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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 135 181 it is the complementary color RGB 0 120 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 135 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 135 181: RGB 255 135 176, RGB 255 153 195, RGB 255 171 214, RGB 255 189 233 and RGB 255 207 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 135 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 135 181: RGB 255 135 181, RGB 238 117 162, RGB 221 99 143, RGB 204 81 124 and RGB 187 63 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

Complementary color

CMYK 100 / 0 / 38 / 53

HEX #00784A

RGB 0 120 74

HSL 157, 1%, 0.24%

LAB 44.13, -40.49, 17.37

 

CMYK 0 / 47 / 31 / 0

HEX #FF87B0

RGB 255 135 176

HSL 339.5, 1%, 0.76%

LAB 70.68, 49.85, -0.72

 

CMYK 0 / 40 / 24 / 0

HEX #FF99C3

RGB 255 153 195

HSL 335.29, 1%, 0.8%

LAB 74.81, 43.31, -5.17

 

CMYK 0 / 33 / 16 / 0

HEX #FFABD6

RGB 255 171 214

HSL 329.29, 1%, 0.84%

LAB 79.18, 36.8, -9.08

 

CMYK 0 / 26 / 9 / 0

HEX #FFBDE9

RGB 255 189 233

HSL 320, 1%, 0.87%

LAB 83.72, 30.43, -12.54

 

CMYK 0 / 19 / 1 / 0

HEX #FFCFFC

RGB 255 207 252

HSL 303.75, 1%, 0.91%

LAB 88.41, 24.26, -15.61

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 0 / 51 / 32 / 7

HEX #EE75A2

RGB 238 117 162

HSL 337.69, 0.78%, 0.7%

LAB 64.57, 51.28, -2.04

 

CMYK 0 / 55 / 35 / 13

HEX #DD638F

RGB 221 99 143

HSL 338.36, 0.64%, 0.63%

LAB 58.3, 52.04, -0.56

 

CMYK 0 / 60 / 39 / 20

HEX #CC517C

RGB 204 81 124

HSL 339.02, 0.55%, 0.56%

LAB 52.04, 52.69, 1.2

 

CMYK 0 / 66 / 44 / 27

HEX #BB3F69

RGB 187 63 105

HSL 339.68, 0.5%, 0.49%

LAB 45.82, 53.11, 3.35

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 0 / 48 / 38 / 0

HEX #FF849F

RGB 255 132 159

HSL 346.83, 1%, 0.76%

LAB 69.66, 49.32, 7.33

 

CMYK 0 / 48 / 46 / 0

HEX #FF848A

RGB 255 132 138

HSL 357.07, 1%, 0.76%

LAB 69.18, 47.15, 18.43

 

CMYK 0 / 43 / 48 / 0

HEX #FF9284

RGB 255 146 132

HSL 6.83, 1%, 0.76%

LAB 71.88, 39.57, 25.42

 

CMYK 0 / 35 / 48 / 0

HEX #FFA784

RGB 255 167 132

HSL 17.07, 1%, 0.76%

LAB 76.41, 28.72, 31.45

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 0 / 47 / 29 / 80

HEX #331B24

RGB 51 27 36

HSL 337.5, 0.31%, 0.15%

LAB 13.32, 13.37, -1.06

 

CMYK 0 / 47 / 29 / 60

HEX #663648

RGB 102 54 72

HSL 337.5, 0.31%, 0.31%

LAB 29.24, 23.84, -1.57

 

CMYK 0 / 47 / 29 / 40

HEX #99516D

RGB 153 81 109

HSL 336.67, 0.31%, 0.46%

LAB 43.89, 33.39, -2.57

 

CMYK 0 / 47 / 29 / 20

HEX #CC6C91

RGB 204 108 145

HSL 336.88, 0.48%, 0.61%

LAB 57.66, 42.15, -2.94

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 0 / 9 / 48 / 0

HEX #FFE884

RGB 255 232 132

HSL 48.78, 1%, 0.76%

LAB 91.97, -4.88, 51.16

 

CMYK 48 / 11 / 0 / 0

HEX #84E4FF

RGB 132 228 255

HSL 193.17, 1%, 0.76%

LAB 85.81, -21.41, -21.89

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 30 / 0 / 48 / 0

HEX #B3FF84

RGB 179 255 132

HSL 97.07, 1%, 0.76%

LAB 92.91, -44.1, 51.14

 

CMYK 48 / 30 / 0 / 0

HEX #84B3FF

RGB 132 179 255

HSL 217.07, 1%, 0.76%

LAB 72.47, 4.52, -42.43

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 0 / 9 / 48 / 0

HEX #FFE884

RGB 255 232 132

HSL 48.78, 1%, 0.76%

LAB 91.97, -4.88, 51.16

 

CMYK 48 / 0 / 18 / 0

HEX #84FFD0

RGB 132 255 208

HSL 157.07, 1%, 0.76%

LAB 92.12, -45.24, 11.92

 

CMYK 48 / 39 / 0 / 0

HEX #849BFF

RGB 132 155 255

HSL 228.78, 1%, 0.76%

LAB 66.19, 18.19, -52.31

 

CMYK 0 / 47 / 29 / 0

HEX #FF87B5

RGB 255 135 181

HSL 337, 1%, 0.76%

LAB 70.82, 50.48, -3.3

 

CMYK 6 / 0 / 48 / 0

HEX #F0FF84

RGB 240 255 132

HSL 67.32, 1%, 0.76%

LAB 96.7, -21.99, 56.62

 

CMYK 48 / 0 / 18 / 0

HEX #84FFD0

RGB 132 255 208

HSL 157.07, 1%, 0.76%

LAB 92.12, -45.24, 11.92

 

CMYK 43 / 48 / 0 / 0

HEX #9284FF

RGB 146 132 255

HSL 246.83, 1%, 0.76%

LAB 61.51, 34.75, -59.7

 

Description

Color code: RGB 255 135 181 | qconv.com Color code: RGB 255 135 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 135 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 135 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 29 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 29% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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