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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 227 255 it is the complementary color RGB 229 28 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 227 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 26 227 255: RGB 31 227 250, RGB 48 245 255, RGB 65 255 255, RGB 82 255 255 and RGB 99 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 227 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 26 227 255: RGB 26 227 255, RGB 9 209 236, RGB 0 191 217, RGB 0 173 198 and RGB 0 155 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

Complementary color

CMYK 0 / 88 / 100 / 10

HEX #E51C00

RGB 229 28 0

HSL 7.34, 1%, 0.45%

LAB 48.87, 70.84, 62.35

 

CMYK 88 / 9 / 0 / 2

HEX #1FE3FA

RGB 31 227 250

HSL 186.3, 0.96%, 0.55%

LAB 82.98, -36.12, -23.78

 

CMYK 81 / 4 / 0 / 0

HEX #30F5FF

RGB 48 245 255

HSL 182.9, 1%, 0.59%

LAB 88.52, -41.79, -18.01

 

CMYK 75 / 0 / 0 / 0

HEX #41FFFF

RGB 65 255 255

HSL 180, 1%, 0.63%

LAB 91.62, -44.75, -13.33

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 96 / 11 / 0 / 7

HEX #09D1EC

RGB 9 209 236

HSL 187.14, 0.93%, 0.48%

LAB 77.11, -32.82, -25.29

 

CMYK 100 / 12 / 0 / 15

HEX #00BFD9

RGB 0 191 217

HSL 187.19, 1%, 0.43%

LAB 71.06, -30.5, -24.27

 

CMYK 100 / 13 / 0 / 22

HEX #00ADC6

RGB 0 173 198

HSL 187.58, 1%, 0.39%

LAB 64.93, -27.91, -23.19

 

CMYK 100 / 13 / 0 / 30

HEX #009BB3

RGB 0 155 179

HSL 188.04, 1%, 0.35%

LAB 58.69, -25.26, -22.11

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 90 / 26 / 0 / 0

HEX #19BDFF

RGB 25 189 255

HSL 197.22, 1%, 0.55%

LAB 72.11, -15.86, -43.23

 

CMYK 90 / 41 / 0 / 0

HEX #1997FF

RGB 25 151 255

HSL 207.13, 1%, 0.55%

LAB 61.27, 5.53, -60.37

 

CMYK 90 / 56 / 0 / 0

HEX #1971FF

RGB 25 113 255

HSL 217.04, 1%, 0.55%

LAB 50.96, 28.95, -77.01

 

CMYK 90 / 71 / 0 / 0

HEX #194BFF

RGB 25 75 255

HSL 226.96, 1%, 0.55%

LAB 41.94, 52.39, -91.83

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 90 / 12 / 0 / 80

HEX #052D33

RGB 5 45 51

HSL 187.83, 0.82%, 0.11%

LAB 16.25, -10.89, -7.77

 

CMYK 90 / 11 / 0 / 60

HEX #0A5B66

RGB 10 91 102

HSL 187.17, 0.82%, 0.22%

LAB 35.02, -17.92, -12.7

 

CMYK 90 / 11 / 0 / 40

HEX #108899

RGB 16 136 153

HSL 187.45, 0.81%, 0.33%

LAB 51.86, -23.69, -17.65

 

CMYK 90 / 11 / 0 / 20

HEX #15B6CC

RGB 21 182 204

HSL 187.21, 0.81%, 0.44%

LAB 68, -29.64, -21.81

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 62 / 90 / 0 / 0

HEX #6219FF

RGB 98 25 255

HSL 259.04, 1%, 0.55%

LAB 38.75, 77.55, -96.99

 

CMYK 0 / 26 / 90 / 0

HEX #FFBD19

RGB 255 189 25

HSL 42.78, 1%, 0.55%

LAB 80.59, 11.68, 79.67

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 0 / 90 / 11 / 0

HEX #FF19E4

RGB 255 25 228

HSL 307.04, 1%, 0.55%

LAB 59.49, 92.77, -47.1

 

CMYK 11 / 0 / 90 / 0

HEX #E4FF19

RGB 228 255 25

HSL 67.04, 1%, 0.55%

LAB 95.2, -32.26, 89.96

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 62 / 90 / 0 / 0

HEX #6219FF

RGB 98 25 255

HSL 259.04, 1%, 0.55%

LAB 38.75, 77.55, -96.99

 

CMYK 0 / 80 / 90 / 0

HEX #FF3419

RGB 255 52 25

HSL 7.04, 1%, 0.55%

LAB 55.87, 72.98, 61.79

 

CMYK 29 / 0 / 90 / 0

HEX #B6FF19

RGB 182 255 25

HSL 79.04, 1%, 0.55%

LAB 92.37, -49.88, 86.51

 

CMYK 90 / 11 / 0 / 0

HEX #1AE3FF

RGB 26 227 255

HSL 187.34, 1%, 0.55%

LAB 83.11, -34.81, -26.22

 

CMYK 35 / 90 / 0 / 0

HEX #A719FF

RGB 167 25 255

HSL 277.04, 1%, 0.55%

LAB 47.15, 83.92, -82.85

 

CMYK 0 / 80 / 90 / 0

HEX #FF3419

RGB 255 52 25

HSL 7.04, 1%, 0.55%

LAB 55.87, 72.98, 61.79

 

CMYK 56 / 0 / 90 / 0

HEX #71FF19

RGB 113 255 25

HSL 97.04, 1%, 0.55%

LAB 89.44, -71.41, 82.9

 

Description

Color code: RGB 26 227 255 | qconv.com Color code: RGB 26 227 255 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 227 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 227 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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