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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 185 75 it is the complementary color RGB 2 70 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 185 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 185 75: RGB 255 185 70, RGB 255 203 89, RGB 255 221 108, RGB 255 239 127 and RGB 255 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 185 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 185 75: RGB 253 185 75, RGB 236 167 56, RGB 219 149 37, RGB 202 131 18 and RGB 185 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

Complementary color

CMYK 99 / 61 / 0 / 29

HEX #0246B4

RGB 2 70 180

HSL 217.08, 0.98%, 0.36%

LAB 33.33, 26.95, -62.95

 

CMYK 0 / 27 / 73 / 0

HEX #FFB946

RGB 255 185 70

HSL 37.3, 1%, 0.64%

LAB 79.84, 15.08, 65.43

 

CMYK 0 / 20 / 65 / 0

HEX #FFCB59

RGB 255 203 89

HSL 41.2, 1%, 0.67%

LAB 84.33, 6.72, 62.11

 

CMYK 0 / 13 / 58 / 0

HEX #FFDD6C

RGB 255 221 108

HSL 46.12, 1%, 0.71%

LAB 88.95, -1.26, 58.8

 

CMYK 0 / 6 / 50 / 0

HEX #FFEF7F

RGB 255 239 127

HSL 52.5, 1%, 0.75%

LAB 93.68, -8.8, 55.59

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 0 / 29 / 76 / 7

HEX #ECA738

RGB 236 167 56

HSL 37, 0.83%, 0.57%

LAB 73.39, 15.97, 63.93

 

CMYK 0 / 32 / 83 / 14

HEX #DB9525

RGB 219 149 37

HSL 36.92, 0.72%, 0.5%

LAB 67.04, 17.67, 64.19

 

CMYK 0 / 35 / 91 / 21

HEX #CA8312

RGB 202 131 18

HSL 36.85, 0.84%, 0.43%

LAB 60.63, 19.62, 63.39

 

CMYK 0 / 39 / 100 / 27

HEX #B97100

RGB 185 113 0

HSL 36.65, 1%, 0.36%

LAB 54.16, 21.8, 61.2

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 0 / 15 / 71 / 1

HEX #FDD649

RGB 253 214 73

HSL 47, 0.98%, 0.64%

LAB 86.73, -0.58, 71.05

 

CMYK 0 / 4 / 71 / 1

HEX #FDF449

RGB 253 244 73

HSL 57, 0.98%, 0.64%

LAB 94.34, -15.5, 78.46

 

CMYK 8 / 0 / 71 / 1

HEX #E8FD49

RGB 232 253 73

HSL 67, 0.98%, 0.64%

LAB 95.11, -28.25, 78.65

 

CMYK 20 / 0 / 71 / 1

HEX #CAFD49

RGB 202 253 73

HSL 77, 0.98%, 0.64%

LAB 93.14, -39.89, 76.06

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 0 / 27 / 69 / 81

HEX #31240F

RGB 49 36 15

HSL 37.06, 0.53%, 0.13%

LAB 15.22, 3.1, 15.89

 

CMYK 0 / 27 / 70 / 61

HEX #64491E

RGB 100 73 30

HSL 36.86, 0.54%, 0.25%

LAB 33.07, 6.46, 29.52

 

CMYK 0 / 27 / 70 / 41

HEX #976E2D

RGB 151 110 45

HSL 36.79, 0.54%, 0.38%

LAB 49.4, 9.49, 41.38

 

CMYK 0 / 27 / 70 / 21

HEX #CA943C

RGB 202 148 60

HSL 37.18, 0.57%, 0.51%

LAB 65.01, 11.78, 52.67

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 58 / 0 / 71 / 1

HEX #6AFD49

RGB 106 253 73

HSL 109, 0.98%, 0.64%

LAB 88.83, -70.18, 70.32

 

CMYK 56 / 71 / 0 / 1

HEX #7049FD

RGB 112 73 253

HSL 253, 0.98%, 0.64%

LAB 46.04, 60.41, -83.78

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 71 / 0 / 27 / 1

HEX #49FDB8

RGB 73 253 184

HSL 157, 0.98%, 0.64%

LAB 89.45, -60.49, 20.25

 

CMYK 27 / 71 / 0 / 1

HEX #B849FD

RGB 184 73 253

HSL 277, 0.98%, 0.64%

LAB 54.08, 72.26, -70.34

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 58 / 0 / 71 / 1

HEX #6AFD49

RGB 106 253 73

HSL 109, 0.98%, 0.64%

LAB 88.83, -70.18, 70.32

 

CMYK 71 / 44 / 0 / 1

HEX #498EFD

RGB 73 142 253

HSL 217, 0.98%, 0.64%

LAB 59.76, 14.46, -61.64

 

CMYK 13 / 71 / 0 / 1

HEX #DC49FD

RGB 220 73 253

HSL 289, 0.98%, 0.64%

LAB 59.04, 79.17, -62.09

 

CMYK 0 / 27 / 70 / 1

HEX #FDB94B

RGB 253 185 75

HSL 37.08, 0.98%, 0.64%

LAB 79.66, 14.48, 63.12

 

CMYK 71 / 0 / 63 / 1

HEX #49FD5E

RGB 73 253 94

HSL 127, 0.98%, 0.64%

LAB 88.2, -74.76, 61.45

 

CMYK 71 / 44 / 0 / 1

HEX #498EFD

RGB 73 142 253

HSL 217, 0.98%, 0.64%

LAB 59.76, 14.46, -61.64

 

CMYK 0 / 71 / 8 / 1

HEX #FD49E8

RGB 253 73 232

HSL 307, 0.98%, 0.64%

LAB 62.91, 82.66, -43.97

 

Description

Color code: RGB 253 185 75 | qconv.com Color code: RGB 253 185 75 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 185 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 185 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 70 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 70% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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