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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 110.2 127.6 it is the complementary color RGB 225 144.8 127.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 110.2 127.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 110.2 127.6 shade: RGB 35 110.2 122.6, RGB 52 128.2 141.6, RGB 69 146.2 160.6, RGB 86 164.2 179.6 and RGB 103 182.2 198.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 110.2 127.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 110.2 127.6 shade: RGB 30 110.2 127.6, RGB 13 92.2 108.6, RGB 0 74.2 89.6, RGB 0 56.2 70.6 and RGB 0 38.2 51.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 110.2 127.6 shade: RGB 30 111 128, RGB 30 84 128, RGB 30 58 128, RGB 30 31 128 and RGB 55 30 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 110.2 127.6 shade: RGB 30 111 128, RGB 30 84 128, RGB 30 58 128, RGB 30 31 128 and RGB 30 30 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 110.2 127.6 shade matches the following richer shades: RGB 30 111 128, RGB 17 119 141 and RGB 4 127 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 110.2 127.6 shade: RGB 30 111 128, RGB 43 102 115, RGB 56 94 102, RGB 68 86 90 and RGB 81 78 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 110.2 127.6 shade: RGB 30 128 92, RGB 30 128 118, RGB 30 112 128, RGB 30 86 128 and RGB 30 59 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 110.2 127.6 shade: RGB 14 53 61, RGB 22 82 95, RGB 30 111 128, RGB 38 139 161 and RGB 46 168 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 110.2 127.6 shade: RGB 30 110.2 127.6, RGB 66 30 128 and RGB 128 105 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 110.2 127.6 shade: RGB 30 110.2 127.6, RGB 128 30 112 and RGB 112 128 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 110.2 127.6 shade: RGB 30 110.2 127.6, RGB 66 30 128, RGB 128 46 30 and RGB 92 128 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 110.2 127.6 shade: RGB 30 110.2 127.6, RGB 95 30 128, RGB 128 46 30 and RGB 63 128 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 14 / 0 / 50

HEX #1E6E7F

RGB 30 110.2 127.6

HSL 190.7, 0.62%, 0.31%

LAB 42.79, -17.35, -16.47

 

Complementary color

CMYK 0 / 36 / 43 / 12

HEX #E1907F

RGB 225 144.8 127.4

HSL 10.7, 0.62%, 0.69%

LAB 67.83, 28.38, 21.85

 

CMYK 71 / 10 / 0 / 52

HEX #236E7A

RGB 35 110.2 122.6

HSL 188.49, 0.56%, 0.31%

LAB 42.72, -18.33, -13.56

 

CMYK 63 / 9 / 0 / 44

HEX #34808D

RGB 52 128.2 141.6

HSL 188.97, 0.46%, 0.38%

LAB 49.69, -19.01, -14.23

 

CMYK 57 / 9 / 0 / 37

HEX #4592A0

RGB 69 146.2 160.6

HSL 189.43, 0.4%, 0.45%

LAB 56.53, -19.45, -14.82

 

CMYK 52 / 9 / 0 / 30

HEX #56A4B3

RGB 86 164.2 179.6

HSL 189.87, 0.38%, 0.52%

LAB 63.24, -19.73, -15.36

 

CMYK 48 / 8 / 0 / 22

HEX #67B6C6

RGB 103 182.2 198.6

HSL 190.29, 0.46%, 0.59%

LAB 69.84, -19.93, -15.87

 

CMYK 76 / 14 / 0 / 50

HEX #1E6E7F

RGB 30 110.2 127.6

HSL 190.7, 0.62%, 0.31%

LAB 42.79, -17.35, -16.47

 

CMYK 88 / 15 / 0 / 57

HEX #0D5C6C

RGB 13 92.2 108.6

HSL 190.29, 0.79%, 0.24%

LAB 35.73, -15.94, -15.71

 

CMYK 100 / 17 / 0 / 65

HEX #004A59

RGB 0 74.2 89.6

HSL 190.31, 1%, 0.18%

LAB 28.53, -13.89, -14.8

 

