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Color name
RGB 250.1 201 100

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250.1 201 100 it is the complementary color RGB 4.9 54 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250.1 201 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250.1 201 100 shade: RGB 255 201 95, RGB 255 219 114, RGB 255 237 133, RGB 255 255 152 and RGB 255 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250.1 201 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250.1 201 100 shade: RGB 250.1 201 100, RGB 233.1 183 81, RGB 216.1 165 62, RGB 199.1 147 43 and RGB 182.1 129 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250.1 201 100 shade: RGB 250 202 102, RGB 250 162 102, RGB 250 121 102 and RGB 250 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250.1 201 100 shade: RGB 250 202 102, RGB 250 242 102, RGB 219 250 102, RGB 179 250 102 and RGB 139 250 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250.1 201 100 shade matches the following richer shades: RGB 250 202 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250.1 201 100 shade: RGB 250 202 102, RGB 237 197 114, RGB 225 193 127, RGB 212 188 140 and RGB 199 184 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250.1 201 100 shade: RGB 250 121 102, RGB 250 161 102, RGB 250 201 102, RGB 250 240 102 and RGB 221 250 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250.1 201 100 shade: RGB 248 174 22, RGB 249 188 62, RGB 250 202 102, RGB 251 216 142 and RGB 253 229 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250.1 201 100 shade: RGB 250.1 201 100, RGB 121 250 102 and RGB 141 102 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250.1 201 100 shade: RGB 250.1 201 100, RGB 102 250 201 and RGB 201 102 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250.1 201 100 shade: RGB 250.1 201 100, RGB 121 250 102, RGB 102 151 250 and RGB 230 102 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250.1 201 100 shade: RGB 250.1 201 100, RGB 102 250 126, RGB 102 151 250 and RGB 250 102 225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 60 / 2

HEX #FAC964

RGB 250.1 201 100

HSL 40.37, 0.94%, 0.69%

LAB 83.46, 6.42, 56.07

 

Complementary color

CMYK 97 / 65 / 0 / 39

HEX #04369B

RGB 4.9 54 155

HSL 220.37, 0.94%, 0.31%

LAB 26.84, 27.86, -58.55

 

CMYK 0 / 21 / 63 / 0

HEX #FFC95F

RGB 255 201 95

HSL 39.75, 1%, 0.69%

LAB 83.89, 8.11, 58.98

 

CMYK 0 / 14 / 55 / 0

HEX #FFDB72

RGB 255 219 114

HSL 44.68, 1%, 0.72%

LAB 88.51, 0.2, 55.53

 

CMYK 0 / 7 / 48 / 0

HEX #FFED85

RGB 255 237 133

HSL 51.15, 1%, 0.76%

LAB 93.24, -7.28, 52.24

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 20 / 60 / 2

HEX #FAC964

RGB 250.1 201 100

HSL 40.37, 0.94%, 0.69%

LAB 83.46, 6.42, 56.07

 

CMYK 0 / 21 / 65 / 9

HEX #E9B751

RGB 233.1 183 81

HSL 40.24, 0.78%, 0.62%

LAB 77.16, 7.52, 57.24

 

CMYK 0 / 24 / 71 / 15

HEX #D8A53E

RGB 216.1 165 62

HSL 40.1, 0.66%, 0.55%

LAB 70.78, 8.8, 58.23

 

CMYK 0 / 26 / 78 / 22

HEX #C7932B

RGB 199.1 147 43

HSL 39.97, 0.64%, 0.47%

LAB 64.32, 10.28, 58.83

 

CMYK 0 / 29 / 87 / 29

HEX #B68118

RGB 182.1 129 24

HSL 39.85, 0.77%, 0.4%

LAB 57.77, 12.03, 58.62

 

CMYK 0 / 19 / 59 / 2

HEX #FACA66

RGB 250 202 102

HSL 40.54, 0.94%, 0.69%

LAB 83.72, 6, 55.44

 

CMYK 0 / 35 / 59 / 2

HEX #FAA266

RGB 250 162 102

HSL 24.32, 0.94%, 0.69%

LAB 74.27, 26.92, 44.31

 

CMYK 0 / 52 / 59 / 2

HEX #FA7966

RGB 250 121 102

HSL 7.7, 0.94%, 0.69%

LAB 65.72, 47.76, 33.72

 

CMYK 0 / 59 / 59 / 2

HEX #FA6666

RGB 250 102 102

HSL 0, 0.94%, 0.69%

LAB 62.33, 56.57, 29.38

 

CMYK 0 / 19 / 59 / 2

HEX #FACA66

RGB 250 202 102

HSL 40.54, 0.94%, 0.69%

LAB 83.72, 6, 55.44

 

CMYK 0 / 3 / 59 / 2

HEX #FAF266

RGB 250 242 102

HSL 56.76, 0.94%, 0.69%

LAB 93.79, -14.15, 66.73

 

CMYK 12 / 0 / 59 / 2

HEX #DBFA66

RGB 219 250 102

HSL 72.57, 0.94%, 0.69%

LAB 93.62, -30.19, 65.9

 

CMYK 28 / 0 / 59 / 2

HEX #B3FA66

RGB 179 250 102

HSL 88.78, 0.94%, 0.69%

LAB 91.2, -44.95, 62.52

 

CMYK 44 / 0 / 59 / 2

HEX #8BFA66

RGB 139 250 102

HSL 105, 0.94%, 0.69%

LAB 89.31, -57.88, 59.88

 

CMYK 0 / 19 / 59 / 2

HEX #FACA66

RGB 250 202 102

HSL 40.54, 0.94%, 0.69%

LAB 83.72, 6, 55.44

 

CMYK 0 / 19 / 59 / 2

HEX #FACA66

RGB 250 202 102

HSL 40.54, 0.94%, 0.69%

LAB 83.72, 6, 55.44

 

