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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 250 80 it is the complementary color RGB 5 5 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 250 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 250 80: RGB 255 250 75, RGB 255 255 94, RGB 255 255 113, RGB 255 255 132 and RGB 255 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 250 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 250 80: RGB 250 250 80, RGB 233 232 61, RGB 216 214 42, RGB 199 196 23 and RGB 182 178 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

Complementary color

CMYK 97 / 97 / 0 / 31

HEX #0505AF

RGB 5 5 175

HSL 240, 0.94%, 0.35%

LAB 20.97, 58.46, -80.42

 

CMYK 0 / 2 / 71 / 0

HEX #FFFA4B

RGB 255 250 75

HSL 58.33, 1%, 0.65%

LAB 96.05, -17.5, 79.48

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 0 / 0 / 74 / 9

HEX #E9E83D

RGB 233 232 61

HSL 59.65, 0.8%, 0.58%

LAB 89.57, -18.38, 77.3

 

CMYK 0 / 1 / 81 / 15

HEX #D8D62A

RGB 216 214 42

HSL 59.31, 0.69%, 0.51%

LAB 83.37, -17.33, 76.67

 

CMYK 0 / 2 / 88 / 22

HEX #C7C417

RGB 199 196 23

HSL 58.98, 0.79%, 0.44%

LAB 77.09, -16.09, 75.04

 

CMYK 0 / 2 / 98 / 29

HEX #B6B204

RGB 182 178 4

HSL 58.65, 0.96%, 0.36%

LAB 70.73, -14.65, 72.08

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 11 / 0 / 67 / 2

HEX #DDF951

RGB 221 249 81

HSL 70, 0.93%, 0.65%

LAB 93.33, -30.32, 73.85

 

CMYK 22 / 0 / 67 / 2

HEX #C1F951

RGB 193 249 81

HSL 80, 0.93%, 0.65%

LAB 91.54, -41.03, 71.46

 

CMYK 34 / 0 / 67 / 2

HEX #A5F951

RGB 165 249 81

HSL 90, 0.93%, 0.65%

LAB 90.02, -51, 69.41

 

CMYK 45 / 0 / 67 / 2

HEX #89F951

RGB 137 249 81

HSL 100, 0.93%, 0.65%

LAB 88.76, -59.92, 67.71

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 0 / 0 / 67 / 82

HEX #2E2E0F

RGB 46 46 15

HSL 60, 0.51%, 0.12%

LAB 18.23, -5.26, 19.52

 

CMYK 0 / 0 / 68 / 62

HEX #61611F

RGB 97 97 31

HSL 60, 0.52%, 0.25%

LAB 39.9, -9.29, 36.25

 

CMYK 0 / 0 / 68 / 42

HEX #94942F

RGB 148 148 47

HSL 60, 0.52%, 0.38%

LAB 59.6, -12.86, 50.98

 

CMYK 0 / 0 / 68 / 22

HEX #C7C740

RGB 199 199 64

HSL 60, 0.55%, 0.52%

LAB 78.09, -16.13, 64.29

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 67 / 0 / 54 / 2

HEX #51F973

RGB 81 249 115

HSL 132.14, 0.93%, 0.65%

LAB 87.36, -69.68, 51.41

 

CMYK 27 / 67 / 0 / 2

HEX #B651F9

RGB 182 81 249

HSL 276.07, 0.93%, 0.65%

LAB 54.73, 67.73, -67.08

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 67 / 0 / 0 / 2

HEX #51F9F9

RGB 81 249 249

HSL 180, 0.93%, 0.65%

LAB 90.02, -41.92, -12.58

 

CMYK 0 / 67 / 0 / 2

HEX #F951F9

RGB 249 81 249

HSL 300, 0.93%, 0.65%

LAB 64.05, 81.74, -51.64

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 67 / 0 / 54 / 2

HEX #51F973

RGB 81 249 115

HSL 132.14, 0.93%, 0.65%

LAB 87.36, -69.68, 51.41

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 0 / 67 / 13 / 2

HEX #F951D8

RGB 249 81 216

HSL 311.79, 0.93%, 0.65%

LAB 62.49, 76.81, -35.69

 

CMYK 0 / 0 / 68 / 2

HEX #FAFA50

RGB 250 250 80

HSL 60, 0.94%, 0.65%

LAB 95.69, -19.29, 77.27

 

CMYK 67 / 0 / 34 / 2

HEX #51F9A5

RGB 81 249 165

HSL 150, 0.93%, 0.65%

LAB 88.07, -61.62, 28.06

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 0 / 67 / 34 / 2

HEX #F951A5

RGB 249 81 165

HSL 330, 0.93%, 0.65%

LAB 60.55, 70.41, -9.53

 

Description

Color code: RGB 250 250 80 | qconv.com Color code: RGB 250 250 80 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 250 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 250 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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