CMYK 100 / 20 / 0 / 72

HEX #003846

RGB 0 56.2 70.6

HSL 192.24, 1%, 0.14%

LAB 21.2, -10.69, -13.61

 

CMYK 100 / 26 / 0 / 80

HEX #002633

RGB 0 38.2 51.6

HSL 195.58, 1%, 0.1%

LAB 13.49, -7.23, -12.44

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 77 / 34 / 0 / 50

HEX #1E5480

RGB 30 84 128

HSL 206.94, 0.62%, 0.31%

LAB 34.35, -1.58, -29.84

 

CMYK 77 / 55 / 0 / 50

HEX #1E3A80

RGB 30 58 128

HSL 222.86, 0.62%, 0.31%

LAB 26.33, 16, -42.65

 

CMYK 77 / 76 / 0 / 50

HEX #1E1F80

RGB 30 31 128

HSL 239.39, 0.62%, 0.31%

LAB 19.29, 34.27, -54.18

 

CMYK 57 / 77 / 0 / 50

HEX #371E80

RGB 55 30 128

HSL 255.31, 0.62%, 0.31%

LAB 21.2, 38.01, -50.94

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 77 / 34 / 0 / 50

HEX #1E5480

RGB 30 84 128

HSL 206.94, 0.62%, 0.31%

LAB 34.35, -1.58, -29.84

 

CMYK 77 / 55 / 0 / 50

HEX #1E3A80

RGB 30 58 128

HSL 222.86, 0.62%, 0.31%

LAB 26.33, 16, -42.65

 

CMYK 77 / 76 / 0 / 50

HEX #1E1F80

RGB 30 31 128

HSL 239.39, 0.62%, 0.31%

LAB 19.29, 34.27, -54.18

 

CMYK 77 / 77 / 0 / 50

HEX #1E1E80

RGB 30 30 128

HSL 240, 0.62%, 0.31%

LAB 19.07, 34.88, -54.53

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 88 / 16 / 0 / 45

HEX #11778D

RGB 17 119 141

HSL 190.65, 0.78%, 0.31%

LAB 45.96, -18.78, -19.64

 

CMYK 97 / 18 / 0 / 40

HEX #047F9A

RGB 4 127 154

HSL 190.8, 0.95%, 0.31%

LAB 48.93, -19.18, -22.73

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 63 / 11 / 0 / 55

HEX #2B6673

RGB 43 102 115

HSL 190.83, 0.46%, 0.31%

LAB 40.01, -14.85, -13.05

 

CMYK 45 / 8 / 0 / 60

HEX #385E66

RGB 56 94 102

HSL 190.43, 0.29%, 0.31%

LAB 37.49, -11.15, -8.81

 

CMYK 24 / 4 / 0 / 65

HEX #44565A

RGB 68 86 90

HSL 190.91, 0.14%, 0.31%

LAB 35.25, -5.89, -4.62

 

CMYK 0 / 4 / 5 / 68

HEX #514E4D

RGB 81 78 77

HSL 15, 0.03%, 0.31%

LAB 33.42, 1.02, 1.02

 

CMYK 77 / 0 / 28 / 50

HEX #1E805C

RGB 30 128 92

HSL 157.96, 0.62%, 0.31%

LAB 47.61, -36.67, 11.77

 

CMYK 77 / 0 / 8 / 50

HEX #1E8076

RGB 30 128 118

HSL 173.88, 0.62%, 0.31%

LAB 48.29, -29.63, -2.5

 

CMYK 77 / 13 / 0 / 50

HEX #1E7080

RGB 30 112 128

HSL 189.8, 0.62%, 0.31%

LAB 43.39, -18.2, -15.79

 

CMYK 77 / 33 / 0 / 50

HEX #1E5680

RGB 30 86 128

HSL 205.71, 0.62%, 0.31%

LAB 34.98, -2.85, -28.83

 

