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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 72.4 131.4 it is the complementary color RGB 230 182.6 123.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 72.4 131.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 72.4 131.4 shade: RGB 30 72.4 126.4, RGB 47 90.4 145.4, RGB 64 108.4 164.4, RGB 81 126.4 183.4 and RGB 98 144.4 202.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 72.4 131.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 72.4 131.4 shade: RGB 25 72.4 131.4, RGB 8 54.4 112.4, RGB 0 36.4 93.4, RGB 0 18.4 74.4 and RGB 0 0.40000000000001 55.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 72.4 131.4 shade: RGB 25 73 133, RGB 25 44 133, RGB 35 25 133, RGB 64 25 133 and RGB 93 25 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 72.4 131.4 shade: RGB 25 73 133, RGB 25 44 133 and RGB 25 25 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 72.4 131.4 shade matches the following richer shades: RGB 25 73 133 and RGB 13 72 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 72.4 131.4 shade: RGB 25 73 133, RGB 38 75 120, RGB 51 76 107, RGB 64 77 94 and RGB 76 79 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 72.4 131.4 shade: RGB 25 131 133, RGB 25 102 133, RGB 25 74 133, RGB 25 45 133 and RGB 34 25 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 72.4 131.4 shade: RGB 12 35 63, RGB 19 54 98, RGB 25 73 133, RGB 32 92 167 and RGB 38 111 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 72.4 131.4 shade: RGB 25 72.4 131.4, RGB 106 25 133 and RGB 117 133 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 72.4 131.4 shade: RGB 25 72.4 131.4, RGB 133 25 74 and RGB 74 133 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 72.4 131.4 shade: RGB 25 72.4 131.4, RGB 106 25 133, RGB 133 84 25 and RGB 52 133 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 72.4 131.4 shade: RGB 25 72.4 131.4, RGB 133 25 127, RGB 133 84 25 and RGB 25 133 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 45 / 0 / 48

HEX #194883

RGB 25 72.4 131.4

HSL 213.27, 0.68%, 0.31%

LAB 30.74, 6.78, -37.68

 

Complementary color

CMYK 0 / 21 / 46 / 10

HEX #E6B67B

RGB 230 182.6 123.6

HSL 33.27, 0.68%, 0.69%

LAB 77.26, 9.8, 36.45

 

CMYK 76 / 43 / 0 / 50

HEX #1E487E

RGB 30 72.4 126.4

HSL 213.61, 0.62%, 0.31%

LAB 30.59, 5.42, -34.81

 

CMYK 68 / 38 / 0 / 43

HEX #2F5A91

RGB 47 90.4 145.4

HSL 213.54, 0.51%, 0.38%

LAB 37.92, 3.68, -34.77

 

CMYK 61 / 34 / 0 / 36

HEX #406CA4

RGB 64 108.4 164.4

HSL 213.47, 0.44%, 0.45%

LAB 45.07, 2.41, -34.74

 

CMYK 56 / 31 / 0 / 28

HEX #517EB7

RGB 81 126.4 183.4

HSL 213.4, 0.42%, 0.52%

LAB 52.07, 1.45, -34.73

 

CMYK 52 / 29 / 0 / 21

HEX #6290CA

RGB 98 144.4 202.4

HSL 213.33, 0.5%, 0.59%

LAB 58.93, 0.7, -34.76

 

CMYK 81 / 45 / 0 / 48

HEX #194883

RGB 25 72.4 131.4

HSL 213.27, 0.68%, 0.31%

LAB 30.74, 6.78, -37.68

 

CMYK 93 / 52 / 0 / 56

HEX #083670

RGB 8 54.4 112.4

HSL 213.33, 0.87%, 0.24%

LAB 23.36, 9.68, -37.61

 

CMYK 100 / 61 / 0 / 63

HEX #00245D

RGB 0 36.4 93.4

HSL 216.62, 1%, 0.18%

LAB 15.92, 13.77, -37.29

 

