, RGB 29 56 205, RGB 50 76 226 and RGB 86 108 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 56.2 205.6 shade: RGB 30 56.2 205.6, RGB 205 29 196 and RGB 126 205 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 56.2 205.6 shade: RGB 30 56.2 205.6, RGB 205 29 56 and RGB 56 205 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 56.2 205.6 shade: RGB 30 56.2 205.6, RGB 205 29 196, RGB 205 179 29 and RGB 29 205 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 56.2 205.6 shade: RGB 30 56.2 205.6, RGB 205 29 144, RGB 205 179 29 and RGB 29 205 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 73 / 0 / 19

HEX #1E38CD

RGB 30 56.2 205.6

HSL 231.05, 0.75%, 0.46%

LAB 33.05, 46.53, -78.4

 

Complementary color

CMYK 0 / 12 / 78 / 12

HEX #E1C631

RGB 225 198.8 49.4

HSL 51.05, 0.75%, 0.54%

LAB 80.17, -5.62, 72.08

 

CMYK 83 / 72 / 0 / 21

HEX #2338C8

RGB 35 56.2 200.6

HSL 232.32, 0.7%, 0.46%

LAB 32.71, 45.08, -76.05

 

CMYK 76 / 66 / 0 / 14

HEX #344ADB

RGB 52 74.2 219.6

HSL 232.05, 0.7%, 0.53%

LAB 39.24, 42.18, -76.24

 

CMYK 71 / 61 / 0 / 6

HEX #455CEE

RGB 69 92.2 238.6

HSL 231.79, 0.84%, 0.6%

LAB 45.86, 39.53, -76.14

 

CMYK 66 / 57 / 0 / 0

HEX #566EFF

RGB 86 110.2 255

HSL 231.41, 1%, 0.67%

LAB 52.28, 36.33, -74.78

 

CMYK 60 / 50 / 0 / 0

HEX #6780FF

RGB 103 128.2 255

HSL 230.05, 1%, 0.7%

LAB 57.65, 28.15, -66.05

 

CMYK 85 / 73 / 0 / 19

HEX #1E38CD

RGB 30 56.2 205.6

HSL 231.05, 0.75%, 0.46%

LAB 33.05, 46.53, -78.4

 

CMYK 93 / 80 / 0 / 27

HEX #0D26BA

RGB 13 38.2 186.6

HSL 231.29, 0.87%, 0.39%

LAB 26.89, 49.52, -77.47

 

CMYK 100 / 88 / 0 / 34

HEX #0014A7

RGB 0 20.2 167.6

HSL 232.77, 1%, 0.33%

LAB 21.28, 51.69, -75.42

 

CMYK 100 / 99 / 0 / 42

HEX #000294

RGB 0 2.2 148.6

HSL 239.11, 1%, 0.29%

LAB 16.53, 52.21, -71.71

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129.6

HSL 240, 1%, 0.25%

LAB 13.24, 47.94, -65.29

 

CMYK 86 / 73 / 0 / 20

HEX #1D38CD

RGB 29 56 205

HSL 230.8, 0.75%, 0.46%

LAB 32.91, 46.39, -78.28

 

CMYK 75 / 86 / 0 / 20

HEX #331DCD

RGB 51 29 205

HSL 247.5, 0.75%, 0.46%

LAB 29.39, 60.81, -84.09

 

CMYK 52 / 86 / 0 / 20

HEX #621DCD

RGB 98 29 205

HSL 263.52, 0.75%, 0.46%

LAB 33.74, 64.51, -76.75

 

CMYK 29 / 86 / 0 / 20

HEX #911DCD

RGB 145 29 205

HSL 279.55, 0.75%, 0.46%

LAB 40.09, 70.42, -66.09

 

CMYK 6 / 86 / 0 / 20

HEX #C11DCD

RGB 193 29 205

HSL 295.91, 0.75%, 0.46%

LAB 47.78, 78.09, -53.27

 

CMYK 86 / 73 / 0 / 20

HEX #1D38CD

RGB 29 56 205

HSL 230.8, 0.75%, 0.46%

LAB 32.91, 46.39, -78.28

 

CMYK 86 / 86 / 0 / 20

HEX #1D1DCD

RGB 29 29 205

HSL 240, 0.75%, 0.46%

LAB 28.24, 59.9, -86.03

 

CMYK 86 / 73 / 0 / 20

HEX #1D38CD

RGB 29 56 205

HSL 230.8, 0.75%, 0.46%

LAB 32.91, 46.39, -78.28

 

CMYK 96 / 81 / 0 / 12

HEX #0A2AE0

RGB 10 42 224

HSL 231.03, 0.91%, 0.46%

LAB 32.04, 59.53, -90.71

 

CMYK 86 / 73 / 0 / 20

HEX #1D38CD

RGB 29 56 205

HSL 230.8, 0.75%, 0.46%

LAB 32.91, 46.39, -78.28

 

CMYK 74 / 63 / 0 / 27

HEX #3045BA

RGB 48 69 186

HSL 230.87, 0.59%, 0.46%

LAB 34.86, 33.05, -63.92

 

CMYK 60 / 51 / 0 / 35

HEX #4352A7

RGB 67 82 167

HSL 231, 0.43%, 0.46%

LAB 37.87, 20.74, -47.73

 

