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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 120 8 it is the complementary color RGB 2 135 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 120 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 120 8 shade: RGB 255 120 3, RGB 255 138 22, RGB 255 156 41, RGB 255 174 60 and RGB 255 192 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 120 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 236 102 0, RGB 219 84 0, RGB 202 66 0 and RGB 185 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 253 54 8 and RGB 253 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 253 186 8, RGB 253 252 8, RGB 187 253 8 and RGB 121 253 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 120 8 shade matches the following richer shades: RGB 253 120 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 232 121 28, RGB 212 123 48, RGB 192 125 68 and RGB 172 126 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 120 8 shade: RGB 253 8 28, RGB 253 52 8, RGB 253 118 8, RGB 253 183 8 and RGB 253 248 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 120 8 shade: RGB 176 81 2, RGB 217 100 2, RGB 253 120 8, RGB 253 142 48 and RGB 253 164 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 93 253 8 and RGB 20 8 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 8 253 118 and RGB 118 8 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 93 253 8, RGB 8 142 253 and RGB 167 8 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 120 8 shade: RGB 253 120 8, RGB 20 253 8, RGB 8 142 253 and RGB 240 8 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

Complementary color

CMYK 99 / 45 / 0 / 3

HEX #0287F7

RGB 2 135 247

HSL 207.43, 0.98%, 0.49%

LAB 56.14, 11.42, -64.21

 

CMYK 0 / 53 / 99 / 0

HEX #FF7803

RGB 255 120 3

HSL 27.86, 1%, 0.51%

LAB 65.51, 46.74, 72.67

 

CMYK 0 / 46 / 91 / 0

HEX #FF8A16

RGB 255 138 22

HSL 29.87, 1%, 0.54%

LAB 69.11, 38.05, 71.82

 

CMYK 0 / 39 / 84 / 0

HEX #FF9C29

RGB 255 156 41

HSL 32.24, 1%, 0.58%

LAB 73.02, 29.19, 69.72

 

CMYK 0 / 32 / 76 / 0

HEX #FFAE3C

RGB 255 174 60

HSL 35.08, 1%, 0.62%

LAB 77.2, 20.41, 66.78

 

CMYK 0 / 25 / 69 / 0

HEX #FFC04F

RGB 255 192 79

HSL 38.52, 1%, 0.65%

LAB 81.58, 11.87, 63.49

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 0 / 57 / 100 / 7

HEX #EC6600

RGB 236 102 0

HSL 25.93, 1%, 0.46%

LAB 59.28, 48.13, 68.06

 

CMYK 0 / 62 / 100 / 14

HEX #DB5400

RGB 219 84 0

HSL 23.01, 1%, 0.43%

LAB 53.39, 50.15, 63.37

 

CMYK 0 / 67 / 100 / 21

HEX #CA4200

RGB 202 66 0

HSL 19.6, 1%, 0.4%

LAB 47.56, 51.86, 58.74

 

CMYK 0 / 74 / 100 / 27

HEX #B93000

RGB 185 48 0

HSL 15.57, 1%, 0.36%

LAB 41.89, 53.06, 54.23

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 0 / 79 / 97 / 1

HEX #FD3608

RGB 253 54 8

HSL 11.27, 0.98%, 0.51%

LAB 55.62, 71.73, 66.14

 

CMYK 0 / 97 / 97 / 1

HEX #FD0808

RGB 253 8 8

HSL 0, 0.98%, 0.51%

LAB 53.03, 79.13, 64.91

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 0 / 26 / 97 / 1

HEX #FDBA08

RGB 253 186 8

HSL 43.59, 0.98%, 0.51%

LAB 79.62, 12.2, 81.17

 

CMYK 0 / 0 / 97 / 1

HEX #FDFC08

RGB 253 252 8

HSL 59.76, 0.98%, 0.51%

LAB 96.21, -20.89, 93.18

 

CMYK 26 / 0 / 97 / 1

HEX #BBFD08

RGB 187 253 8

HSL 76.16, 0.98%, 0.51%

LAB 92.06, -47.44, 88.08

 

CMYK 52 / 0 / 97 / 1

HEX #79FD08

RGB 121 253 8

HSL 92.33, 0.98%, 0.51%

LAB 89.08, -68.93, 84.47

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 0 / 48 / 88 / 9

HEX #E8791C

RGB 232 121 28

HSL 27.35, 0.82%, 0.51%

LAB 62.44, 37.63, 63.9

 