CMYK 100 / 75 / 0 / 71

HEX #00124A

RGB 0 18.4 74.4

HSL 225.16, 1%, 0.15%

LAB 8.53, 18.91, -36.49

 

CMYK 100 / 99 / 0 / 78

HEX #000037

RGB 0 0.40000000000001 55.4

HSL 239.57, 1%, 0.11%

LAB 2.6, 17.59, -32.61

 

CMYK 81 / 45 / 0 / 48

HEX #194985

RGB 25 73 133

HSL 213.33, 0.68%, 0.31%

LAB 31.03, 7.03, -38.21

 

CMYK 81 / 67 / 0 / 48

HEX #192C85

RGB 25 44 133

HSL 229.44, 0.68%, 0.31%

LAB 22.66, 27.17, -51.79

 

CMYK 74 / 81 / 0 / 48

HEX #231985

RGB 35 25 133

HSL 245.56, 0.68%, 0.31%

LAB 19, 39.87, -57.8

 

CMYK 52 / 81 / 0 / 48

HEX #401985

RGB 64 25 133

HSL 261.67, 0.68%, 0.31%

LAB 21.87, 43.28, -52.97

 

CMYK 30 / 81 / 0 / 48

HEX #5D1985

RGB 93 25 133

HSL 277.78, 0.68%, 0.31%

LAB 25.91, 48.06, -46.2

 

CMYK 81 / 45 / 0 / 48

HEX #194985

RGB 25 73 133

HSL 213.33, 0.68%, 0.31%

LAB 31.03, 7.03, -38.21

 

CMYK 81 / 67 / 0 / 48

HEX #192C85

RGB 25 44 133

HSL 229.44, 0.68%, 0.31%

LAB 22.66, 27.17, -51.79

 

CMYK 81 / 81 / 0 / 48

HEX #191985

RGB 25 25 133

HSL 240, 0.68%, 0.31%

LAB 18.34, 39.09, -58.9

 

CMYK 81 / 45 / 0 / 48

HEX #194985

RGB 25 73 133

HSL 213.33, 0.68%, 0.31%

LAB 31.03, 7.03, -38.21

 

CMYK 91 / 51 / 0 / 43

HEX #0D4892

RGB 13 72 146

HSL 213.38, 0.84%, 0.31%

LAB 31.34, 12.04, -45.72

 

CMYK 81 / 45 / 0 / 48

HEX #194985

RGB 25 73 133

HSL 213.33, 0.68%, 0.31%

LAB 31.03, 7.03, -38.21

 

CMYK 68 / 38 / 0 / 53

HEX #264B78

RGB 38 75 120

HSL 212.93, 0.52%, 0.31%

LAB 31.35, 2.52, -29.59

 

CMYK 52 / 29 / 0 / 58

HEX #334C6B

RGB 51 76 107

HSL 213.21, 0.35%, 0.31%

LAB 31.66, 0.13, -20.9

 

CMYK 32 / 18 / 0 / 63

HEX #404D5E

RGB 64 77 94

HSL 214, 0.19%, 0.31%

LAB 32.27, -0.61, -11.65

 

CMYK 7 / 4 / 0 / 68

HEX #4C4F52

RGB 76 79 82

HSL 210, 0.04%, 0.31%

LAB 33.43, -0.53, -2.19

 

CMYK 81 / 2 / 0 / 48

HEX #198385

RGB 25 131 133

HSL 181.11, 0.68%, 0.31%

LAB 49.66, -27.04, -9.3

 

CMYK 81 / 23 / 0 / 48

HEX #196685

RGB 25 102 133

HSL 197.22, 0.68%, 0.31%

LAB 40.25, -11.35, -23.65

 

CMYK 81 / 44 / 0 / 48

HEX #194A85

RGB 25 74 133

HSL 212.78, 0.68%, 0.31%

LAB 31.34, 6.35, -37.71

 

CMYK 81 / 66 / 0 / 48

HEX #192D85

RGB 25 45 133

HSL 228.89, 0.68%, 0.31%

LAB 22.92, 26.49, -51.36

 

