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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 248 64 it is the complementary color RGB 5 7 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 248 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 248 64: RGB 255 248 59, RGB 255 255 78, RGB 255 255 97, RGB 255 255 116 and RGB 255 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 248 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 248 64: RGB 250 248 64, RGB 233 230 45, RGB 216 212 26, RGB 199 194 7 and RGB 182 176 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

Complementary color

CMYK 97 / 96 / 0 / 25

HEX #0507BF

RGB 5 7 191

HSL 239.35, 0.95%, 0.38%

LAB 23.49, 62.17, -85.75

 

CMYK 0 / 3 / 77 / 0

HEX #FFF83B

RGB 255 248 59

HSL 57.86, 1%, 0.62%

LAB 95.46, -17.17, 83.9

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 0 / 1 / 81 / 9

HEX #E9E62D

RGB 233 230 45

HSL 59.04, 0.81%, 0.55%

LAB 88.97, -17.97, 81.26

 

CMYK 0 / 2 / 88 / 15

HEX #D8D41A

RGB 216 212 26

HSL 58.74, 0.79%, 0.47%

LAB 82.79, -16.73, 79.62

 

CMYK 0 / 3 / 96 / 22

HEX #C7C207

RGB 199 194 7

HSL 58.44, 0.93%, 0.4%

LAB 76.52, -15.31, 76.69

 

CMYK 0 / 3 / 100 / 29

HEX #B6B000

RGB 182 176 0

HSL 58.02, 1%, 0.36%

LAB 70.17, -13.68, 72.14

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 11 / 0 / 74 / 2

HEX #DEFA42

RGB 222 250 66

HSL 69.13, 0.95%, 0.62%

LAB 93.58, -31.14, 79.2

 

CMYK 24 / 0 / 74 / 2

HEX #BFFA42

RGB 191 250 66

HSL 79.24, 0.95%, 0.62%

LAB 91.61, -43.06, 76.64

 

CMYK 36 / 0 / 74 / 2

HEX #A1FA42

RGB 161 250 66

HSL 89.02, 0.95%, 0.62%

LAB 90.02, -53.7, 74.55

 

CMYK 48 / 0 / 74 / 2

HEX #82FA42

RGB 130 250 66

HSL 99.13, 0.95%, 0.62%

LAB 88.69, -63.37, 72.8

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 0 / 0 / 74 / 82

HEX #2E2E0C

RGB 46 46 12

HSL 60, 0.59%, 0.11%

LAB 18.19, -5.54, 20.96

 

CMYK 0 / 1 / 74 / 62

HEX #616019

RGB 97 96 25

HSL 59.17, 0.59%, 0.24%

LAB 39.54, -9.1, 38.55

 

CMYK 0 / 1 / 74 / 42

HEX #949326

RGB 148 147 38

HSL 59.45, 0.59%, 0.36%

LAB 59.25, -12.81, 54.1

 

CMYK 0 / 1 / 74 / 22

HEX #C7C533

RGB 199 197 51

HSL 59.19, 0.59%, 0.49%

LAB 77.47, -15.75, 68.27

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 74 / 0 / 60 / 2

HEX #42FA63

RGB 66 250 99

HSL 130.76, 0.95%, 0.62%

LAB 87.21, -74.32, 58.21

 

CMYK 31 / 74 / 0 / 2

HEX #AD42FA

RGB 173 66 250

HSL 274.89, 0.95%, 0.62%

LAB 51.48, 72.37, -72.96

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 74 / 0 / 1 / 2

HEX #42FAF7

RGB 66 250 247

HSL 179.02, 0.95%, 0.62%

LAB 89.97, -44.67, -11.63

 

CMYK 1 / 74 / 0 / 2

HEX #F742FA

RGB 247 66 250

HSL 299.02, 0.95%, 0.62%

LAB 62.15, 86.19, -55.24

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 74 / 0 / 60 / 2

HEX #42FA63

RGB 66 250 99

HSL 130.76, 0.95%, 0.62%

LAB 87.21, -74.32, 58.21

 

CMYK 74 / 72 / 0 / 2

HEX #4245FA

RGB 66 69 250

HSL 239.02, 0.95%, 0.62%

LAB 41.71, 56.49, -89.35

 

CMYK 0 / 74 / 14 / 2

HEX #FA42D8

RGB 250 66 216

HSL 311.09, 0.95%, 0.62%

LAB 60.94, 81.89, -38.1

 

CMYK 0 / 1 / 74 / 2

HEX #FAF840

RGB 250 248 64

HSL 59.35, 0.95%, 0.62%

LAB 95.09, -19.03, 81.96

 

CMYK 74 / 0 / 38 / 2

HEX #42FA9B

RGB 66 250 155

HSL 149.02, 0.95%, 0.62%

LAB 87.92, -66.04, 32.83

 

CMYK 74 / 72 / 0 / 2

HEX #4245FA

RGB 66 69 250

HSL 239.02, 0.95%, 0.62%

LAB 41.71, 56.49, -89.35

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

Description

Color code: RGB 250 248 64 | qconv.com Color code: RGB 250 248 64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 248 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 248 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 74 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 74% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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