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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 61 25 it is the complementary color RGB 1 194 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 61 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 61 25: RGB 255 61 20, RGB 255 79 39, RGB 255 97 58, RGB 255 115 77 and RGB 255 133 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 61 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 61 25: RGB 254 61 25, RGB 237 43 6, RGB 220 25 0, RGB 203 7 0 and RGB 186 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

Complementary color

CMYK 100 / 16 / 0 / 10

HEX #01C2E6

RGB 1 194 230

HSL 189.43, 0.99%, 0.45%

LAB 72.43, -27.67, -29.23

 

CMYK 0 / 76 / 92 / 0

HEX #FF3D14

RGB 255 61 20

HSL 10.47, 1%, 0.54%

LAB 56.73, 70.45, 63.99

 

CMYK 0 / 69 / 85 / 0

HEX #FF4F27

RGB 255 79 39

HSL 11.11, 1%, 0.58%

LAB 58.97, 64.81, 58.66

 

CMYK 0 / 62 / 77 / 0

HEX #FF613A

RGB 255 97 58

HSL 11.88, 1%, 0.61%

LAB 61.75, 58.21, 52.53

 

CMYK 0 / 55 / 70 / 0

HEX #FF734D

RGB 255 115 77

HSL 12.81, 1%, 0.65%

LAB 65.01, 50.95, 46.44

 

CMYK 0 / 48 / 62 / 0

HEX #FF8560

RGB 255 133 96

HSL 13.96, 1%, 0.69%

LAB 68.66, 43.32, 40.78

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 0 / 82 / 97 / 7

HEX #ED2B06

RGB 237 43 6

HSL 9.61, 0.95%, 0.48%

LAB 51.55, 70.01, 62.87

 

CMYK 0 / 89 / 100 / 14

HEX #DC1900

RGB 220 25 0

HSL 6.82, 1%, 0.43%

LAB 46.86, 68.98, 60.46

 

CMYK 0 / 97 / 100 / 20

HEX #CB0700

RGB 203 7 0

HSL 2.07, 1%, 0.4%

LAB 42.53, 66.79, 56.69

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 0 / 61 / 90 / 1

HEX #FD621A

RGB 253 98 26

HSL 19.03, 0.98%, 0.55%

LAB 61.39, 56.31, 65.14

 

CMYK 0 / 46 / 90 / 1

HEX #FD881A

RGB 253 136 26

HSL 29.07, 0.98%, 0.55%

LAB 68.44, 38.33, 70.27

 

CMYK 0 / 31 / 90 / 1

HEX #FDAE1A

RGB 253 174 26

HSL 39.12, 0.98%, 0.55%

LAB 76.82, 18.67, 76.53

 

CMYK 0 / 16 / 90 / 1

HEX #FDD41A

RGB 253 212 26

HSL 49.16, 0.98%, 0.55%

LAB 86.03, -0.99, 83.54

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 0 / 76 / 90 / 80

HEX #320C05

RGB 50 12 5

HSL 9.33, 0.82%, 0.11%

LAB 8.59, 18.72, 11.23

 

CMYK 0 / 76 / 90 / 60

HEX #65180A

RGB 101 24 10

HSL 9.23, 0.82%, 0.22%

LAB 21.73, 33.62, 28.19

 

CMYK 0 / 76 / 90 / 40

HEX #98250F

RGB 152 37 15

HSL 9.64, 0.82%, 0.33%

LAB 34.05, 46.4, 40.81

 

CMYK 0 / 76 / 90 / 20

HEX #CB3114

RGB 203 49 20

HSL 9.51, 0.82%, 0.44%

LAB 45.56, 58.63, 51.79

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 31 / 0 / 90 / 1

HEX #AEFD1A

RGB 174 253 26

HSL 80.88, 0.98%, 0.55%

LAB 91.38, -51.91, 85.39

 

CMYK 90 / 67 / 0 / 1

HEX #1A53FD

RGB 26 83 253

HSL 224.93, 0.98%, 0.55%

LAB 43.5, 46.98, -88.12

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 90 / 0 / 76 / 1

HEX #1AFD3C

RGB 26 253 60

HSL 128.99, 0.98%, 0.55%

LAB 87.39, -82.64, 72.66

 

CMYK 76 / 90 / 0 / 1

HEX #3C1AFD

RGB 60 26 253

HSL 248.99, 0.98%, 0.55%

LAB 35.58, 74.88, -101.22

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 31 / 0 / 90 / 1

HEX #AEFD1A

RGB 174 253 26

HSL 80.88, 0.98%, 0.55%

LAB 91.38, -51.91, 85.39

 

CMYK 90 / 13 / 0 / 1

HEX #1ADBFD

RGB 26 219 253

HSL 188.99, 0.98%, 0.55%

LAB 80.72, -31.64, -28.82

 

CMYK 58 / 90 / 0 / 1

HEX #6A1AFD

RGB 106 26 253

HSL 261.15, 0.98%, 0.55%

LAB 39.4, 77.41, -94.76

 

CMYK 0 / 76 / 90 / 0

HEX #FE3D19

RGB 254 61 25

HSL 9.43, 0.99%, 0.55%

LAB 56.56, 70.22, 62.17

 

CMYK 58 / 0 / 90 / 1

HEX #6AFD1A

RGB 106 253 26

HSL 98.85, 0.98%, 0.55%

LAB 88.63, -72.43, 82

 

CMYK 90 / 13 / 0 / 1

HEX #1ADBFD

RGB 26 219 253

HSL 188.99, 0.98%, 0.55%

LAB 80.72, -31.64, -28.82

 

CMYK 31 / 90 / 0 / 1

HEX #AE1AFD

RGB 174 26 253

HSL 279.12, 0.98%, 0.55%

LAB 48.04, 84.21, -80.22

 

Description

Color code: RGB 254 61 25 | qconv.com Color code: RGB 254 61 25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 61 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 61 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 90 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 90% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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