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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 189 161 it is the complementary color RGB 1 66 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 189 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 254 189 161: RGB 255 189 156, RGB 255 207 175, RGB 255 225 194, RGB 255 243 213 and RGB 255 255 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 189 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 254 189 161: RGB 254 189 161, RGB 237 171 142, RGB 220 153 123, RGB 203 135 104 and RGB 186 117 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

Complementary color

CMYK 99 / 30 / 0 / 63

HEX #01425E

RGB 1 66 94

HSL 198.06, 0.98%, 0.19%

LAB 25.9, -6.94, -21.72

 

CMYK 0 / 26 / 39 / 0

HEX #FFBD9C

RGB 255 189 156

HSL 20, 1%, 0.81%

LAB 81.87, 19.66, 25.98

 

CMYK 0 / 19 / 31 / 0

HEX #FFCFAF

RGB 255 207 175

HSL 24, 1%, 0.84%

LAB 86.49, 12.5, 22.3

 

CMYK 0 / 12 / 24 / 0

HEX #FFE1C2

RGB 255 225 194

HSL 30.49, 1%, 0.88%

LAB 91.24, 5.7, 18.96

 

CMYK 0 / 5 / 16 / 0

HEX #FFF3D5

RGB 255 243 213

HSL 42.86, 1%, 0.92%

LAB 96.07, -0.75, 15.91

NCS® S0507-Y20R

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 0 / 28 / 40 / 7

HEX #EDAB8E

RGB 237 171 142

HSL 18.32, 0.73%, 0.74%

LAB 75.5, 20.65, 24.52

 

CMYK 0 / 30 / 44 / 14

HEX #DC997B

RGB 220 153 123

HSL 18.56, 0.58%, 0.67%

LAB 69.06, 21.56, 25.83

 

CMYK 0 / 33 / 49 / 20

HEX #CB8768

RGB 203 135 104

HSL 18.79, 0.49%, 0.6%

LAB 62.53, 22.58, 27.28

 

CMYK 0 / 37 / 54 / 27

HEX #BA7555

RGB 186 117 85

HSL 19.01, 0.42%, 0.53%

LAB 55.9, 23.75, 28.88

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 0 / 20 / 37 / 0

HEX #FECB9F

RGB 254 203 159

HSL 27.79, 0.98%, 0.81%

LAB 85.14, 12.3, 28.81

 

CMYK 0 / 14 / 37 / 0

HEX #FEDB9F

RGB 254 219 159

HSL 37.89, 0.98%, 0.81%

LAB 89.03, 4.03, 34.01

 

CMYK 0 / 7 / 37 / 0

HEX #FEEB9F

RGB 254 235 159

HSL 48, 0.98%, 0.81%

LAB 93.01, -4.09, 39.23

 

CMYK 0 / 2 / 37 / 0

HEX #FEFA9F

RGB 254 250 159

HSL 57.47, 0.98%, 0.81%

LAB 96.8, -11.54, 44.12

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 0 / 26 / 36 / 80

HEX #322520

RGB 50 37 32

HSL 16.67, 0.22%, 0.16%

LAB 16.03, 5.24, 5.68

 

CMYK 0 / 26 / 37 / 60

HEX #654B40

RGB 101 75 64

HSL 17.84, 0.22%, 0.32%

LAB 34.33, 9.32, 10.83

 

CMYK 0 / 26 / 37 / 40

HEX #987160

RGB 152 113 96

HSL 18.21, 0.23%, 0.49%

LAB 51.07, 13, 15.44

 

CMYK 0 / 26 / 36 / 20

HEX #CB9781

RGB 203 151 129

HSL 17.84, 0.42%, 0.65%

LAB 66.84, 16.57, 19.21

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 19 / 0 / 37 / 0

HEX #CEFE9F

RGB 206 254 159

HSL 90.32, 0.98%, 0.81%

LAB 94.53, -31.09, 40.54

 

CMYK 37 / 34 / 0 / 0

HEX #9FA8FE

RGB 159 168 254

HSL 234.32, 0.98%, 0.81%

LAB 71.24, 17.09, -43.7

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 37 / 0 / 26 / 0

HEX #9FFEBB

RGB 159 254 187

HSL 137.68, 0.98%, 0.81%

LAB 92.51, -41.87, 23.37

 

CMYK 26 / 37 / 0 / 0

HEX #BB9FFE

RGB 187 159 254

HSL 257.68, 0.98%, 0.81%

LAB 71.23, 29.74, -43.56

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 19 / 0 / 37 / 0

HEX #CEFE9F

RGB 206 254 159

HSL 90.32, 0.98%, 0.81%

LAB 94.53, -31.09, 40.54

 

CMYK 37 / 11 / 0 / 0

HEX #9FE1FE

RGB 159 225 254

HSL 198.32, 0.98%, 0.81%

LAB 86.19, -13.7, -20.67

 

CMYK 19 / 37 / 0 / 0

HEX #CE9FFE

RGB 206 159 254

HSL 269.68, 0.98%, 0.81%

LAB 72.94, 35.16, -40.75

 

CMYK 0 / 26 / 37 / 0

HEX #FEBDA1

RGB 254 189 161

HSL 18.06, 0.98%, 0.81%

LAB 81.86, 19.84, 23.3

 

CMYK 30 / 0 / 37 / 0

HEX #B2FE9F

RGB 178 254 159

HSL 108, 0.98%, 0.81%

LAB 92.95, -40.55, 38.18

 

CMYK 37 / 11 / 0 / 0

HEX #9FE1FE

RGB 159 225 254

HSL 198.32, 0.98%, 0.81%

LAB 86.19, -13.7, -20.67

 

CMYK 7 / 37 / 0 / 0

HEX #EB9FFE

RGB 235 159 254

HSL 288, 0.98%, 0.81%

LAB 75.83, 43.67, -36.04

 

Description

Color code: RGB 254 189 161 | qconv.com Color code: RGB 254 189 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 189 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 189 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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