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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 125 25 it is the complementary color RGB 5 130 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 125 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 125 25: RGB 255 125 20, RGB 255 143 39, RGB 255 161 58, RGB 255 179 77 and RGB 255 197 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 125 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 125 25: RGB 250 125 25, RGB 233 107 6, RGB 216 89 0, RGB 199 71 0 and RGB 182 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

Complementary color

CMYK 98 / 43 / 0 / 10

HEX #0582E6

RGB 5 130 230

HSL 206.67, 0.96%, 0.46%

LAB 53.72, 8, -58.66

 

CMYK 0 / 51 / 92 / 0

HEX #FF7D14

RGB 255 125 20

HSL 26.81, 1%, 0.54%

LAB 66.5, 44.48, 70.44

 

CMYK 0 / 44 / 85 / 0

HEX #FF8F27

RGB 255 143 39

HSL 28.89, 1%, 0.58%

LAB 70.21, 35.83, 68.02

 

CMYK 0 / 37 / 77 / 0

HEX #FFA13A

RGB 255 161 58

HSL 31.37, 1%, 0.61%

LAB 74.23, 27.12, 64.73

 

CMYK 0 / 30 / 70 / 0

HEX #FFB34D

RGB 255 179 77

HSL 34.38, 1%, 0.65%

LAB 78.48, 18.54, 61.1

 

CMYK 0 / 23 / 62 / 0

HEX #FFC560

RGB 255 197 96

HSL 38.11, 1%, 0.69%

LAB 82.93, 10.25, 57.45

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 0 / 54 / 97 / 9

HEX #E96B06

RGB 233 107 6

HSL 26.7, 0.95%, 0.47%

LAB 59.75, 44.68, 67.03

 

CMYK 0 / 59 / 100 / 15

HEX #D85900

RGB 216 89 0

HSL 24.72, 1%, 0.42%

LAB 53.75, 46.78, 63.3

 

CMYK 0 / 64 / 100 / 22

HEX #C74700

RGB 199 71 0

HSL 21.41, 1%, 0.39%

LAB 47.81, 48.71, 58.58

 

CMYK 0 / 71 / 100 / 29

HEX #B63500

RGB 182 53 0

HSL 17.47, 1%, 0.36%

LAB 41.99, 50.23, 53.95

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 0 / 36 / 90 / 2

HEX #FAA019

RGB 250 160 25

HSL 36, 0.96%, 0.54%

LAB 73.24, 24.72, 73.9

 

CMYK 0 / 21 / 90 / 2

HEX #FAC519

RGB 250 197 25

HSL 45.87, 0.96%, 0.54%

LAB 82.02, 5.4, 80.52

 

CMYK 0 / 6 / 90 / 2

HEX #FAEB19

RGB 250 235 25

HSL 56, 0.96%, 0.54%

LAB 91.6, -13.75, 87.87

 

CMYK 9 / 0 / 90 / 2

HEX #E3FA19

RGB 227 250 25

HSL 66.13, 0.96%, 0.54%

LAB 93.78, -30.36, 88.82

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 0 / 50 / 89 / 82

HEX #2E1705

RGB 46 23 5

HSL 26.34, 0.8%, 0.1%

LAB 10.59, 9.69, 13.98

 

CMYK 0 / 49 / 90 / 62

HEX #61310A

RGB 97 49 10

HSL 26.9, 0.81%, 0.21%

LAB 26.04, 18.79, 32.23

 

CMYK 0 / 50 / 90 / 42

HEX #944A0F

RGB 148 74 15

HSL 26.62, 0.82%, 0.32%

LAB 39.96, 27.46, 45.15

 

CMYK 0 / 50 / 90 / 22

HEX #C76414

RGB 199 100 20

HSL 26.82, 0.82%, 0.43%

LAB 53.28, 34.99, 57.19

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 57 / 0 / 90 / 2

HEX #6BFA19

RGB 107 250 25

HSL 98.13, 0.96%, 0.54%

LAB 87.76, -71.23, 81.43

 

CMYK 87 / 90 / 0 / 2

HEX #2019FA

RGB 32 25 250

HSL 241.87, 0.96%, 0.54%

LAB 33.78, 73.6, -102.56

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 90 / 0 / 51 / 2

HEX #19FA7A

RGB 25 250 122

HSL 145.87, 0.96%, 0.54%

LAB 86.99, -75.25, 47.55

 

CMYK 51 / 90 / 0 / 2

HEX #7A19FA

RGB 122 25 250

HSL 265.87, 0.96%, 0.54%

LAB 40.79, 78.23, -90.72

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 57 / 0 / 90 / 2

HEX #6BFA19

RGB 107 250 25

HSL 98.13, 0.96%, 0.54%

LAB 87.76, -71.23, 81.43

 

CMYK 90 / 39 / 0 / 2

HEX #1998FA

RGB 25 152 250

HSL 206.13, 0.96%, 0.54%

LAB 61.28, 3.07, -57.62

 

CMYK 33 / 90 / 0 / 2

HEX #A719FA

RGB 167 25 250

HSL 277.87, 0.96%, 0.54%

LAB 46.73, 82.95, -80.74

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 84 / 0 / 90 / 2

HEX #28FA19

RGB 40 250 25

HSL 116, 0.96%, 0.54%

LAB 86.45, -82.41, 79.8

 

CMYK 90 / 39 / 0 / 2

HEX #1998FA

RGB 25 152 250

HSL 206.13, 0.96%, 0.54%

LAB 61.28, 3.07, -57.62

 

CMYK 6 / 90 / 0 / 2

HEX #EB19FA

RGB 235 25 250

HSL 296, 0.96%, 0.54%

LAB 57.33, 92.52, -63.05

 

Description

Color code: RGB 250 125 25 | qconv.com Color code: RGB 250 125 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 125 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 125 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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