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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 72.4 136.4 it is the complementary color RGB 226 182.6 118.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 72.4 136.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 72.4 136.4 shade: RGB 34 72.4 131.4, RGB 51 90.4 150.4, RGB 68 108.4 169.4, RGB 85 126.4 188.4 and RGB 102 144.4 207.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 72.4 136.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 72.4 136.4 shade: RGB 29 72.4 136.4, RGB 12 54.4 117.4, RGB 0 36.4 98.4, RGB 0 18.4 79.4 and RGB 0 0.40000000000001 60.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 72.4 136.4 shade: RGB 29 71 135, RGB 29 43 135, RGB 43 29 135, RGB 72 29 135 and RGB 100 29 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 72.4 136.4 shade: RGB 29 71 135, RGB 29 43 135 and RGB 29 29 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 72.4 136.4 shade matches the following richer shades: RGB 29 71 135, RGB 15 69 148 and RGB 2 66 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 72.4 136.4 shade: RGB 29 71 135, RGB 42 74 121, RGB 55 76 108, RGB 68 79 95 and RGB 81 82 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 72.4 136.4 shade: RGB 29 129 135, RGB 29 101 135, RGB 29 73 135, RGB 29 44 135 and RGB 41 29 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 72.4 136.4 shade: RGB 14 35 67, RGB 21 53 101, RGB 29 71 135, RGB 36 89 169 and RGB 43 108 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 72.4 136.4 shade: RGB 29 72.4 136.4, RGB 112 29 135 and RGB 115 135 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 72.4 136.4 shade: RGB 29 72.4 136.4, RGB 135 29 73 and RGB 73 135 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 72.4 136.4 shade: RGB 29 72.4 136.4, RGB 112 29 135, RGB 135 90 29 and RGB 52 135 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 72.4 136.4 shade: RGB 29 72.4 136.4, RGB 135 29 126, RGB 135 90 29 and RGB 29 135 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 47 / 0 / 47

HEX #1D4888

RGB 29 72.4 136.4

HSL 215.75, 0.65%, 0.32%

LAB 31.2, 9.3, -40.03

 

Complementary color

CMYK 0 / 19 / 48 / 11

HEX #E2B676

RGB 226 182.6 118.6

HSL 35.75, 0.65%, 0.68%

LAB 76.8, 7.7, 38.36

 

CMYK 74 / 45 / 0 / 48

HEX #224883

RGB 34 72.4 131.4

HSL 216.34, 0.59%, 0.32%

LAB 31.06, 8, -37.16

 

CMYK 66 / 40 / 0 / 41

HEX #335A96

RGB 51 90.4 150.4

HSL 216.22, 0.49%, 0.39%

LAB 38.37, 6.25, -37.05

 

CMYK 60 / 36 / 0 / 34

HEX #446CA9

RGB 68 108.4 169.4

HSL 216.09, 0.43%, 0.47%

LAB 45.52, 4.95, -36.96

 

CMYK 55 / 33 / 0 / 26

HEX #557EBC

RGB 85 126.4 188.4

HSL 215.98, 0.44%, 0.54%

LAB 52.51, 3.95, -36.9

 

CMYK 51 / 30 / 0 / 19

HEX #6690CF

RGB 102 144.4 207.4

HSL 215.86, 0.53%, 0.61%

LAB 59.36, 3.15, -36.88

 

CMYK 79 / 47 / 0 / 47

HEX #1D4888

RGB 29 72.4 136.4

HSL 215.75, 0.65%, 0.32%

LAB 31.2, 9.3, -40.03

 

CMYK 90 / 54 / 0 / 54

HEX #0C3675

RGB 12 54.4 117.4

HSL 215.86, 0.81%, 0.25%

LAB 23.83, 12.16, -40.04

 

CMYK 100 / 63 / 0 / 61

HEX #002462

RGB 0 36.4 98.4

HSL 217.8, 1%, 0.19%

LAB 16.38, 16.06, -39.85

 

CMYK 100 / 77 / 0 / 69

HEX #00124F

RGB 0 18.4 79.4

HSL 226.1, 1%, 0.16%

LAB 9.12, 21.14, -38.97

 

