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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 240 53 it is the complementary color RGB 0 15 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 240 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 240 53: RGB 255 240 48, RGB 255 255 67, RGB 255 255 86, RGB 255 255 105 and RGB 255 255 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 240 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 240 53: RGB 255 240 53, RGB 238 222 34, RGB 221 204 15, RGB 204 186 0 and RGB 187 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

Complementary color

CMYK 100 / 93 / 0 / 21

HEX #000FCA

RGB 0 15 202

HSL 235.54, 1%, 0.4%

LAB 25.58, 63.18, -88.73

 

CMYK 0 / 6 / 81 / 0

HEX #FFF030

RGB 255 240 48

HSL 55.65, 1%, 0.59%

LAB 93.36, -13.63, 84.97

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF43

RGB 255 255 67

HSL 60, 1%, 0.63%

LAB 97.3, -20.23, 83.23

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 0 / 7 / 86 / 7

HEX #EEDE22

RGB 238 222 34

HSL 55.29, 0.86%, 0.53%

LAB 87.26, -12.22, 82.47

 

CMYK 0 / 8 / 93 / 13

HEX #DDCC0F

RGB 221 204 15

HSL 55.05, 0.87%, 0.46%

LAB 81.07, -10.77, 80.08

 

CMYK 0 / 9 / 100 / 20

HEX #CCBA00

RGB 204 186 0

HSL 54.71, 1%, 0.4%

LAB 74.8, -9.14, 76.36

 

CMYK 0 / 10 / 100 / 27

HEX #BBA800

RGB 187 168 0

HSL 53.9, 1%, 0.37%

LAB 68.44, -7.31, 71.09

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 7 / 0 / 80 / 0

HEX #EEFF32

RGB 238 255 50

HSL 64.98, 1%, 0.6%

LAB 95.97, -27.68, 86.2

 

CMYK 20 / 0 / 80 / 0

HEX #CCFF32

RGB 204 255 50

HSL 74.93, 1%, 0.6%

LAB 93.71, -41.02, 83.35

 

CMYK 34 / 0 / 80 / 0

HEX #A9FF32

RGB 169 255 50

HSL 85.17, 1%, 0.6%

LAB 91.77, -53.76, 80.89

 

CMYK 47 / 0 / 80 / 0

HEX #88FF32

RGB 136 255 50

HSL 94.83, 1%, 0.6%

LAB 90.31, -64.3, 79.04

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 0 / 6 / 78 / 80

HEX #33300B

RGB 51 48 11

HSL 55.5, 0.65%, 0.12%

LAB 19.4, -4.23, 22.94

 

CMYK 0 / 6 / 79 / 60

HEX #666015

RGB 102 96 21

HSL 55.56, 0.66%, 0.24%

LAB 39.99, -6.89, 40.74

 

CMYK 0 / 6 / 79 / 40

HEX #999020

RGB 153 144 32

HSL 55.54, 0.65%, 0.36%

LAB 58.81, -9.21, 55.9

 

CMYK 0 / 6 / 79 / 20

HEX #CCC02A

RGB 204 192 42

HSL 55.56, 0.66%, 0.48%

LAB 76.5, -11.42, 70.31

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 80 / 0 / 71 / 0

HEX #32FF4A

RGB 50 255 74

HSL 127.02, 1%, 0.6%

LAB 88.3, -80.23, 69.08

 

CMYK 39 / 80 / 0 / 0

HEX #9C32FF

RGB 156 50 255

HSL 271.02, 1%, 0.6%

LAB 47.71, 76.45, -81.98

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 80 / 0 / 7 / 0

HEX #32FFED

RGB 50 255 237

HSL 174.73, 1%, 0.6%

LAB 90.92, -50.99, -5.05

 

CMYK 7 / 80 / 0 / 0

HEX #EE32FF

RGB 238 50 255

HSL 295.02, 1%, 0.6%

LAB 59.6, 89.41, -62.16

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 80 / 0 / 71 / 0

HEX #32FF4A

RGB 50 255 74

HSL 127.02, 1%, 0.6%

LAB 88.3, -80.23, 69.08

 

CMYK 80 / 73 / 0 / 0

HEX #3244FF

RGB 50 68 255

HSL 234.73, 1%, 0.6%

LAB 41.27, 57.49, -92.91

 

CMYK 0 / 80 / 9 / 0

HEX #FF32E7

RGB 255 50 231

HSL 307.02, 1%, 0.6%

LAB 61.05, 89.03, -46.3

 

CMYK 0 / 6 / 79 / 0

HEX #FFF035

RGB 255 240 53

HSL 55.54, 1%, 0.6%

LAB 93.38, -13.48, 83.71

 

CMYK 80 / 0 / 47 / 0

HEX #32FF87

RGB 50 255 135

HSL 144.88, 1%, 0.6%

LAB 88.9, -72.98, 43.84

 

CMYK 80 / 73 / 0 / 0

HEX #3244FF

RGB 50 68 255

HSL 234.73, 1%, 0.6%

LAB 41.27, 57.49, -92.91

 

CMYK 0 / 80 / 34 / 0

HEX #FF32A9

RGB 255 50 169

HSL 325.17, 1%, 0.6%

LAB 58.42, 81.61, -14.95

 

Description

Color code: RGB 255 240 53 | qconv.com Color code: RGB 255 240 53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 240 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 240 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 79 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 79% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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