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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 72 74 it is the complementary color RGB 0 183 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 72 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 72 74: RGB 255 72 69, RGB 255 90 88, RGB 255 108 107, RGB 255 126 126 and RGB 255 144 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 72 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 72 74: RGB 255 72 74, RGB 238 54 55, RGB 221 36 36, RGB 204 18 17 and RGB 187 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

Complementary color

CMYK 100 / 0 / 1 / 28

HEX #00B7B5

RGB 0 183 181

HSL 179.34, 1%, 0.36%

LAB 67.43, -38.08, -10.01

 

CMYK 0 / 72 / 73 / 0

HEX #FF4845

RGB 255 72 69

HSL 0.97, 1%, 0.64%

LAB 58.34, 68.18, 43.18

 

CMYK 0 / 65 / 65 / 0

HEX #FF5A58

RGB 255 90 88

HSL 0.72, 1%, 0.67%

LAB 61.03, 62.42, 35.8

 

CMYK 0 / 58 / 58 / 0

HEX #FF6C6B

RGB 255 108 107

HSL 0.41, 1%, 0.71%

LAB 64.2, 55.93, 29.14

 

CMYK 0 / 51 / 51 / 0

HEX #FF7E7E

RGB 255 126 126

HSL 0, 1%, 0.75%

LAB 67.79, 48.99, 23.24

 

CMYK 0 / 44 / 43 / 0

HEX #FF9091

RGB 255 144 145

HSL 359.46, 1%, 0.78%

LAB 71.72, 41.85, 18.05

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 0 / 77 / 77 / 7

HEX #EE3637

RGB 238 54 55

HSL 359.67, 0.84%, 0.57%

LAB 53.05, 68.34, 44.14

 

CMYK 0 / 84 / 84 / 13

HEX #DD2424

RGB 221 36 36

HSL 0, 0.73%, 0.5%

LAB 47.96, 67.63, 48.03

 

CMYK 0 / 91 / 92 / 20

HEX #CC1211

RGB 204 18 17

HSL 0.32, 0.85%, 0.43%

LAB 43.23, 66, 51.45

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 0 / 62 / 72 / 0

HEX #FF6247

RGB 255 98 71

HSL 8.8, 1%, 0.64%

LAB 62.04, 58.29, 46.24

 

CMYK 0 / 49 / 72 / 0

HEX #FF8147

RGB 255 129 71

HSL 18.91, 1%, 0.64%

LAB 67.59, 43.95, 52.3

 

CMYK 0 / 37 / 72 / 0

HEX #FFA047

RGB 255 160 71

HSL 29.02, 1%, 0.64%

LAB 74.1, 28.17, 59.16

 

CMYK 0 / 25 / 72 / 0

HEX #FFBE47

RGB 255 190 71

HSL 38.8, 1%, 0.64%

LAB 81.04, 12.52, 66.23

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 0 / 73 / 71 / 80

HEX #330E0F

RGB 51 14 15

HSL 358.38, 0.57%, 0.13%

LAB 9.42, 18.8, 8.08

 

CMYK 0 / 72 / 71 / 60

HEX #661D1E

RGB 102 29 30

HSL 359.18, 0.56%, 0.26%

LAB 22.99, 32.71, 17.86

 

CMYK 0 / 72 / 71 / 40

HEX #992B2C

RGB 153 43 44

HSL 359.45, 0.56%, 0.38%

LAB 35.36, 45.49, 26.22

 

CMYK 0 / 72 / 71 / 20

HEX #CC3A3B

RGB 204 58 59

HSL 359.59, 0.59%, 0.51%

LAB 47.21, 57.06, 33.61

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 13 / 0 / 72 / 0

HEX #DDFF47

RGB 221 255 71

HSL 71.09, 1%, 0.64%

LAB 94.89, -33.59, 78.83

 

CMYK 72 / 42 / 0 / 0

HEX #4793FF

RGB 71 147 255

HSL 215.22, 1%, 0.64%

LAB 61.16, 11.91, -60.5

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 71 / 0 / 72 / 0

HEX #4AFF47

RGB 74 255 71

HSL 119.02, 1%, 0.64%

LAB 88.65, -77.27, 70.59

 

CMYK 72 / 71 / 0 / 0

HEX #474AFF

RGB 71 74 255

HSL 239.02, 1%, 0.64%

LAB 43.44, 55.79, -89.28

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 13 / 0 / 72 / 0

HEX #DDFF47

RGB 221 255 71

HSL 71.09, 1%, 0.64%

LAB 94.89, -33.59, 78.83

 

CMYK 72 / 0 / 2 / 0

HEX #47FFFB

RGB 71 255 251

HSL 178.7, 1%, 0.64%

LAB 91.61, -45.22, -11.27

 

CMYK 59 / 72 / 0 / 0

HEX #6947FF

RGB 105 71 255

HSL 251.09, 1%, 0.64%

LAB 45.26, 61.05, -86.2

 

CMYK 0 / 72 / 71 / 0

HEX #FF484A

RGB 255 72 74

HSL 359.34, 1%, 0.64%

LAB 58.4, 68.39, 40.49

 

CMYK 35 / 0 / 72 / 0

HEX #A6FF47

RGB 166 255 71

HSL 89.02, 1%, 0.64%

LAB 91.72, -53.75, 74.67

 

CMYK 72 / 0 / 2 / 0

HEX #47FFFB

RGB 71 255 251

HSL 178.7, 1%, 0.64%

LAB 91.61, -45.22, -11.27

 

CMYK 37 / 72 / 0 / 0

HEX #A047FF

RGB 160 71 255

HSL 269.02, 1%, 0.64%

LAB 50.92, 69.25, -76.72

 

Description

Color code: RGB 255 72 74 | qconv.com Color code: RGB 255 72 74 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 72 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 72 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 71 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 71% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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