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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 227 0 it is the complementary color RGB 0 28 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 227 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 227 0: RGB 255 227 0, RGB 255 245 14, RGB 255 255 33, RGB 255 255 52 and RGB 255 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 227 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 227 0: RGB 255 227 0, RGB 238 209 0, RGB 221 191 0, RGB 204 173 0 and RGB 187 155 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

 

Complementary color

CMYK 100 / 89 / 0 / 0

HEX #001CFF

RGB 0 28 255

HSL 233.41, 1%, 0.5%

LAB 34.09, 73.69, -104.88

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 0 / 4 / 95 / 0

HEX #FFF50E

RGB 255 245 14

HSL 57.51, 1%, 0.53%

LAB 94.57, -16.66, 91.57

 

CMYK 0 / 0 / 87 / 0

HEX #FFFF21

RGB 255 255 33

HSL 60, 1%, 0.56%

LAB 97.18, -21.19, 91.18

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 0 / 12 / 100 / 7

HEX #EED100

RGB 238 209 0

HSL 52.69, 1%, 0.47%

LAB 83.85, -6.14, 84.23

 

CMYK 0 / 14 / 100 / 13

HEX #DDBF00

RGB 221 191 0

HSL 51.86, 1%, 0.43%

LAB 77.66, -4.29, 79.11

 

CMYK 0 / 15 / 100 / 20

HEX #CCAD00

RGB 204 173 0

HSL 50.88, 1%, 0.4%

LAB 71.37, -2.37, 73.91

 

CMYK 0 / 17 / 100 / 27

HEX #BB9B00

RGB 187 155 0

HSL 49.73, 1%, 0.37%

LAB 64.97, -0.39, 68.63

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 5 / 0 / 100 / 0

HEX #F2FF00

RGB 242 255 0

HSL 63.06, 1%, 0.5%

LAB 96.16, -26.86, 93.32

 

CMYK 22 / 0 / 100 / 0

HEX #C7FF00

RGB 199 255 0

HSL 73.18, 1%, 0.5%

LAB 93.3, -43.86, 89.92

 

CMYK 38 / 0 / 100 / 0

HEX #9DFF00

RGB 157 255 0

HSL 83.06, 1%, 0.5%

LAB 91.09, -58.88, 87.26

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 0 / 12 / 100 / 80

HEX #332D00

RGB 51 45 0

HSL 52.94, 1%, 0.1%

LAB 18.28, -3.06, 26.13

 

CMYK 0 / 11 / 100 / 60

HEX #665B00

RGB 102 91 0

HSL 53.53, 1%, 0.2%

LAB 38.39, -4.69, 45.79

 

CMYK 0 / 11 / 100 / 40

HEX #998800

RGB 153 136 0

HSL 53.33, 1%, 0.3%

LAB 56.47, -5.64, 61.05

 

CMYK 0 / 11 / 100 / 20

HEX #CCB600

RGB 204 182 0

HSL 53.53, 1%, 0.4%

LAB 73.74, -7.07, 75.6

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 100 / 0 / 92 / 0

HEX #00FF15

RGB 0 255 21

HSL 124.94, 1%, 0.5%

LAB 87.76, -85.84, 81.36

 

CMYK 52 / 100 / 0 / 0

HEX #7B00FF

RGB 123 0 255

HSL 268.94, 1%, 0.5%

LAB 40.3, 82.82, -94.34

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 100 / 0 / 12 / 0

HEX #00FFE1

RGB 0 255 225

HSL 172.94, 1%, 0.5%

LAB 90.3, -56.32, 0.22

 

CMYK 12 / 100 / 0 / 0

HEX #E100FF

RGB 225 0 255

HSL 292.94, 1%, 0.5%

LAB 55.31, 93.84, -69.17

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 100 / 0 / 92 / 0

HEX #00FF15

RGB 0 255 21

HSL 124.94, 1%, 0.5%

LAB 87.76, -85.84, 81.36

 

CMYK 100 / 89 / 0 / 0

HEX #001DFF

RGB 0 29 255

HSL 233.18, 1%, 0.5%

LAB 34.19, 73.38, -104.71

 

CMYK 0 / 100 / 9 / 0

HEX #FF00E9

RGB 255 0 233

HSL 305.18, 1%, 0.5%

LAB 59.11, 95.3, -50.51

 

CMYK 0 / 11 / 100 / 0

HEX #FFE300

RGB 255 227 0

HSL 53.41, 1%, 0.5%

LAB 89.95, -7.95, 89.28

HKS® 2

CMYK 100 / 0 / 62 / 0

HEX #00FF61

RGB 0 255 97

HSL 142.82, 1%, 0.5%

LAB 88.15, -80.86, 59.98

 

CMYK 100 / 89 / 0 / 0

HEX #001DFF

RGB 0 29 255

HSL 233.18, 1%, 0.5%

LAB 34.19, 73.38, -104.71

 

CMYK 0 / 100 / 38 / 0

HEX #FF009D

RGB 255 0 157

HSL 323.06, 1%, 0.5%

LAB 55.78, 86.9, -11.9

 

Description

Color code: RGB 255 227 0 | qconv.com Color code: RGB 255 227 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 227 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 227 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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