CMYK 77 / 54 / 0 / 50

HEX #1E3B80

RGB 30 59 128

HSL 222.24, 0.62%, 0.31%

LAB 26.63, 15.3, -42.17

 

CMYK 77 / 13 / 0 / 76

HEX #0E353D

RGB 14 53 61

HSL 190.21, 0.63%, 0.15%

LAB 19.95, -10.41, -9

 

CMYK 77 / 14 / 0 / 63

HEX #16525F

RGB 22 82 95

HSL 190.68, 0.62%, 0.23%

LAB 31.88, -13.99, -13.07

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 76 / 14 / 0 / 37

HEX #268BA1

RGB 38 139 161

HSL 190.73, 0.62%, 0.39%

LAB 53.44, -20.58, -19.83

 

CMYK 76 / 14 / 0 / 24

HEX #2EA8C3

RGB 46 168 195

HSL 190.87, 0.62%, 0.47%

LAB 63.78, -23.59, -23.26

 

CMYK 76 / 14 / 0 / 50

HEX #1E6E7F

RGB 30 110.2 127.6

HSL 190.7, 0.62%, 0.31%

LAB 42.79, -17.35, -16.47

 

CMYK 48 / 77 / 0 / 50

HEX #421E80

RGB 66 30 128

HSL 262.04, 0.62%, 0.31%

LAB 22.46, 39.8, -48.83

 

CMYK 0 / 18 / 77 / 50

HEX #80691E

RGB 128 105 30

HSL 45.92, 0.62%, 0.31%

LAB 45.34, 0.84, 43.19

 

CMYK 76 / 14 / 0 / 50

HEX #1E6E7F

RGB 30 110.2 127.6

HSL 190.7, 0.62%, 0.31%

LAB 42.79, -17.35, -16.47

 

CMYK 0 / 77 / 13 / 50

HEX #801E70

RGB 128 30 112

HSL 309.8, 0.62%, 0.31%

LAB 31.08, 49.89, -24.3

 

CMYK 13 / 0 / 77 / 50

HEX #70801E

RGB 112 128 30

HSL 69.8, 0.62%, 0.31%

LAB 50.66, -19.33, 47.79

 

CMYK 76 / 14 / 0 / 50

HEX #1E6E7F

RGB 30 110.2 127.6

HSL 190.7, 0.62%, 0.31%

LAB 42.79, -17.35, -16.47

 

CMYK 48 / 77 / 0 / 50

HEX #421E80

RGB 66 30 128

HSL 262.04, 0.62%, 0.31%

LAB 22.46, 39.8, -48.83

 

CMYK 0 / 64 / 77 / 50

HEX #802E1E

RGB 128 46 30

HSL 9.8, 0.62%, 0.31%

LAB 30.97, 34.49, 28.41

 

CMYK 28 / 0 / 77 / 50

HEX #5C801E

RGB 92 128 30

HSL 82.04, 0.62%, 0.31%

LAB 49.26, -27.93, 45.96

 

CMYK 76 / 14 / 0 / 50

HEX #1E6E7F

RGB 30 110.2 127.6

HSL 190.7, 0.62%, 0.31%

LAB 42.79, -17.35, -16.47

 

CMYK 26 / 77 / 0 / 50

HEX #5F1E80

RGB 95 30 128

HSL 279.8, 0.62%, 0.31%

LAB 26.51, 45.36, -42.07

 

CMYK 0 / 64 / 77 / 50

HEX #802E1E

RGB 128 46 30

HSL 9.8, 0.62%, 0.31%

LAB 30.97, 34.49, 28.41

 

CMYK 51 / 0 / 77 / 50

HEX #3F801E

RGB 63 128 30

HSL 99.8, 0.62%, 0.31%

LAB 47.74, -38.66, 43.95

 

Description

Color code: RGB 30 110.2 127.6 | qconv.com Color code: RGB 30 110.2 127.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 110.2 green and 127.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 110.2 127.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 14 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 14% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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