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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 237 79 it is the complementary color RGB 4 18 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 237 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 251 237 79: RGB 255 237 74, RGB 255 255 93, RGB 255 255 112, RGB 255 255 131 and RGB 255 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 237 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 251 237 79: RGB 251 237 79, RGB 234 219 60, RGB 217 201 41, RGB 200 183 22 and RGB 183 165 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

Complementary color

CMYK 98 / 90 / 0 / 31

HEX #0412B0

RGB 4 18 176

HSL 235.12, 0.96%, 0.35%

LAB 22.28, 55.07, -78.83

 

CMYK 0 / 7 / 71 / 0

HEX #FFED4A

RGB 255 237 74

HSL 54.03, 1%, 0.65%

LAB 92.72, -11.22, 76.6

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 0 / 6 / 74 / 8

HEX #EADB3C

RGB 234 219 60

HSL 54.83, 0.81%, 0.58%

LAB 86.25, -11.61, 74.56

 

CMYK 0 / 7 / 81 / 15

HEX #D9C929

RGB 217 201 41

HSL 54.55, 0.7%, 0.51%

LAB 80, -10.44, 74.07

 

CMYK 0 / 9 / 89 / 22

HEX #C8B716

RGB 200 183 22

HSL 54.27, 0.8%, 0.44%

LAB 73.68, -9.07, 72.55

 

CMYK 0 / 10 / 98 / 28

HEX #B7A503

RGB 183 165 3

HSL 54, 0.97%, 0.36%

LAB 67.27, -7.48, 69.69

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 6 / 0 / 68 / 2

HEX #EDFB50

RGB 237 251 80

HSL 64.91, 0.96%, 0.65%

LAB 94.98, -24.98, 76.24

 

CMYK 17 / 0 / 68 / 2

HEX #D0FB50

RGB 208 251 80

HSL 75.09, 0.96%, 0.65%

LAB 93.01, -36.33, 73.61

 

CMYK 28 / 0 / 68 / 2

HEX #B4FB50

RGB 180 251 80

HSL 84.91, 0.96%, 0.65%

LAB 91.36, -46.69, 71.4

 

CMYK 40 / 0 / 68 / 2

HEX #97FB50

RGB 151 251 80

HSL 95.09, 0.96%, 0.65%

LAB 89.93, -56.48, 69.48

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 0 / 6 / 68 / 82

HEX #2F2C0F

RGB 47 44 15

HSL 54.38, 0.52%, 0.12%

LAB 17.65, -3.42, 18.85

 

CMYK 0 / 5 / 68 / 62

HEX #625D1F

RGB 98 93 31

HSL 55.52, 0.52%, 0.25%

LAB 38.77, -6.51, 35.09

 

CMYK 0 / 5 / 68 / 42

HEX #958D2F

RGB 149 141 47

HSL 55.29, 0.52%, 0.38%

LAB 57.7, -8.67, 49.07

 

CMYK 0 / 5 / 69 / 22

HEX #C8BD3F

RGB 200 189 63

HSL 55.18, 0.55%, 0.52%

LAB 75.47, -10.69, 62.07

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 68 / 0 / 60 / 2

HEX #50FB64

RGB 80 251 100

HSL 127.02, 0.96%, 0.65%

LAB 87.79, -72.33, 58.52

 

CMYK 33 / 68 / 0 / 2

HEX #A850FB

RGB 168 80 251

HSL 270.88, 0.96%, 0.65%

LAB 52.98, 65.87, -71.11

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 68 / 0 / 6 / 2

HEX #50FBED

RGB 80 251 237

HSL 175.09, 0.96%, 0.65%

LAB 90.24, -46.13, -6.01

 

CMYK 6 / 68 / 0 / 2

HEX #ED50FB

RGB 237 80 251

HSL 295.09, 0.96%, 0.65%

LAB 62.26, 79.85, -55.7

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 68 / 0 / 60 / 2

HEX #50FB64

RGB 80 251 100

HSL 127.02, 0.96%, 0.65%

LAB 87.79, -72.33, 58.52

 

CMYK 68 / 63 / 0 / 2

HEX #505EFB

RGB 80 94 251

HSL 235.09, 0.96%, 0.65%

LAB 47.85, 43.96, -79.8

 

CMYK 0 / 68 / 8 / 2

HEX #FB50E7

RGB 251 80 231

HSL 307.02, 0.96%, 0.65%

LAB 63.36, 79.78, -42.72

 

CMYK 0 / 6 / 69 / 2

HEX #FBED4F

RGB 251 237 79

HSL 55.12, 0.96%, 0.65%

LAB 92.42, -12.62, 74.41

 

CMYK 68 / 0 / 40 / 2

HEX #50FB97

RGB 80 251 151

HSL 144.91, 0.96%, 0.65%

LAB 88.42, -65.07, 35.52

 

CMYK 68 / 63 / 0 / 2

HEX #505EFB

RGB 80 94 251

HSL 235.09, 0.96%, 0.65%

LAB 47.85, 43.96, -79.8

 

CMYK 0 / 68 / 28 / 2

HEX #FB50B4

RGB 251 80 180

HSL 324.91, 0.96%, 0.65%

LAB 61.26, 73.01, -17.09

 

Description

Color code: RGB 251 237 79 | qconv.com Color code: RGB 251 237 79 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 237 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 237 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 69% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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