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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 242 50 it is the complementary color RGB 2 13 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 242 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 242 50: RGB 255 242 45, RGB 255 255 64, RGB 255 255 83, RGB 255 255 102 and RGB 255 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 242 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 242 50: RGB 253 242 50, RGB 236 224 31, RGB 219 206 12, RGB 202 188 0 and RGB 185 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

Complementary color

CMYK 99 / 94 / 0 / 20

HEX #020DCD

RGB 2 13 205

HSL 236.75, 0.98%, 0.41%

LAB 25.89, 64.49, -89.98

 

CMYK 0 / 5 / 82 / 0

HEX #FFF22D

RGB 255 242 45

HSL 56.29, 1%, 0.59%

LAB 93.86, -14.68, 86.11

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 0 / 6 / 95 / 14

HEX #DBCE0C

RGB 219 206 12

HSL 56.23, 0.9%, 0.45%

LAB 81.42, -12.67, 80.6

 

CMYK 0 / 7 / 100 / 21

HEX #CABC00

RGB 202 188 0

HSL 55.84, 1%, 0.4%

LAB 75.15, -11.04, 76.53

 

CMYK 0 / 8 / 100 / 27

HEX #B9AA00

RGB 185 170 0

HSL 55.14, 1%, 0.36%

LAB 68.8, -9.24, 71.26

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 8 / 0 / 81 / 1

HEX #E8FC2F

RGB 232 252 47

HSL 65.85, 0.97%, 0.59%

LAB 94.73, -28.78, 85.68

 

CMYK 21 / 0 / 81 / 1

HEX #C6FC2F

RGB 198 252 47

HSL 75.8, 0.97%, 0.59%

LAB 92.5, -42.09, 82.88

 

CMYK 35 / 0 / 81 / 1

HEX #A4FC2F

RGB 164 252 47

HSL 85.76, 0.97%, 0.59%

LAB 90.65, -54.38, 80.54

 

CMYK 49 / 0 / 81 / 1

HEX #81FC2F

RGB 129 252 47

HSL 96, 0.97%, 0.59%

LAB 89.16, -65.36, 78.63

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 0 / 4 / 80 / 81

HEX #312F0A

RGB 49 47 10

HSL 56.92, 0.66%, 0.12%

LAB 18.83, -4.73, 22.65

 

CMYK 0 / 4 / 80 / 61

HEX #646014

RGB 100 96 20

HSL 57, 0.67%, 0.24%

LAB 39.79, -7.91, 40.86

 

CMYK 0 / 5 / 80 / 41

HEX #97901E

RGB 151 144 30

HSL 56.53, 0.67%, 0.35%

LAB 58.62, -10.2, 56.3

 

CMYK 0 / 4 / 80 / 21

HEX #CAC128

RGB 202 193 40

HSL 56.67, 0.67%, 0.47%

LAB 76.59, -12.85, 70.89

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 81 / 0 / 70 / 1

HEX #2FFC4B

RGB 47 252 75

HSL 128.2, 0.97%, 0.59%

LAB 87.36, -79.58, 67.73

 

CMYK 38 / 81 / 0 / 1

HEX #9D2FFC

RGB 157 47 252

HSL 272.2, 0.97%, 0.59%

LAB 47.27, 76.88, -81.02

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 81 / 0 / 5 / 1

HEX #2FFCEF

RGB 47 252 239

HSL 176.2, 0.97%, 0.59%

LAB 90.07, -49.41, -7.35

 

CMYK 5 / 81 / 0 / 1

HEX #EF2FFC

RGB 239 47 252

HSL 296.2, 0.97%, 0.59%

LAB 59.35, 89.78, -60.87

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 81 / 0 / 70 / 1

HEX #2FFC4B

RGB 47 252 75

HSL 128.2, 0.97%, 0.59%

LAB 87.36, -79.58, 67.73

 

CMYK 81 / 76 / 0 / 1

HEX #2F3DFC

RGB 47 61 252

HSL 235.9, 0.97%, 0.59%

LAB 39.53, 60.07, -94.11

 

CMYK 0 / 81 / 11 / 1

HEX #FC2FE1

RGB 252 47 225

HSL 307.9, 0.97%, 0.59%

LAB 60.04, 88.28, -44.57

 

CMYK 0 / 4 / 80 / 1

HEX #FDF232

RGB 253 242 50

HSL 56.75, 0.98%, 0.59%

LAB 93.72, -15.37, 84.71

 

CMYK 81 / 0 / 46 / 1

HEX #2FFC88

RGB 47 252 136

HSL 146.05, 0.97%, 0.59%

LAB 87.97, -72.12, 42.18

 

CMYK 81 / 76 / 0 / 1

HEX #2F3DFC

RGB 47 61 252

HSL 235.9, 0.97%, 0.59%

LAB 39.53, 60.07, -94.11

 

CMYK 0 / 81 / 35 / 1

HEX #FC2FA4

RGB 252 47 164

HSL 325.76, 0.97%, 0.59%

LAB 57.47, 81.1, -13.52

 

Description

Color code: RGB 253 242 50 | qconv.com Color code: RGB 253 242 50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 242 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 242 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 80 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 80% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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