CMYK 0 / 42 / 77 / 17

HEX #D47B30

RGB 212 123 48

HSL 27.44, 0.66%, 0.51%

LAB 60.23, 29.02, 53.5

 

CMYK 0 / 35 / 65 / 25

HEX #C07D44

RGB 192 125 68

HSL 27.58, 0.5%, 0.51%

LAB 58.31, 20.56, 41.14

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E58

RGB 172 126 88

HSL 27.14, 0.34%, 0.51%

LAB 56.48, 13.13, 27.62

 

CMYK 0 / 97 / 89 / 1

HEX #FD081C

RGB 253 8 28

HSL 355.1, 0.98%, 0.51%

LAB 53.1, 79.33, 58.55

 

CMYK 0 / 79 / 97 / 1

HEX #FD3408

RGB 253 52 8

HSL 10.78, 0.98%, 0.51%

LAB 55.44, 72.25, 66.05

 

CMYK 0 / 53 / 97 / 1

HEX #FD7608

RGB 253 118 8

HSL 26.94, 0.98%, 0.51%

LAB 64.85, 46.99, 71.36

 

CMYK 0 / 28 / 97 / 1

HEX #FDB708

RGB 253 183 8

HSL 42.86, 0.98%, 0.51%

LAB 78.91, 13.76, 80.67

 

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

CMYK 0 / 54 / 99 / 31

HEX #B05102

RGB 176 81 2

HSL 27.24, 0.98%, 0.35%

LAB 45.8, 35.22, 54.89

 

CMYK 0 / 54 / 99 / 15

HEX #D96402

RGB 217 100 2

HSL 27.35, 0.98%, 0.43%

LAB 55.96, 41.91, 64.23

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 0 / 44 / 81 / 1

HEX #FD8E30

RGB 253 142 48

HSL 27.51, 0.98%, 0.59%

LAB 69.78, 35.79, 64.38

 

CMYK 0 / 35 / 65 / 1

HEX #FDA459

RGB 253 164 89

HSL 27.44, 0.98%, 0.67%

LAB 74.92, 26.23, 51.63

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 63 / 0 / 97 / 1

HEX #5DFD08

RGB 93 253 8

HSL 99.18, 0.98%, 0.51%

LAB 88.25, -75.67, 83.46

 

CMYK 92 / 97 / 0 / 1

HEX #1408FD

RGB 20 8 253

HSL 242.94, 0.98%, 0.51%

LAB 32.73, 77.64, -106.01

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 97 / 0 / 53 / 1

HEX #08FD76

RGB 8 253 118

HSL 146.94, 0.98%, 0.51%

LAB 87.78, -77.39, 50.35

 

CMYK 53 / 97 / 0 / 1

HEX #7608FD

RGB 118 8 253

HSL 266.94, 0.98%, 0.51%

LAB 39.78, 81.17, -94.1

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 63 / 0 / 97 / 1

HEX #5DFD08

RGB 93 253 8

HSL 99.18, 0.98%, 0.51%

LAB 88.25, -75.67, 83.46

 

CMYK 97 / 44 / 0 / 1

HEX #088EFD

RGB 8 142 253

HSL 207.18, 0.98%, 0.51%

LAB 58.5, 9.6, -63.73

 

CMYK 34 / 97 / 0 / 1

HEX #A708FD

RGB 167 8 253

HSL 278.94, 0.98%, 0.51%

LAB 46.29, 85.6, -83.14

 

CMYK 0 / 53 / 97 / 1

HEX #FD7808

RGB 253 120 8

HSL 27.43, 0.98%, 0.51%

LAB 65.23, 46.03, 71.59

 

CMYK 92 / 0 / 97 / 1

HEX #14FD08

RGB 20 253 8

HSL 117.06, 0.98%, 0.51%

LAB 87.2, -84.89, 82.17

 

CMYK 97 / 44 / 0 / 1

HEX #088EFD

RGB 8 142 253

HSL 207.18, 0.98%, 0.51%

LAB 58.5, 9.6, -63.73

 

CMYK 5 / 97 / 0 / 1

HEX #F008FD

RGB 240 8 253

HSL 296.82, 0.98%, 0.51%

LAB 57.84, 95.21, -63.85

 

Description

Color code: RGB 253 120 8 | qconv.com Color code: RGB 253 120 8 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 120 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 120 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 97% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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