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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 161 192 it is the complementary color RGB 253 94 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 161 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 2 161 192: RGB 7 161 187, RGB 24 179 206, RGB 41 197 225, RGB 58 215 244 and RGB 75 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 161 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 2 161 192: RGB 2 161 192, RGB 0 143 173, RGB 0 125 154, RGB 0 107 135 and RGB 0 89 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

Complementary color

CMYK 0 / 63 / 75 / 1

HEX #FD5E3F

RGB 253 94 63

HSL 9.79, 0.98%, 0.62%

LAB 61, 58.98, 49.15

 

CMYK 96 / 14 / 0 / 27

HEX #07A1BB

RGB 7 161 187

HSL 188.67, 0.93%, 0.38%

LAB 60.89, -25.35, -23.25

 

CMYK 88 / 13 / 0 / 19

HEX #18B3CE

RGB 24 179 206

HSL 188.9, 0.79%, 0.45%

LAB 67.19, -27.35, -24.14

 

CMYK 82 / 12 / 0 / 12

HEX #29C5E1

RGB 41 197 225

HSL 189.13, 0.75%, 0.52%

LAB 73.44, -28.96, -24.95

 

CMYK 76 / 12 / 0 / 4

HEX #3AD7F4

RGB 58 215 244

HSL 189.35, 0.89%, 0.59%

LAB 79.63, -30.24, -25.67

 

CMYK 71 / 9 / 0 / 0

HEX #4BE9FF

RGB 75 233 255

HSL 187.33, 1%, 0.65%

LAB 85.5, -33.63, -22.53

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 100 / 17 / 0 / 32

HEX #008FAD

RGB 0 143 173

HSL 190.4, 1%, 0.34%

LAB 54.72, -21.12, -24.79

 

CMYK 100 / 19 / 0 / 40

HEX #007D9A

RGB 0 125 154

HSL 191.3, 1%, 0.3%

LAB 48.26, -18.28, -23.76

 

CMYK 100 / 21 / 0 / 47

HEX #006B87

RGB 0 107 135

HSL 192.44, 1%, 0.26%

LAB 41.63, -15.32, -22.74

 

CMYK 100 / 23 / 0 / 55

HEX #005974

RGB 0 89 116

HSL 193.97, 1%, 0.23%

LAB 34.81, -12.23, -21.73

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 99 / 31 / 0 / 25

HEX #0183BF

RGB 1 131 191

HSL 198.95, 0.99%, 0.38%

LAB 51.84, -7.78, -39.6

 

CMYK 99 / 48 / 0 / 25

HEX #0164BF

RGB 1 100 191

HSL 208.74, 0.99%, 0.38%

LAB 42.59, 11.37, -54.35

 

CMYK 99 / 64 / 0 / 25

HEX #0144BF

RGB 1 68 191

HSL 218.84, 0.99%, 0.38%

LAB 33.78, 32.62, -68.69

 

CMYK 99 / 81 / 0 / 25

HEX #0124BF

RGB 1 36 191

HSL 228.95, 0.99%, 0.38%

LAB 26.82, 51.85, -80.2

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 99 / 16 / 0 / 5

HEX #03CCF3

RGB 3 204 243

HSL 189.75, 0.98%, 0.48%

LAB 75.87, -28.27, -30.95

 

CMYK 100 / 15 / 0 / 85

HEX #002127

RGB 0 33 39

HSL 189.23, 1%, 0.08%

LAB 10.81, -9.38, -7.5

 

CMYK 99 / 17 / 0 / 65

HEX #014B5A

RGB 1 75 90

HSL 190.11, 0.98%, 0.18%

LAB 28.84, -14.11, -14.57

 

CMYK 99 / 16 / 0 / 45

HEX #01768D

RGB 1 118 141

HSL 189.86, 0.99%, 0.28%

LAB 45.48, -19.14, -20.39

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 64 / 99 / 0 / 25

HEX #4401BF

RGB 68 1 191

HSL 261.16, 0.99%, 0.38%

LAB 26.77, 65.07, -80.18

 

CMYK 0 / 25 / 99 / 25

HEX #BF9001

RGB 191 144 1

HSL 45.16, 0.99%, 0.38%

LAB 62.53, 7.4, 66.98

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 0 / 99 / 15 / 25

HEX #BF01A3

RGB 191 1 163

HSL 308.84, 0.99%, 0.38%

LAB 43.86, 75.1, -34.86

 

CMYK 15 / 0 / 99 / 25

HEX #A3BF01

RGB 163 191 1

HSL 68.84, 0.99%, 0.38%

LAB 72.93, -29.27, 73.41

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 64 / 99 / 0 / 25

HEX #4401BF

RGB 68 1 191

HSL 261.16, 0.99%, 0.38%

LAB 26.77, 65.07, -80.18

 

CMYK 0 / 84 / 99 / 25

HEX #BF1E01

RGB 191 30 1

HSL 9.16, 0.99%, 0.38%

LAB 41.23, 60.12, 54.29

 

CMYK 35 / 0 / 99 / 25

HEX #7DBF01

RGB 125 191 1

HSL 80.84, 0.99%, 0.38%

LAB 70.61, -44.26, 70.63

 

CMYK 99 / 16 / 0 / 25

HEX #02A1C0

RGB 2 161 192

HSL 189.79, 0.98%, 0.38%

LAB 61.05, -23.81, -25.8

 

CMYK 35 / 99 / 0 / 25

HEX #7D01BF

RGB 125 1 191

HSL 279.16, 0.99%, 0.38%

LAB 34.28, 69.73, -67.53

 

CMYK 0 / 84 / 99 / 25

HEX #BF1E01

RGB 191 30 1

HSL 9.16, 0.99%, 0.38%

LAB 41.23, 60.12, 54.29

 

CMYK 64 / 0 / 99 / 25

HEX #44BF01

RGB 68 191 1

HSL 98.84, 0.99%, 0.38%

LAB 68.38, -61.35, 67.92

 

Description

Color code: RGB 2 161 192 | qconv.com Color code: RGB 2 161 192 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 161 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 161 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 16 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 16% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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