CMYK 100 / 99 / 0 / 76

HEX #00003C

RGB 0 0.40000000000001 60.4

HSL 239.6, 1%, 0.12%

LAB 3.06, 20.82, -35.51

 

CMYK 79 / 47 / 0 / 47

HEX #1D4787

RGB 29 71 135

HSL 216.23, 0.65%, 0.32%

LAB 30.68, 9.69, -40

 

CMYK 79 / 68 / 0 / 47

HEX #1D2B87

RGB 29 43 135

HSL 232.08, 0.65%, 0.32%

LAB 22.79, 29.03, -52.82

 

CMYK 68 / 79 / 0 / 47

HEX #2B1D87

RGB 43 29 135

HSL 247.92, 0.65%, 0.32%

LAB 20.6, 39.18, -56.39

 

CMYK 47 / 79 / 0 / 47

HEX #481D87

RGB 72 29 135

HSL 264.34, 0.65%, 0.32%

LAB 23.69, 43.24, -51.2

 

CMYK 26 / 79 / 0 / 47

HEX #641D87

RGB 100 29 135

HSL 280.19, 0.65%, 0.32%

LAB 27.67, 48.32, -44.53

 

CMYK 79 / 47 / 0 / 47

HEX #1D4787

RGB 29 71 135

HSL 216.23, 0.65%, 0.32%

LAB 30.68, 9.69, -40

 

CMYK 79 / 68 / 0 / 47

HEX #1D2B87

RGB 29 43 135

HSL 232.08, 0.65%, 0.32%

LAB 22.79, 29.03, -52.82

 

CMYK 79 / 79 / 0 / 47

HEX #1D1D87

RGB 29 29 135

HSL 240, 0.65%, 0.32%

LAB 19.59, 37.83, -58.08

 

CMYK 79 / 47 / 0 / 47

HEX #1D4787

RGB 29 71 135

HSL 216.23, 0.65%, 0.32%

LAB 30.68, 9.69, -40

 

CMYK 90 / 53 / 0 / 42

HEX #0F4594

RGB 15 69 148

HSL 215.64, 0.82%, 0.32%

LAB 30.63, 15.08, -48.08

 

CMYK 99 / 59 / 0 / 37

HEX #0242A1

RGB 2 66 161

HSL 215.85, 0.98%, 0.32%

LAB 30.6, 21.91, -56.04

 

CMYK 79 / 47 / 0 / 47

HEX #1D4787

RGB 29 71 135

HSL 216.23, 0.65%, 0.32%

LAB 30.68, 9.69, -40

 

CMYK 65 / 39 / 0 / 53

HEX #2A4A79

RGB 42 74 121

HSL 215.7, 0.48%, 0.32%

LAB 31.28, 4.34, -30.32

 

CMYK 49 / 30 / 0 / 58

HEX #374C6C

RGB 55 76 108

HSL 216.23, 0.33%, 0.32%

LAB 31.95, 1.56, -21.05

 

CMYK 28 / 17 / 0 / 63

HEX #444F5F

RGB 68 79 95

HSL 215.56, 0.17%, 0.32%

LAB 33.24, -0.22, -10.79

 

CMYK 1 / 0 / 0 / 68

HEX #515252

RGB 81 82 82

HSL 180, 0.01%, 0.32%

LAB 34.79, -0.4, -0.15

 

CMYK 79 / 4 / 0 / 47

HEX #1D8187

RGB 29 129 135

HSL 183.4, 0.65%, 0.32%

LAB 49.14, -24.97, -11.23

 

CMYK 79 / 25 / 0 / 47

HEX #1D6587

RGB 29 101 135

HSL 199.25, 0.65%, 0.32%

LAB 40.11, -9.54, -25.08

 

CMYK 79 / 46 / 0 / 47

HEX #1D4987

RGB 29 73 135

HSL 215.09, 0.65%, 0.32%

LAB 31.29, 8.33, -39.02

 

CMYK 79 / 67 / 0 / 47

HEX #1D2C87

RGB 29 44 135

HSL 231.51, 0.65%, 0.32%

LAB 23.04, 28.36, -52.41

 

