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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 35 234 it is the complementary color RGB 230 220 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 35 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 25 35 234: RGB 30 35 229, RGB 47 53 248, RGB 64 71 255, RGB 81 89 255 and RGB 98 107 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 35 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 25 35 234: RGB 25 35 234, RGB 8 17 215, RGB 0 0 196, RGB 0 0 177 and RGB 0 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

Complementary color

CMYK 0 / 4 / 91 / 10

HEX #E6DC15

RGB 230 220 21

HSL 57.13, 0.83%, 0.49%

LAB 86.04, -14.84, 83.43

 

CMYK 87 / 85 / 0 / 10

HEX #1E23E5

RGB 30 35 229

HSL 238.49, 0.79%, 0.51%

LAB 32.11, 64.49, -93.44

 

CMYK 81 / 79 / 0 / 3

HEX #2F35F8

RGB 47 53 248

HSL 238.21, 0.93%, 0.58%

LAB 37.71, 62.81, -94.88

 

CMYK 75 / 72 / 0 / 0

HEX #4047FF

RGB 64 71 255

HSL 237.8, 1%, 0.63%

LAB 42.49, 56.83, -90.88

 

CMYK 68 / 65 / 0 / 0

HEX #5159FF

RGB 81 89 255

HSL 237.24, 1%, 0.66%

LAB 47.12, 48.34, -83.21

 

CMYK 62 / 58 / 0 / 0

HEX #626BFF

RGB 98 107 255

HSL 236.56, 1%, 0.69%

LAB 52.21, 40.04, -74.86

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 96 / 92 / 0 / 16

HEX #0811D7

RGB 8 17 215

HSL 237.39, 0.93%, 0.44%

LAB 27.73, 66.21, -92.71

 

CMYK 100 / 100 / 0 / 23

HEX #0000C4

RGB 0 0 196

HSL 240, 1%, 0.38%

LAB 23.62, 64.97, -88.48

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 79 / 89 / 0 / 9

HEX #321AE9

RGB 50 26 233

HSL 246.96, 0.82%, 0.51%

LAB 32.48, 69.35, -95.09

 

CMYK 64 / 89 / 0 / 9

HEX #551AE9

RGB 85 26 233

HSL 257.1, 0.82%, 0.51%

LAB 35.11, 71.15, -90.64

 

CMYK 49 / 89 / 0 / 9

HEX #771AE9

RGB 119 26 233

HSL 266.96, 0.82%, 0.51%

LAB 38.8, 73.94, -84.42

 

CMYK 34 / 89 / 0 / 9

HEX #9A1AE9

RGB 154 26 233

HSL 277.1, 0.82%, 0.51%

LAB 43.5, 77.84, -76.53

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 90 / 87 / 0 / 88

HEX #03041E

RGB 3 4 30

HSL 237.78, 0.82%, 0.06%

LAB 1.81, 5.13, -14.42

 

CMYK 89 / 85 / 0 / 68

HEX #090C51

RGB 9 12 81

HSL 237.5, 0.8%, 0.18%

LAB 8.26, 26.92, -41.48

 

CMYK 89 / 85 / 0 / 48

HEX #0E1484

RGB 14 20 132

HSL 236.95, 0.81%, 0.29%

LAB 16.79, 40.8, -60.86

 

CMYK 89 / 85 / 0 / 28

HEX #141BB7

RGB 20 27 183

HSL 237.42, 0.8%, 0.4%

LAB 24.8, 53.94, -78.8

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 0 / 89 / 13 / 9

HEX #E91ACA

RGB 233 26 202

HSL 308.99, 0.82%, 0.51%

LAB 54.37, 85.31, -40.64

 

CMYK 49 / 0 / 89 / 9

HEX #77E91A

RGB 119 233 26

HSL 93.04, 0.82%, 0.51%

LAB 83.06, -62.12, 77.5

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 0 / 89 / 85 / 9

HEX #E91A24

RGB 233 26 36

HSL 357.1, 0.82%, 0.51%

LAB 49.73, 72.65, 50.51

 

CMYK 85 / 0 / 89 / 9

HEX #24E91A

RGB 36 233 26

HSL 117.1, 0.82%, 0.51%

LAB 81.14, -78.08, 75.11

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 0 / 89 / 13 / 9

HEX #E91ACA

RGB 233 26 202

HSL 308.99, 0.82%, 0.51%

LAB 54.37, 85.31, -40.64

 

CMYK 0 / 4 / 89 / 9

HEX #E9DF1A

RGB 233 223 26

HSL 57.1, 0.82%, 0.51%

LAB 87.08, -14.98, 83.6

 

CMYK 89 / 0 / 76 / 9

HEX #1AE939

RGB 26 233 57

HSL 128.99, 0.82%, 0.51%

LAB 81.18, -77.29, 67.52

 

CMYK 89 / 85 / 0 / 8

HEX #1923EA

RGB 25 35 234

HSL 237.13, 0.83%, 0.51%

LAB 32.59, 65.79, -95.5

 

CMYK 0 / 89 / 40 / 9

HEX #E91A8C

RGB 233 26 140

HSL 326.96, 0.82%, 0.51%

LAB 51.79, 78.43, -8.19

 

CMYK 0 / 4 / 89 / 9

HEX #E9DF1A

RGB 233 223 26

HSL 57.1, 0.82%, 0.51%

LAB 87.08, -14.98, 83.6

 

CMYK 89 / 0 / 49 / 9

HEX #1AE977

RGB 26 233 119

HSL 146.96, 0.82%, 0.51%

LAB 81.75, -70.27, 42.46

 

Description

Color code: RGB 25 35 234 | qconv.com Color code: RGB 25 35 234 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 35 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 35 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 85 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 85% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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