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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 92 227 it is the complementary color RGB 4 163 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 92 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 92 227: RGB 255 92 222, RGB 255 110 241, RGB 255 128 255, RGB 255 146 255 and RGB 255 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 92 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 92 227: RGB 251 92 227, RGB 234 74 208, RGB 217 56 189, RGB 200 38 170 and RGB 183 20 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

Complementary color

CMYK 98 / 0 / 83 / 36

HEX #04A31C

RGB 4 163 28

HSL 129.06, 0.95%, 0.33%

LAB 58.32, -60.41, 54.34

 

CMYK 0 / 64 / 13 / 0

HEX #FF5CDE

RGB 255 92 222

HSL 312.15, 1%, 0.68%

LAB 65.11, 75.09, -34.91

 

CMYK 0 / 57 / 5 / 0

HEX #FF6EF1

RGB 255 110 241

HSL 305.79, 1%, 0.72%

LAB 68.58, 70.68, -40.04

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 0 / 68 / 11 / 8

HEX #EA4AD0

RGB 234 74 208

HSL 309.75, 0.79%, 0.6%

LAB 58.92, 74.58, -36.91

 

CMYK 0 / 74 / 13 / 15

HEX #D938BD

RGB 217 56 189

HSL 310.43, 0.68%, 0.54%

LAB 53.23, 73.84, -35.13

 

CMYK 0 / 81 / 15 / 22

HEX #C826AA

RGB 200 38 170

HSL 311.11, 0.68%, 0.47%

LAB 47.71, 72.38, -32.86

 

CMYK 0 / 89 / 17 / 28

HEX #B71497

RGB 183 20 151

HSL 311.78, 0.8%, 0.4%

LAB 42.46, 69.91, -29.94

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 0 / 64 / 20 / 2

HEX #FA5AC8

RGB 250 90 200

HSL 318.75, 0.94%, 0.67%

LAB 63.18, 71.54, -25.57

 

CMYK 0 / 64 / 31 / 2

HEX #FA5AAD

RGB 250 90 173

HSL 328.88, 0.94%, 0.67%

LAB 62.21, 68.17, -11.64

 

CMYK 0 / 64 / 42 / 2

HEX #FA5A92

RGB 250 90 146

HSL 339, 0.94%, 0.67%

LAB 61.4, 65.27, 2.76

 

CMYK 0 / 64 / 52 / 2

HEX #FA5A78

RGB 250 90 120

HSL 348.75, 0.94%, 0.67%

LAB 60.77, 62.97, 16.97

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 0 / 64 / 9 / 82

HEX #2F112B

RGB 47 17 43

HSL 308, 0.47%, 0.13%

LAB 10.41, 19.67, -10.69

 

CMYK 0 / 63 / 9 / 62

HEX #622459

RGB 98 36 89

HSL 308.71, 0.46%, 0.26%

LAB 25.5, 35.29, -18.5

 

CMYK 0 / 63 / 9 / 42

HEX #953787

RGB 149 55 135

HSL 308.94, 0.46%, 0.4%

LAB 39.36, 49.21, -25.47

 

CMYK 0 / 64 / 10 / 22

HEX #C849B5

RGB 200 73 181

HSL 308.98, 0.54%, 0.54%

LAB 52.26, 62.57, -32.19

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 0 / 42 / 64 / 2

HEX #FA925A

RGB 250 146 90

HSL 21, 0.94%, 0.67%

LAB 70.61, 34.44, 46.05

 

CMYK 64 / 0 / 16 / 2

HEX #5AFAD2

RGB 90 250 210

HSL 165, 0.94%, 0.67%

LAB 89.49, -50.96, 6.95

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 10 / 0 / 64 / 2

HEX #E2FA5A

RGB 226 250 90

HSL 69, 0.94%, 0.67%

LAB 94, -28.29, 71.28

 

CMYK 64 / 10 / 0 / 2

HEX #5AE2FA

RGB 90 226 250

HSL 189, 0.94%, 0.67%

LAB 83.69, -29.68, -22.61

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 0 / 42 / 64 / 2

HEX #FA925A

RGB 250 146 90

HSL 21, 0.94%, 0.67%

LAB 70.61, 34.44, 46.05

 

CMYK 64 / 0 / 54 / 2

HEX #5AFA72

RGB 90 250 114

HSL 129, 0.94%, 0.67%

LAB 87.85, -68.51, 52.5

 

CMYK 64 / 22 / 0 / 2

HEX #5AC2FA

RGB 90 194 250

HSL 201, 0.94%, 0.67%

LAB 74.61, -13.49, -36.54

 

CMYK 0 / 63 / 10 / 2

HEX #FB5CE3

RGB 251 92 227

HSL 309.06, 0.95%, 0.67%

LAB 64.73, 74.84, -38.34

 

CMYK 0 / 22 / 64 / 2

HEX #FAC25A

RGB 250 194 90

HSL 39, 0.94%, 0.67%

LAB 81.65, 9.37, 58.6

 

CMYK 64 / 0 / 54 / 2

HEX #5AFA72

RGB 90 250 114

HSL 129, 0.94%, 0.67%

LAB 87.85, -68.51, 52.5

 

CMYK 64 / 42 / 0 / 2

HEX #5A92FA

RGB 90 146 250

HSL 219, 0.94%, 0.67%

LAB 61.34, 13.58, -57.43

 

Description

Color code: RGB 251 92 227 | qconv.com Color code: RGB 251 92 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 92 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 92 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 10 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 10% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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