CMYK 0 / 17 / 52 / 7

HEX #EDC572

RGB 237 197 114

HSL 40.49, 0.77%, 0.69%

LAB 81.38, 4.2, 46.6

 

CMYK 0 / 14 / 44 / 12

HEX #E1C17F

RGB 225 193 127

HSL 40.41, 0.62%, 0.69%

LAB 79.43, 2.65, 37.38

 

CMYK 0 / 11 / 34 / 17

HEX #D4BC8C

RGB 212 188 140

HSL 40, 0.46%, 0.69%

LAB 77.2, 1.57, 27.44

 

CMYK 0 / 8 / 23 / 22

HEX #C7B899

RGB 199 184 153

HSL 40.43, 0.29%, 0.69%

LAB 75.28, 0.38, 17.69

 

CMYK 0 / 52 / 59 / 2

HEX #FA7966

RGB 250 121 102

HSL 7.7, 0.94%, 0.69%

LAB 65.72, 47.76, 33.72

 

CMYK 0 / 36 / 59 / 2

HEX #FAA166

RGB 250 161 102

HSL 23.92, 0.94%, 0.69%

LAB 74.04, 27.44, 44.03

 

CMYK 0 / 20 / 59 / 2

HEX #FAC966

RGB 250 201 102

HSL 40.14, 0.94%, 0.69%

LAB 83.47, 6.52, 55.16

 

CMYK 0 / 4 / 59 / 2

HEX #FAF066

RGB 250 240 102

HSL 55.95, 0.94%, 0.69%

LAB 93.28, -13.17, 66.17

 

CMYK 12 / 0 / 59 / 2

HEX #DDFA66

RGB 221 250 102

HSL 71.76, 0.94%, 0.69%

LAB 93.75, -29.42, 66.08

 

CMYK 0 / 30 / 91 / 3

HEX #F8AE16

RGB 248 174 22

HSL 40.35, 0.94%, 0.53%

LAB 76.24, 16.49, 76.62

 

CMYK 0 / 24 / 75 / 2

HEX #F9BC3E

RGB 249 188 62

HSL 40.43, 0.94%, 0.61%

LAB 79.87, 10.66, 68.35

 

CMYK 0 / 19 / 59 / 2

HEX #FACA66

RGB 250 202 102

HSL 40.54, 0.94%, 0.69%

LAB 83.72, 6, 55.44

 

CMYK 0 / 14 / 43 / 2

HEX #FBD88E

RGB 251 216 142

HSL 40.73, 0.93%, 0.77%

LAB 87.76, 2.6, 40.92

 

CMYK 0 / 9 / 28 / 1

HEX #FDE5B6

RGB 253 229 182

HSL 39.72, 0.95%, 0.85%

LAB 91.82, 1.31, 25.94

 

CMYK 0 / 20 / 60 / 2

HEX #FAC964

RGB 250.1 201 100

HSL 40.37, 0.94%, 0.69%

LAB 83.46, 6.42, 56.07

 

CMYK 52 / 0 / 59 / 2

HEX #79FA66

RGB 121 250 102

HSL 112.3, 0.94%, 0.69%

LAB 88.64, -62.86, 58.94

 

CMYK 44 / 59 / 0 / 2

HEX #8D66FA

RGB 141 102 250

HSL 255.81, 0.94%, 0.69%

LAB 54.1, 49.24, -68.88

 

CMYK 0 / 20 / 60 / 2

HEX #FAC964

RGB 250.1 201 100

HSL 40.37, 0.94%, 0.69%

LAB 83.46, 6.42, 56.07

 

CMYK 59 / 0 / 20 / 2

HEX #66FAC9

RGB 102 250 201

HSL 160.14, 0.94%, 0.69%

LAB 89.59, -50.93, 11.79

 

CMYK 20 / 59 / 0 / 2

HEX #C966FA

RGB 201 102 250

HSL 280.14, 0.94%, 0.69%

LAB 60.62, 62.55, -58.04

 

CMYK 0 / 20 / 60 / 2

HEX #FAC964

RGB 250.1 201 100

HSL 40.37, 0.94%, 0.69%

LAB 83.46, 6.42, 56.07

 

CMYK 52 / 0 / 59 / 2

HEX #79FA66

RGB 121 250 102

HSL 112.3, 0.94%, 0.69%

LAB 88.64, -62.86, 58.94

 

CMYK 59 / 40 / 0 / 2

HEX #6697FA

RGB 102 151 250

HSL 220.14, 0.94%, 0.69%

LAB 63.23, 12.75, -54.38

 

CMYK 8 / 59 / 0 / 2

HEX #E666FA

RGB 230 102 250

HSL 291.89, 0.94%, 0.69%

LAB 64.34, 69.43, -51.9

 

CMYK 0 / 20 / 60 / 2

HEX #FAC964

RGB 250.1 201 100

HSL 40.37, 0.94%, 0.69%

LAB 83.46, 6.42, 56.07

 

CMYK 59 / 0 / 50 / 2

HEX #66FA7E

RGB 102 250 126

HSL 129.73, 0.94%, 0.69%

LAB 88.31, -64.48, 47.59

 

CMYK 59 / 40 / 0 / 2

HEX #6697FA

RGB 102 151 250

HSL 220.14, 0.94%, 0.69%

LAB 63.23, 12.75, -54.38

 

CMYK 0 / 59 / 10 / 2

HEX #FA66E1

RGB 250 102 225

HSL 310.14, 0.94%, 0.69%

LAB 65.95, 70.28, -35.33

 

Description

Color code: RGB 250.1 201 100 | qconv.com Color code: RGB 250.1 201 100 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250.1 red, 201 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250.1 201 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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