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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 92.2 108.6 it is the complementary color RGB 226 162.8 146.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 92.2 108.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 92.2 108.6 shade: RGB 34 92.2 103.6, RGB 51 110.2 122.6, RGB 68 128.2 141.6, RGB 85 146.2 160.6 and RGB 102 164.2 179.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 92.2 108.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 92.2 108.6 shade: RGB 29 92.2 108.6, RGB 12 74.2 89.6, RGB 0 56.2 70.6, RGB 0 38.2 51.6 and RGB 0 20.2 32.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 92.2 108.6 shade: RGB 29 92 109, RGB 29 71 109, RGB 29 49 109, RGB 30 29 109 and RGB 52 29 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 92.2 108.6 shade: RGB 29 92 109, RGB 29 71 109, RGB 29 49 109 and RGB 29 29 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 92.2 108.6 shade matches the following richer shades: RGB 29 92 109, RGB 18 99 120 and RGB 7 105 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 92.2 108.6 shade: RGB 29 92 109, RGB 40 86 98, RGB 51 79 87, RGB 62 73 75 and RGB 73 66 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 92.2 108.6 shade: RGB 29 109 82, RGB 29 109 103, RGB 29 93 109, RGB 29 72 109 and RGB 29 50 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 92.2 108.6 shade: RGB 12 37 44, RGB 20 65 76, RGB 29 92 109, RGB 38 120 141 and RGB 46 148 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 92.2 108.6 shade: RGB 29 92.2 108.6, RGB 61 29 109 and RGB 109 93 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 92.2 108.6 shade: RGB 29 92.2 108.6, RGB 109 29 93 and RGB 93 109 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 92.2 108.6 shade: RGB 29 92.2 108.6, RGB 61 29 109, RGB 109 45 29 and RGB 77 109 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 92.2 108.6 shade: RGB 29 92.2 108.6, RGB 85 29 109, RGB 109 45 29 and RGB 53 109 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 15 / 0 / 57

HEX #1D5C6C

RGB 29 92.2 108.6

HSL 192.36, 0.58%, 0.27%

LAB 36.07, -13.97, -15.16

 

Complementary color

CMYK 0 / 28 / 35 / 11

HEX #E2A292

RGB 226 162.8 146.4

HSL 12.36, 0.58%, 0.73%

LAB 72.48, 21.28, 17.8

 

CMYK 67 / 11 / 0 / 59

HEX #225C67

RGB 34 92.2 103.6

HSL 189.83, 0.51%, 0.27%

LAB 36.02, -14.83, -12.12

 

CMYK 58 / 10 / 0 / 52

HEX #336E7A

RGB 51 110.2 122.6

HSL 190.39, 0.41%, 0.34%

LAB 43.24, -15.33, -12.72

 

CMYK 52 / 9 / 0 / 44

HEX #44808D

RGB 68 128.2 141.6

HSL 190.92, 0.35%, 0.41%

LAB 50.29, -15.63, -13.27

 

CMYK 47 / 9 / 0 / 37

HEX #5592A0

RGB 85 146.2 160.6

HSL 191.43, 0.31%, 0.48%

LAB 57.18, -15.81, -13.77

 

CMYK 43 / 9 / 0 / 30

HEX #66A4B3

RGB 102 164.2 179.6

HSL 191.91, 0.34%, 0.55%

LAB 63.94, -15.93, -14.24

 

CMYK 73 / 15 / 0 / 57

HEX #1D5C6C

RGB 29 92.2 108.6

HSL 192.36, 0.58%, 0.27%

LAB 36.07, -13.97, -15.16

 

CMYK 87 / 17 / 0 / 65

HEX #0C4A59

RGB 12 74.2 89.6

HSL 191.91, 0.76%, 0.2%

LAB 28.73, -12.7, -14.47

 

CMYK 100 / 20 / 0 / 72

HEX #003846

RGB 0 56.2 70.6

HSL 192.24, 1%, 0.14%

LAB 21.2, -10.69, -13.61

 

CMYK 100 / 26 / 0 / 80

HEX #002633

RGB 0 38.2 51.6

HSL 195.58, 1%, 0.1%

LAB 13.49, -7.23, -12.44

 

