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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 103 110 it is the complementary color RGB 5 152 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 103 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 103 110: RGB 255 103 105, RGB 255 121 124, RGB 255 139 143, RGB 255 157 162 and RGB 255 175 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 103 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 103 110: RGB 250 103 110, RGB 233 85 91, RGB 216 67 72, RGB 199 49 53 and RGB 182 31 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

Complementary color

CMYK 97 / 0 / 5 / 40

HEX #059891

RGB 5 152 145

HSL 177.14, 0.94%, 0.31%

LAB 56.62, -34.64, -5.89

 

CMYK 0 / 60 / 59 / 0

HEX #FF6769

RGB 255 103 105

HSL 359.21, 1%, 0.7%

LAB 63.33, 58.01, 29.13

 

CMYK 0 / 53 / 51 / 0

HEX #FF797C

RGB 255 121 124

HSL 358.66, 1%, 0.74%

LAB 66.82, 51.22, 23.05

 

CMYK 0 / 45 / 44 / 0

HEX #FF8B8F

RGB 255 139 143

HSL 357.93, 1%, 0.77%

LAB 70.67, 44.17, 17.69

 

CMYK 0 / 38 / 36 / 0

HEX #FF9DA2

RGB 255 157 162

HSL 356.94, 1%, 0.81%

LAB 74.81, 37.05, 12.99

 

CMYK 0 / 31 / 29 / 0

HEX #FFAFB5

RGB 255 175 181

HSL 355.5, 1%, 0.84%

LAB 79.19, 30.02, 8.84

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 0 / 64 / 61 / 9

HEX #E9555B

RGB 233 85 91

HSL 357.57, 0.77%, 0.62%

LAB 56.66, 57.53, 27.82

 

CMYK 0 / 69 / 67 / 15

HEX #D84348

RGB 216 67 72

HSL 357.99, 0.66%, 0.55%

LAB 50.78, 58.15, 30.84

 

CMYK 0 / 75 / 73 / 22

HEX #C73135

RGB 199 49 53

HSL 358.4, 0.6%, 0.49%

LAB 45.08, 58.35, 34.4

 

CMYK 0 / 83 / 81 / 29

HEX #B61F22

RGB 182 31 34

HSL 358.81, 0.71%, 0.42%

LAB 39.65, 57.88, 38.45

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 0 / 53 / 60 / 2

HEX #FA7665

RGB 250 118 101

HSL 6.85, 0.94%, 0.69%

LAB 65.14, 49.14, 33.54

 

CMYK 0 / 43 / 60 / 2

HEX #FA8F65

RGB 250 143 101

HSL 16.91, 0.94%, 0.69%

LAB 70.11, 36.7, 39.75

 

CMYK 0 / 33 / 60 / 2

HEX #FAA865

RGB 250 168 101

HSL 26.98, 0.94%, 0.69%

LAB 75.62, 23.7, 46.43

 

CMYK 0 / 23 / 60 / 2

HEX #FAC165

RGB 250 193 101

HSL 37.05, 0.94%, 0.69%

LAB 81.51, 10.6, 53.36

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 0 / 59 / 57 / 82

HEX #2E1314

RGB 46 19 20

HSL 357.78, 0.42%, 0.13%

LAB 9.78, 13.92, 5.48

 

CMYK 0 / 59 / 56 / 62

HEX #61282B

RGB 97 40 43

HSL 356.84, 0.42%, 0.27%

LAB 24.43, 26.19, 10.81

 

CMYK 0 / 59 / 56 / 42

HEX #943D41

RGB 148 61 65

HSL 357.24, 0.42%, 0.41%

LAB 37.87, 37.02, 16.13

 

CMYK 0 / 59 / 56 / 22

HEX #C75258

RGB 199 82 88

HSL 356.92, 0.51%, 0.55%

LAB 50.55, 47.16, 20.52

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 9 / 0 / 60 / 2

HEX #E3FA65

RGB 227 250 101

HSL 69.26, 0.94%, 0.69%

LAB 94.16, -27.16, 67.06

 

CMYK 60 / 33 / 0 / 2

HEX #65A8FA

RGB 101 168 250

HSL 213.02, 0.94%, 0.69%

LAB 67.78, 2.72, -47.19

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 56 / 0 / 60 / 2

HEX #6DFA65

RGB 109 250 101

HSL 116.78, 0.94%, 0.69%

LAB 88.24, -65.94, 58.81

 

CMYK 60 / 56 / 0 / 2

HEX #656DFA

RGB 101 109 250

HSL 236.78, 0.94%, 0.69%

LAB 52.52, 37.73, -71.59

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 9 / 0 / 60 / 2

HEX #E3FA65

RGB 227 250 101

HSL 69.26, 0.94%, 0.69%

LAB 94.16, -27.16, 67.06

 

CMYK 60 / 0 / 3 / 2

HEX #65FAF2

RGB 101 250 242

HSL 176.78, 0.94%, 0.69%

LAB 90.57, -41.25, -8.06

 

CMYK 51 / 60 / 0 / 2

HEX #7B65FA

RGB 123 101 250

HSL 248.86, 0.94%, 0.69%

LAB 52.31, 46.29, -71.85

 

CMYK 0 / 59 / 56 / 2

HEX #FA676E

RGB 250 103 110

HSL 357.14, 0.94%, 0.69%

LAB 62.63, 56.7, 25.24

 

CMYK 27 / 0 / 60 / 2

HEX #B7FA65

RGB 183 250 101

HSL 86.98, 0.94%, 0.69%

LAB 91.41, -43.63, 63.24

 

CMYK 60 / 0 / 3 / 2

HEX #65FAF2

RGB 101 250 242

HSL 176.78, 0.94%, 0.69%

LAB 90.57, -41.25, -8.06

 

CMYK 33 / 60 / 0 / 2

HEX #A865FA

RGB 168 101 250

HSL 266.98, 0.94%, 0.69%

LAB 56.62, 55.52, -64.67

 

Description

Color code: RGB 250 103 110 | qconv.com Color code: RGB 250 103 110 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 103 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 103 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 56 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 56% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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