CMYK 74 / 81 / 0 / 48

HEX #221985

RGB 34 25 133

HSL 245, 0.68%, 0.31%

LAB 18.92, 39.78, -57.93

 

CMYK 81 / 44 / 0 / 75

HEX #0C233F

RGB 12 35 63

HSL 212.94, 0.68%, 0.15%

LAB 13.47, 2.45, -20.49

 

CMYK 81 / 45 / 0 / 62

HEX #133662

RGB 19 54 98

HSL 213.42, 0.68%, 0.23%

LAB 22.51, 4.87, -29.66

 

CMYK 81 / 45 / 0 / 48

HEX #194985

RGB 25 73 133

HSL 213.33, 0.68%, 0.31%

LAB 31.03, 7.03, -38.21

 

CMYK 81 / 45 / 0 / 35

HEX #205CA7

RGB 32 92 167

HSL 213.33, 0.68%, 0.39%

LAB 39.16, 8.81, -45.75

 

CMYK 81 / 45 / 0 / 21

HEX #266FCA

RGB 38 111 202

HSL 213.29, 0.68%, 0.47%

LAB 47.03, 10.81, -53.51

 

CMYK 81 / 45 / 0 / 48

HEX #194883

RGB 25 72.4 131.4

HSL 213.27, 0.68%, 0.31%

LAB 30.74, 6.78, -37.68

 

CMYK 20 / 81 / 0 / 48

HEX #6A1985

RGB 106 25 133

HSL 285, 0.68%, 0.31%

LAB 27.99, 50.5, -42.73

 

CMYK 12 / 0 / 81 / 48

HEX #758519

RGB 117 133 25

HSL 68.89, 0.68%, 0.31%

LAB 52.54, -19.93, 51.34

 

CMYK 81 / 45 / 0 / 48

HEX #194883

RGB 25 72.4 131.4

HSL 213.27, 0.68%, 0.31%

LAB 30.74, 6.78, -37.68

 

CMYK 0 / 81 / 44 / 48

HEX #85194A

RGB 133 25 74

HSL 332.78, 0.68%, 0.31%

LAB 29.85, 47.9, -1.36

 

CMYK 44 / 0 / 81 / 48

HEX #4A8519

RGB 74 133 25

HSL 92.78, 0.68%, 0.31%

LAB 49.86, -37.39, 47.89

 

CMYK 81 / 45 / 0 / 48

HEX #194883

RGB 25 72.4 131.4

HSL 213.27, 0.68%, 0.31%

LAB 30.74, 6.78, -37.68

 

CMYK 20 / 81 / 0 / 48

HEX #6A1985

RGB 106 25 133

HSL 285, 0.68%, 0.31%

LAB 27.99, 50.5, -42.73

 

CMYK 0 / 37 / 81 / 48

HEX #855419

RGB 133 84 25

HSL 32.78, 0.68%, 0.31%

LAB 40.24, 15.32, 40.63

 

CMYK 61 / 0 / 81 / 48

HEX #348519

RGB 52 133 25

HSL 105, 0.68%, 0.31%

LAB 48.98, -44.19, 46.75

 

CMYK 81 / 45 / 0 / 48

HEX #194883

RGB 25 72.4 131.4

HSL 213.27, 0.68%, 0.31%

LAB 30.74, 6.78, -37.68

 

CMYK 0 / 81 / 5 / 48

HEX #85197F

RGB 133 25 127

HSL 303.33, 0.68%, 0.31%

LAB 32.29, 54.98, -31.82

 

CMYK 0 / 37 / 81 / 48

HEX #855419

RGB 133 84 25

HSL 32.78, 0.68%, 0.31%

LAB 40.24, 15.32, 40.63

 

CMYK 81 / 0 / 77 / 48

HEX #19851F

RGB 25 133 31

HSL 123.33, 0.68%, 0.31%

LAB 48.36, -49.22, 43.84

 

Description

Color code: RGB 25 72.4 131.4 | qconv.com Color code: RGB 25 72.4 131.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 72.4 green and 131.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 72.4 131.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 45 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 45% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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