CMYK 100 / 38 / 0 / 87

HEX #001420

RGB 0 20.2 32.6

HSL 202.82, 1%, 0.06%

LAB 5.56, -2.53, -10.79

 

CMYK 73 / 16 / 0 / 57

HEX #1D5C6D

RGB 29 92 109

HSL 192.75, 0.58%, 0.27%

LAB 36.02, -13.71, -15.48

 

CMYK 73 / 35 / 0 / 57

HEX #1D476D

RGB 29 71 109

HSL 208.5, 0.58%, 0.27%

LAB 29.09, -0.71, -26.27

 

CMYK 73 / 55 / 0 / 57

HEX #1D316D

RGB 29 49 109

HSL 225, 0.58%, 0.27%

LAB 22.17, 14.55, -37.32

 

CMYK 72 / 73 / 0 / 57

HEX #1E1D6D

RGB 30 29 109

HSL 240.75, 0.58%, 0.27%

LAB 16.79, 28.65, -46.08

 

CMYK 52 / 73 / 0 / 57

HEX #341D6D

RGB 52 29 109

HSL 257.25, 0.58%, 0.27%

LAB 18.86, 32.18, -42.62

 

CMYK 73 / 16 / 0 / 57

HEX #1D5C6D

RGB 29 92 109

HSL 192.75, 0.58%, 0.27%

LAB 36.02, -13.71, -15.48

 

CMYK 73 / 35 / 0 / 57

HEX #1D476D

RGB 29 71 109

HSL 208.5, 0.58%, 0.27%

LAB 29.09, -0.71, -26.27

 

CMYK 73 / 55 / 0 / 57

HEX #1D316D

RGB 29 49 109

HSL 225, 0.58%, 0.27%

LAB 22.17, 14.55, -37.32

 

CMYK 73 / 73 / 0 / 57

HEX #1D1D6D

RGB 29 29 109

HSL 240, 0.58%, 0.27%

LAB 16.72, 28.52, -46.2

 

CMYK 73 / 16 / 0 / 57

HEX #1D5C6D

RGB 29 92 109

HSL 192.75, 0.58%, 0.27%

LAB 36.02, -13.71, -15.48

 

CMYK 85 / 18 / 0 / 53

HEX #126378

RGB 18 99 120

HSL 192.35, 0.74%, 0.27%

LAB 38.57, -15.15, -18.37

 

CMYK 95 / 20 / 0 / 49

HEX #076983

RGB 7 105 131

HSL 192.58, 0.9%, 0.27%

LAB 40.88, -15.28, -21.5

 

CMYK 73 / 16 / 0 / 57

HEX #1D5C6D

RGB 29 92 109

HSL 192.75, 0.58%, 0.27%

LAB 36.02, -13.71, -15.48

 

CMYK 59 / 12 / 0 / 62

HEX #285662

RGB 40 86 98

HSL 192.41, 0.42%, 0.27%

LAB 33.96, -11.85, -11.73

 

CMYK 41 / 9 / 0 / 66

HEX #334F57

RGB 51 79 87

HSL 193.33, 0.26%, 0.27%

LAB 31.77, -8.14, -8.04

 

CMYK 17 / 3 / 0 / 71

HEX #3E494B

RGB 62 73 75

HSL 189.23, 0.09%, 0.27%

LAB 30.15, -3.91, -2.69

 

CMYK 0 / 10 / 12 / 71

HEX #494240

RGB 73 66 64

HSL 13.33, 0.07%, 0.27%

LAB 28.6, 2.57, 2.29

 

CMYK 73 / 0 / 25 / 57

HEX #1D6D52

RGB 29 109 82

HSL 159.75, 0.58%, 0.27%

LAB 40.91, -30.85, 8.29

 

CMYK 73 / 0 / 6 / 57

HEX #1D6D67

RGB 29 109 103

HSL 175.5, 0.58%, 0.27%

LAB 41.5, -24.91, -3.56

 

CMYK 73 / 15 / 0 / 57

HEX #1D5D6D

RGB 29 93 109

HSL 192, 0.58%, 0.27%

LAB 36.36, -14.29, -14.97

 

CMYK 73 / 34 / 0 / 57

HEX #1D486D

RGB 29 72 109

HSL 207.75, 0.58%, 0.27%

LAB 29.41, -1.37, -25.75

 