CMYK 70 / 79 / 0 / 47

HEX #291D87

RGB 41 29 135

HSL 246.79, 0.65%, 0.32%

LAB 20.44, 38.96, -56.66

 

CMYK 79 / 48 / 0 / 74

HEX #0E2343

RGB 14 35 67

HSL 216.23, 0.65%, 0.16%

LAB 13.83, 4.58, -22.7

 

CMYK 79 / 48 / 0 / 60

HEX #153565

RGB 21 53 101

HSL 216, 0.66%, 0.24%

LAB 22.46, 7.13, -31.68

 

CMYK 79 / 47 / 0 / 47

HEX #1D4787

RGB 29 71 135

HSL 216.23, 0.65%, 0.32%

LAB 30.68, 9.69, -40

 

CMYK 79 / 47 / 0 / 34

HEX #2459A9

RGB 36 89 169

HSL 216.09, 0.65%, 0.4%

LAB 38.52, 12.01, -47.95

 

CMYK 79 / 47 / 0 / 20

HEX #2B6CCB

RGB 43 108 203

HSL 215.63, 0.65%, 0.48%

LAB 46.38, 13.6, -55.13

 

CMYK 79 / 47 / 0 / 47

HEX #1D4888

RGB 29 72.4 136.4

HSL 215.75, 0.65%, 0.32%

LAB 31.2, 9.3, -40.03

 

CMYK 17 / 79 / 0 / 47

HEX #701D87

RGB 112 29 135

HSL 286.98, 0.65%, 0.32%

LAB 29.6, 50.73, -41.34

 

CMYK 15 / 0 / 79 / 47

HEX #73871D

RGB 115 135 29

HSL 71.32, 0.65%, 0.32%

LAB 53.02, -21.66, 50.43

 

CMYK 79 / 47 / 0 / 47

HEX #1D4888

RGB 29 72.4 136.4

HSL 215.75, 0.65%, 0.32%

LAB 31.2, 9.3, -40.03

 

CMYK 0 / 79 / 46 / 47

HEX #871D49

RGB 135 29 73

HSL 335.09, 0.65%, 0.32%

LAB 30.67, 47.11, 0.54

 

CMYK 46 / 0 / 79 / 47

HEX #49871D

RGB 73 135 29

HSL 95.09, 0.65%, 0.32%

LAB 50.49, -38.35, 47.15

 

CMYK 79 / 47 / 0 / 47

HEX #1D4888

RGB 29 72.4 136.4

HSL 215.75, 0.65%, 0.32%

LAB 31.2, 9.3, -40.03

 

CMYK 17 / 79 / 0 / 47

HEX #701D87

RGB 112 29 135

HSL 286.98, 0.65%, 0.32%

LAB 29.6, 50.73, -41.34

 

CMYK 0 / 33 / 79 / 47

HEX #875A1D

RGB 135 90 29

HSL 34.53, 0.65%, 0.32%

LAB 42.08, 12.89, 40.73

 

CMYK 61 / 0 / 79 / 47

HEX #34871D

RGB 52 135 29

HSL 106.98, 0.65%, 0.32%

LAB 49.67, -44.68, 46.07

 

CMYK 79 / 47 / 0 / 47

HEX #1D4888

RGB 29 72.4 136.4

HSL 215.75, 0.65%, 0.32%

LAB 31.2, 9.3, -40.03

 

CMYK 0 / 79 / 7 / 47

HEX #871D7E

RGB 135 29 126

HSL 305.09, 0.65%, 0.32%

LAB 33, 54.1, -30.05

 

CMYK 0 / 33 / 79 / 47

HEX #875A1D

RGB 135 90 29

HSL 34.53, 0.65%, 0.32%

LAB 42.08, 12.89, 40.73

 

CMYK 79 / 0 / 73 / 47

HEX #1D8725

RGB 29 135 37

HSL 124.53, 0.65%, 0.32%

LAB 49.16, -48.78, 42.33

 

Description

Color code: RGB 29 72.4 136.4 | qconv.com Color code: RGB 29 72.4 136.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 72.4 green and 136.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 72.4 136.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 47 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 47% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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