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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 251 64 it is the complementary color RGB 2 4 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 251 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 251 64: RGB 255 251 59, RGB 255 255 78, RGB 255 255 97, RGB 255 255 116 and RGB 255 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 251 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 251 64: RGB 253 251 64, RGB 236 233 45, RGB 219 215 26, RGB 202 197 7 and RGB 185 179 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

Complementary color

CMYK 99 / 98 / 0 / 25

HEX #0204BF

RGB 2 4 191

HSL 239.37, 0.98%, 0.38%

LAB 23.21, 62.82, -86.22

 

CMYK 0 / 2 / 77 / 0

HEX #FFFB3B

RGB 255 251 59

HSL 58.78, 1%, 0.62%

LAB 96.23, -18.61, 84.59

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 0 / 1 / 81 / 7

HEX #ECE92D

RGB 236 233 45

HSL 59.06, 0.83%, 0.55%

LAB 90, -18.18, 82.23

 

CMYK 0 / 2 / 88 / 14

HEX #DBD71A

RGB 219 215 26

HSL 58.76, 0.79%, 0.48%

LAB 83.83, -16.94, 80.55

 

CMYK 0 / 2 / 97 / 21

HEX #CAC507

RGB 202 197 7

HSL 58.46, 0.93%, 0.41%

LAB 77.58, -15.52, 77.59

 

CMYK 0 / 3 / 100 / 27

HEX #B9B300

RGB 185 179 0

HSL 58.05, 1%, 0.36%

LAB 71.25, -13.89, 73.04

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 11 / 0 / 75 / 1

HEX #E0FD3F

RGB 224 253 63

HSL 69.16, 0.98%, 0.62%

LAB 94.51, -31.86, 81.03

 

CMYK 24 / 0 / 75 / 1

HEX #C0FD3F

RGB 192 253 63

HSL 79.26, 0.98%, 0.62%

LAB 92.49, -44.13, 78.42

 

CMYK 36 / 0 / 75 / 1

HEX #A1FD3F

RGB 161 253 63

HSL 89.05, 0.98%, 0.62%

LAB 90.86, -55.07, 76.3

 

CMYK 49 / 0 / 75 / 1

HEX #81FD3F

RGB 129 253 63

HSL 99.16, 0.98%, 0.62%

LAB 89.52, -64.92, 74.54

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 0 / 0 / 76 / 81

HEX #31310C

RGB 49 49 12

HSL 60, 0.61%, 0.12%

LAB 19.54, -5.87, 22.61

 

CMYK 0 / 1 / 75 / 61

HEX #646319

RGB 100 99 25

HSL 59.2, 0.6%, 0.25%

LAB 40.74, -9.37, 39.82

 

CMYK 0 / 1 / 75 / 41

HEX #979626

RGB 151 150 38

HSL 59.47, 0.6%, 0.37%

LAB 60.37, -13.05, 55.24

 

CMYK 0 / 1 / 75 / 21

HEX #CAC833

RGB 202 200 51

HSL 59.21, 0.6%, 0.5%

LAB 78.52, -15.98, 69.34

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 75 / 0 / 62 / 1

HEX #3FFD61

RGB 63 253 97

HSL 130.74, 0.98%, 0.62%

LAB 88.05, -75.89, 60

 

CMYK 32 / 75 / 0 / 1

HEX #AD3FFD

RGB 173 63 253

HSL 274.74, 0.98%, 0.62%

LAB 51.3, 74.13, -74.91

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 75 / 0 / 2 / 1

HEX #3FFDF9

RGB 63 253 249

HSL 178.74, 0.98%, 0.62%

LAB 90.85, -45.73, -11.38

 

CMYK 2 / 75 / 0 / 1

HEX #F93FFD

RGB 249 63 253

HSL 298.74, 0.98%, 0.62%

LAB 62.33, 87.88, -56.59

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 75 / 0 / 62 / 1

HEX #3FFD61

RGB 63 253 97

HSL 130.74, 0.98%, 0.62%

LAB 88.05, -75.89, 60

 

CMYK 75 / 74 / 0 / 1

HEX #3F42FD

RGB 63 66 253

HSL 239.05, 0.98%, 0.62%

LAB 41.29, 58.79, -91.74

 

CMYK 0 / 75 / 14 / 1

HEX #FD3FDA

RGB 253 63 218

HSL 311.05, 0.98%, 0.62%

LAB 61.22, 83.66, -38.76

 

CMYK 0 / 1 / 75 / 1

HEX #FDFB40

RGB 253 251 64

HSL 59.37, 0.98%, 0.62%

LAB 96.1, -19.25, 82.97

 

CMYK 75 / 0 / 39 / 1

HEX #3FFD9A

RGB 63 253 154

HSL 148.74, 0.98%, 0.62%

LAB 88.75, -67.66, 34.42

 

CMYK 75 / 74 / 0 / 1

HEX #3F42FD

RGB 63 66 253

HSL 239.05, 0.98%, 0.62%

LAB 41.29, 58.79, -91.74

 

CMYK 0 / 75 / 36 / 1

HEX #FD3FA1

RGB 253 63 161

HSL 329.05, 0.98%, 0.62%

LAB 58.98, 76.94, -9.48

 

Description

Color code: RGB 253 251 64 | qconv.com Color code: RGB 253 251 64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 251 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 251 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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