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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 79 131 it is the complementary color RGB 5 176 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 79 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 79 131: RGB 255 79 126, RGB 255 97 145, RGB 255 115 164, RGB 255 133 183 and RGB 255 151 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 79 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 79 131: RGB 250 79 131, RGB 233 61 112, RGB 216 43 93, RGB 199 25 74 and RGB 182 7 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

Complementary color

CMYK 97 / 0 / 30 / 31

HEX #05B07C

RGB 5 176 124

HSL 161.75, 0.94%, 0.35%

LAB 63.79, -50.39, 16.19

 

CMYK 0 / 69 / 51 / 0

HEX #FF4F7E

RGB 255 79 126

HSL 343.98, 1%, 0.65%

LAB 60.21, 69.13, 12.82

 

CMYK 0 / 62 / 43 / 0

HEX #FF6191

RGB 255 97 145

HSL 341.77, 1%, 0.69%

LAB 63.22, 63.83, 6.06

 

CMYK 0 / 55 / 36 / 0

HEX #FF73A4

RGB 255 115 164

HSL 339, 1%, 0.73%

LAB 66.67, 57.95, 0.19

 

CMYK 0 / 48 / 28 / 0

HEX #FF85B7

RGB 255 133 183

HSL 335.41, 1%, 0.76%

LAB 70.49, 51.71, -4.9

 

CMYK 0 / 41 / 21 / 0

HEX #FF97CA

RGB 255 151 202

HSL 330.58, 1%, 0.8%

LAB 74.61, 45.32, -9.33

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 0 / 74 / 52 / 9

HEX #E93D70

RGB 233 61 112

HSL 342.21, 0.8%, 0.58%

LAB 53.85, 67.91, 11.62

 

CMYK 0 / 80 / 57 / 15

HEX #D82B5D

RGB 216 43 93

HSL 342.66, 0.69%, 0.51%

LAB 48.41, 67.14, 15.11

 

CMYK 0 / 87 / 63 / 22

HEX #C7194A

RGB 199 25 74

HSL 343.1, 0.78%, 0.44%

LAB 43.26, 65.52, 19.37

 

CMYK 0 / 96 / 70 / 29

HEX #B60737

RGB 182 7 55

HSL 343.54, 0.93%, 0.37%

LAB 38.5, 62.75, 24.52

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 0 / 67 / 57 / 2

HEX #F9516B

RGB 249 81 107

HSL 350.71, 0.93%, 0.65%

LAB 59.05, 65.21, 22.17

 

CMYK 0 / 66 / 67 / 2

HEX #F95451

RGB 249 84 81

HSL 1.07, 0.93%, 0.65%

LAB 59.04, 62.51, 37.07

 

CMYK 0 / 55 / 67 / 2

HEX #F97051

RGB 249 112 81

HSL 11.07, 0.93%, 0.65%

LAB 63.61, 50.41, 42.5

 

CMYK 0 / 44 / 67 / 2

HEX #F98C51

RGB 249 140 81

HSL 21.07, 0.93%, 0.65%

LAB 69.1, 36.61, 48.82

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 0 / 67 / 48 / 82

HEX #2E0F18

RGB 46 15 24

HSL 342.58, 0.51%, 0.12%

LAB 8.89, 17.05, 1.35

 

CMYK 0 / 68 / 47 / 62

HEX #611F33

RGB 97 31 51

HSL 341.82, 0.52%, 0.25%

LAB 22.86, 31.76, 3.17

 

CMYK 0 / 68 / 47 / 42

HEX #942F4E

RGB 148 47 78

HSL 341.58, 0.52%, 0.38%

LAB 35.75, 44.74, 4.93

 

CMYK 0 / 68 / 48 / 22

HEX #C73F68

RGB 199 63 104

HSL 341.91, 0.55%, 0.51%

LAB 47.88, 56.69, 7.18

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 67 / 19 / 0 / 2

HEX #51CAF9

RGB 81 202 249

HSL 196.79, 0.93%, 0.65%

LAB 76.58, -19.37, -32.99

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 46 / 0 / 67 / 2

HEX #86F951

RGB 134 249 81

HSL 101.07, 0.93%, 0.65%

LAB 88.64, -60.8, 67.55

 

CMYK 67 / 46 / 0 / 2

HEX #5186F9

RGB 81 134 249

HSL 221.07, 0.93%, 0.65%

LAB 57.69, 19.03, -62.73

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 0 / 8 / 67 / 2

HEX #F9E651

RGB 249 230 81

HSL 53.21, 0.93%, 0.65%

LAB 90.47, -9.89, 71.65

 

CMYK 67 / 0 / 21 / 2

HEX #51F9C4

RGB 81 249 196

HSL 161.07, 0.93%, 0.65%

LAB 88.68, -55.16, 13.02

 

CMYK 67 / 59 / 0 / 2

HEX #5165F9

RGB 81 101 249

HSL 232.86, 0.93%, 0.65%

LAB 49.37, 39.21, -76.2

 

CMYK 0 / 68 / 48 / 2

HEX #FA4F83

RGB 250 79 131

HSL 341.75, 0.94%, 0.65%

LAB 59.48, 68.1, 8.75

 

CMYK 12 / 0 / 67 / 2

HEX #DAF951

RGB 218 249 81

HSL 71.07, 0.93%, 0.65%

LAB 93.12, -31.49, 73.58

 

CMYK 67 / 0 / 21 / 2

HEX #51F9C4

RGB 81 249 196

HSL 161.07, 0.93%, 0.65%

LAB 88.68, -55.16, 13.02

 

CMYK 55 / 67 / 0 / 2

HEX #7051F9

RGB 112 81 249

HSL 251.07, 0.93%, 0.65%

LAB 47.2, 55.16, -79.66

 

Description

Color code: RGB 250 79 131 | qconv.com Color code: RGB 250 79 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 79 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 79 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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