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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 251 53 it is the complementary color RGB 0 4 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 251 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 251 53: RGB 255 251 48, RGB 255 255 67, RGB 255 255 86, RGB 255 255 105 and RGB 255 255 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 251 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 251 53: RGB 255 251 53, RGB 238 233 34, RGB 221 215 15, RGB 204 197 0 and RGB 187 179 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

Complementary color

CMYK 100 / 98 / 0 / 21

HEX #0004CA

RGB 0 4 202

HSL 238.81, 1%, 0.4%

LAB 24.8, 65.6, -90.04

 

CMYK 0 / 2 / 81 / 0

HEX #FFFB30

RGB 255 251 48

HSL 58.84, 1%, 0.59%

LAB 96.19, -18.95, 87.37

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 0 / 2 / 86 / 7

HEX #EEE922

RGB 238 233 34

HSL 58.53, 0.86%, 0.53%

LAB 90.12, -17.62, 84.78

 

CMYK 0 / 3 / 93 / 13

HEX #DDD70F

RGB 221 215 15

HSL 58.25, 0.87%, 0.46%

LAB 83.97, -16.26, 82.28

 

CMYK 0 / 3 / 100 / 20

HEX #CCC500

RGB 204 197 0

HSL 57.94, 1%, 0.4%

LAB 77.74, -14.73, 78.48

 

CMYK 0 / 4 / 100 / 27

HEX #BBB300

RGB 187 179 0

HSL 57.43, 1%, 0.37%

LAB 71.42, -13.01, 73.24

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 11 / 0 / 80 / 0

HEX #E3FF32

RGB 227 255 50

HSL 68.2, 1%, 0.6%

LAB 95.2, -32.07, 85.23

 

CMYK 24 / 0 / 80 / 0

HEX #C1FF32

RGB 193 255 50

HSL 78.15, 1%, 0.6%

LAB 93.05, -45.16, 82.52

 

CMYK 38 / 0 / 80 / 0

HEX #9FFF32

RGB 159 255 50

HSL 88.1, 1%, 0.6%

LAB 91.29, -57.13, 80.28

 

CMYK 51 / 0 / 80 / 0

HEX #7DFF32

RGB 125 255 50

HSL 98.05, 1%, 0.6%

LAB 89.91, -67.41, 78.52

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 0 / 2 / 78 / 80

HEX #33320B

RGB 51 50 11

HSL 58.5, 0.65%, 0.12%

LAB 20.08, -5.52, 23.72

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 0 / 1 / 79 / 40

HEX #999720

RGB 153 151 32

HSL 59.01, 0.65%, 0.36%

LAB 60.79, -12.94, 57.68

 

CMYK 0 / 1 / 79 / 20

HEX #CCC92A

RGB 204 201 42

HSL 58.89, 0.66%, 0.48%

LAB 78.91, -15.96, 72.43

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 80 / 0 / 67 / 0

HEX #32FF54

RGB 50 255 84

HSL 129.95, 1%, 0.6%

LAB 88.37, -79.36, 65.49

 

CMYK 35 / 80 / 0 / 0

HEX #A632FF

RGB 166 50 255

HSL 273.95, 1%, 0.6%

LAB 49.02, 77.85, -79.79

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 80 / 0 / 3 / 0

HEX #32FFF8

RGB 50 255 248

HSL 177.95, 1%, 0.6%

LAB 91.22, -48.01, -10.32

 

CMYK 3 / 80 / 0 / 0

HEX #F832FF

RGB 248 50 255

HSL 297.95, 1%, 0.6%

LAB 61.18, 91.17, -59.53

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 80 / 0 / 67 / 0

HEX #32FF54

RGB 50 255 84

HSL 129.95, 1%, 0.6%

LAB 88.37, -79.36, 65.49

 

CMYK 80 / 78 / 0 / 0

HEX #3239FF

RGB 50 57 255

HSL 237.95, 1%, 0.6%

LAB 39.28, 63.16, -96.2

 

CMYK 0 / 80 / 14 / 0

HEX #FF32DC

RGB 255 50 220

HSL 310.24, 1%, 0.6%

LAB 60.52, 87.57, -40.95

 

CMYK 0 / 2 / 79 / 0

HEX #FFFB35

RGB 255 251 53

HSL 58.81, 1%, 0.6%

LAB 96.21, -18.8, 86.16

 

CMYK 80 / 0 / 43 / 0

HEX #32FF92

RGB 50 255 146

HSL 148.1, 1%, 0.6%

LAB 89.05, -71.18, 38.72

 

CMYK 80 / 78 / 0 / 0

HEX #3239FF

RGB 50 57 255

HSL 237.95, 1%, 0.6%

LAB 39.28, 63.16, -96.2

 

CMYK 0 / 80 / 38 / 0

HEX #FF329F

RGB 255 50 159

HSL 328.1, 1%, 0.6%

LAB 58.08, 80.62, -9.63

 

Description

Color code: RGB 255 251 53 | qconv.com Color code: RGB 255 251 53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 251 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 251 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 79 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 79% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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