CMYK 73 / 54 / 0 / 57

HEX #1D326D

RGB 29 50 109

HSL 224.25, 0.58%, 0.27%

LAB 22.47, 13.83, -36.83

 

CMYK 73 / 16 / 0 / 83

HEX #0C252C

RGB 12 37 44

HSL 193.13, 0.57%, 0.11%

LAB 13.13, -6.97, -7.53

 

CMYK 74 / 14 / 0 / 70

HEX #14414C

RGB 20 65 76

HSL 191.79, 0.58%, 0.19%

LAB 25.11, -11.12, -11.15

 

CMYK 73 / 16 / 0 / 57

HEX #1D5C6D

RGB 29 92 109

HSL 192.75, 0.58%, 0.27%

LAB 36.02, -13.71, -15.48

 

CMYK 73 / 15 / 0 / 45

HEX #26788D

RGB 38 120 141

HSL 192.23, 0.58%, 0.35%

LAB 46.67, -17.06, -18.51

 

CMYK 74 / 15 / 0 / 32

HEX #2E94AE

RGB 46 148 174

HSL 192.19, 0.58%, 0.43%

LAB 56.9, -20.04, -21.97

 

CMYK 73 / 15 / 0 / 57

HEX #1D5C6C

RGB 29 92.2 108.6

HSL 192.36, 0.58%, 0.27%

LAB 36.07, -13.97, -15.16

 

CMYK 44 / 73 / 0 / 57

HEX #3D1D6D

RGB 61 29 109

HSL 264, 0.58%, 0.27%

LAB 19.94, 33.96, -40.8

 

CMYK 0 / 15 / 73 / 57

HEX #6D5D1D

RGB 109 93 29

HSL 48, 0.58%, 0.27%

LAB 39.86, -1.31, 37.51

 

CMYK 73 / 15 / 0 / 57

HEX #1D5C6C

RGB 29 92.2 108.6

HSL 192.36, 0.58%, 0.27%

LAB 36.07, -13.97, -15.16

 

CMYK 0 / 73 / 15 / 57

HEX #6D1D5D

RGB 109 29 93

HSL 312, 0.58%, 0.27%

LAB 26.51, 42.31, -19.42

 

CMYK 15 / 0 / 73 / 57

HEX #5D6D1D

RGB 93 109 29

HSL 72, 0.58%, 0.27%

LAB 43.29, -17.92, 40.49

 

CMYK 73 / 15 / 0 / 57

HEX #1D5C6C

RGB 29 92.2 108.6

HSL 192.36, 0.58%, 0.27%

LAB 36.07, -13.97, -15.16

 

CMYK 44 / 73 / 0 / 57

HEX #3D1D6D

RGB 61 29 109

HSL 264, 0.58%, 0.27%

LAB 19.94, 33.96, -40.8

 

CMYK 0 / 59 / 73 / 57

HEX #6D2D1D

RGB 109 45 29

HSL 12, 0.58%, 0.27%

LAB 27.34, 27.32, 24.01

 

CMYK 29 / 0 / 73 / 57

HEX #4D6D1D

RGB 77 109 29

HSL 84, 0.58%, 0.27%

LAB 42.16, -24.91, 38.98

 

CMYK 73 / 15 / 0 / 57

HEX #1D5C6C

RGB 29 92.2 108.6

HSL 192.36, 0.58%, 0.27%

LAB 36.07, -13.97, -15.16

 

CMYK 22 / 73 / 0 / 57

HEX #551D6D

RGB 85 29 109

HSL 282, 0.58%, 0.27%

LAB 23.39, 39.28, -35.06

 

CMYK 0 / 59 / 73 / 57

HEX #6D2D1D

RGB 109 45 29

HSL 12, 0.58%, 0.27%

LAB 27.34, 27.32, 24.01

 

CMYK 51 / 0 / 73 / 57

HEX #356D1D

RGB 53 109 29

HSL 102, 0.58%, 0.27%

LAB 40.87, -33.97, 37.25

 

Description

Color code: RGB 29 92.2 108.6 | qconv.com Color code: RGB 29 92.2 108.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 92.2 green and 108.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 92.2 108.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 15 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 15% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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