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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 35 54 it is the complementary color RGB 225 220 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 35 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 30 35 54: RGB 35 35 49, RGB 52 53 68, RGB 69 71 87, RGB 86 89 106 and RGB 103 107 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 35 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 30 35 54: RGB 30 35 54, RGB 13 17 35, RGB 0 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

Complementary color

CMYK 0 / 2 / 11 / 12

HEX #E1DCC9

RGB 225 220 201

HSL 47.5, 0.29%, 0.84%

LAB 87.68, -1.51, 9.93

 

CMYK 29 / 29 / 0 / 81

HEX #232331

RGB 35 35 49

HSL 240, 0.17%, 0.16%

LAB 14.29, 3.88, -9.18

 

CMYK 24 / 22 / 0 / 73

HEX #343544

RGB 52 53 68

HSL 236.25, 0.13%, 0.24%

LAB 22.63, 3.44, -9.44

 

CMYK 21 / 18 / 0 / 66

HEX #454757

RGB 69 71 87

HSL 233.33, 0.12%, 0.31%

LAB 30.54, 3.09, -9.76

 

CMYK 19 / 16 / 0 / 58

HEX #56596A

RGB 86 89 106

HSL 231, 0.1%, 0.38%

LAB 38.13, 2.79, -10.12

 

CMYK 18 / 14 / 0 / 51

HEX #676B7D

RGB 103 107 125

HSL 229.09, 0.1%, 0.45%

LAB 45.47, 2.54, -10.5

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 63 / 51 / 0 / 86

HEX #0D1123

RGB 13 17 35

HSL 229.09, 0.46%, 0.09%

LAB 5.49, 3.77, -12.66

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 46 / 42 / 0 / 80

HEX #1C1E34

RGB 28 30 52

HSL 235, 0.3%, 0.16%

LAB 12.11, 5.97, -14.76

 

CMYK 40 / 46 / 0 / 80

HEX #1F1C34

RGB 31 28 52

HSL 247.5, 0.3%, 0.16%

LAB 11.75, 8.52, -15.3

 

CMYK 33 / 46 / 0 / 80

HEX #231C34

RGB 35 28 52

HSL 257.5, 0.3%, 0.16%

LAB 12.19, 9.95, -14.58

 

CMYK 25 / 46 / 0 / 80

HEX #271C34

RGB 39 28 52

HSL 267.5, 0.3%, 0.16%

LAB 12.67, 11.45, -13.8

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 45 / 35 / 0 / 59

HEX #3A4469

RGB 58 68 105

HSL 227.23, 0.29%, 0.32%

LAB 29.55, 6.68, -22.89

 

CMYK 44 / 35 / 0 / 39

HEX #57659C

RGB 87 101 156

HSL 227.83, 0.28%, 0.48%

LAB 43.85, 9.72, -31.61

 

CMYK 44 / 35 / 0 / 19

HEX #7386CF

RGB 115 134 207

HSL 227.61, 0.49%, 0.63%

LAB 57.27, 12.29, -39.87

 

CMYK 33 / 33 / 0 / 99

HEX #020203

RGB 2 2 3

HSL 240, 0.2%, 0.01%

LAB 0.57, 0.14, -0.38

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 0 / 46 / 0 / 80

HEX #341C34

RGB 52 28 52

HSL 300, 0.3%, 0.16%

LAB 14.45, 16.48, -10.9

 

CMYK 17 / 0 / 46 / 80

HEX #2B341C

RGB 43 52 28

HSL 82.5, 0.3%, 0.16%

LAB 20.26, -8.9, 13.94

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 0 / 46 / 35 / 80

HEX #341C22

RGB 52 28 34

HSL 345, 0.3%, 0.16%

LAB 13.69, 12.79, 0.95

 

CMYK 35 / 0 / 46 / 80

HEX #22341C

RGB 34 52 28

HSL 105, 0.3%, 0.16%

LAB 19.56, -13.02, 12.9

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 0 / 46 / 0 / 80

HEX #341C34

RGB 52 28 52

HSL 300, 0.3%, 0.16%

LAB 14.45, 16.48, -10.9

 

CMYK 0 / 10 / 46 / 80

HEX #342F1C

RGB 52 47 28

HSL 47.5, 0.3%, 0.16%

LAB 19.42, -1.21, 13.03

 

CMYK 44 / 0 / 46 / 80

HEX #1D341C

RGB 29 52 28

HSL 117.5, 0.3%, 0.16%

LAB 19.23, -15.1, 12.41

 

CMYK 44 / 35 / 0 / 79

HEX #1E2336

RGB 30 35 54

HSL 227.5, 0.29%, 0.16%

LAB 14.08, 3.66, -13.1

 

CMYK 0 / 46 / 13 / 80

HEX #341C2D

RGB 52 28 45

HSL 317.5, 0.3%, 0.16%

LAB 14.12, 14.91, -6.39

 

CMYK 0 / 10 / 46 / 80

HEX #342F1C

RGB 52 47 28

HSL 47.5, 0.3%, 0.16%

LAB 19.42, -1.21, 13.03

 

CMYK 46 / 0 / 33 / 80

HEX #1C3423

RGB 28 52 35

HSL 137.5, 0.3%, 0.16%

LAB 19.33, -13.99, 7.88

 

Description

Color code: RGB 30 35 54 | qconv.com Color code: RGB 30 35 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 35 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 35 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 35 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 35% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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