CMYK 42 / 35 / 0 / 42

HEX #566094

RGB 86 96 148

HSL 230.32, 0.26%, 0.46%

LAB 41.97, 10.13, -29.79

 

CMYK 19 / 16 / 0 / 49

HEX #696D81

RGB 105 109 129

HSL 230, 0.1%, 0.46%

LAB 46.35, 3, -11.55

 

CMYK 86 / 27 / 0 / 20

HEX #1D96CD

RGB 29 150 205

HSL 198.75, 0.75%, 0.46%

LAB 58.49, -12.09, -37.06

 

CMYK 86 / 50 / 0 / 20

HEX #1D67CD

RGB 29 103 205

HSL 214.77, 0.75%, 0.46%

LAB 44.76, 16.34, -58.91

 

CMYK 86 / 73 / 0 / 20

HEX #1D38CD

RGB 29 56 205

HSL 230.8, 0.75%, 0.46%

LAB 32.91, 46.39, -78.28

 

CMYK 76 / 86 / 0 / 20

HEX #321DCD

RGB 50 29 205

HSL 247.16, 0.75%, 0.46%

LAB 29.32, 60.76, -84.2

 

CMYK 53 / 86 / 0 / 20

HEX #611DCD

RGB 97 29 205

HSL 263.18, 0.75%, 0.46%

LAB 33.62, 64.41, -76.95

 

CMYK 86 / 73 / 0 / 48

HEX #132485

RGB 19 36 133

HSL 231.05, 0.75%, 0.3%

LAB 20.42, 32.03, -55.49

 

CMYK 86 / 73 / 0 / 34

HEX #182EA9

RGB 24 46 169

HSL 230.9, 0.75%, 0.38%

LAB 26.77, 39.37, -67.14

 

CMYK 86 / 73 / 0 / 20

HEX #1D38CD

RGB 29 56 205

HSL 230.8, 0.75%, 0.46%

LAB 32.91, 46.39, -78.28

 

CMYK 78 / 66 / 0 / 11

HEX #324CE2

RGB 50 76 226

HSL 231.14, 0.75%, 0.54%

LAB 40.14, 43.14, -78.41

 

CMYK 63 / 53 / 0 / 9

HEX #566CE7

RGB 86 108 231

HSL 230.9, 0.75%, 0.62%

LAB 50.06, 29.61, -64.99

 

CMYK 85 / 73 / 0 / 19

HEX #1E38CD

RGB 30 56.2 205.6

HSL 231.05, 0.75%, 0.46%

LAB 33.05, 46.53, -78.4

 

CMYK 0 / 86 / 4 / 20

HEX #CD1DC4

RGB 205 29 196

HSL 303.07, 0.75%, 0.46%

LAB 49.31, 78.86, -45.51

 

CMYK 39 / 0 / 86 / 20

HEX #7ECD1D

RGB 126 205 29

HSL 86.93, 0.75%, 0.46%

LAB 74.94, -49.09, 70.17

 

CMYK 85 / 73 / 0 / 19

HEX #1E38CD

RGB 30 56.2 205.6

HSL 231.05, 0.75%, 0.46%

LAB 33.05, 46.53, -78.4

 

CMYK 0 / 86 / 73 / 20

HEX #CD1D38

RGB 205 29 56

HSL 350.8, 0.75%, 0.46%

LAB 44.44, 65.43, 32.19

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 85 / 73 / 0 / 19

HEX #1E38CD

RGB 30 56.2 205.6

HSL 231.05, 0.75%, 0.46%

LAB 33.05, 46.53, -78.4

 

CMYK 0 / 86 / 4 / 20

HEX #CD1DC4

RGB 205 29 196

HSL 303.07, 0.75%, 0.46%

LAB 49.31, 78.86, -45.51

 

CMYK 0 / 13 / 86 / 20

HEX #CDB31D

RGB 205 179 29

HSL 51.14, 0.75%, 0.46%

LAB 73.09, -4.65, 70.83

 

CMYK 86 / 0 / 81 / 20

HEX #1DCD26

RGB 29 205 38

HSL 123.07, 0.75%, 0.46%

LAB 72.27, -70.32, 64.61

 

CMYK 85 / 73 / 0 / 19

HEX #1E38CD

RGB 30 56.2 205.6

HSL 231.05, 0.75%, 0.46%

LAB 33.05, 46.53, -78.4

 

CMYK 0 / 86 / 30 / 20

HEX #CD1D90

RGB 205 29 144

HSL 320.8, 0.75%, 0.46%

LAB 46.81, 72.16, -18.65

 

CMYK 0 / 13 / 86 / 20

HEX #CDB31D

RGB 205 179 29

HSL 51.14, 0.75%, 0.46%

LAB 73.09, -4.65, 70.83

 

CMYK 86 / 0 / 56 / 20

HEX #1DCD5B

RGB 29 205 91

HSL 141.14, 0.75%, 0.46%

LAB 72.68, -65.22, 44.69

 

Description

Color code: RGB 30 56.2 205.6 | qconv.com Color code: RGB 30 56.2 205.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 56.2 green and 205.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 56.2 205.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 73 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 73% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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