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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 36.8 133.4 it is the complementary color RGB 231 218.2 121.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 36.8 133.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 36.8 133.4 shade: RGB 29 36.8 128.4, RGB 46 54.8 147.4, RGB 63 72.8 166.4, RGB 80 90.8 185.4 and RGB 97 108.8 204.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 36.8 133.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 36.8 133.4 shade: RGB 24 36.8 133.4, RGB 7 18.8 114.4, RGB 0 0.8 95.4, RGB 0 0 76.4 and RGB 0 0 57.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 36.8 133.4 shade: RGB 24 37 134, RGB 41 24 134, RGB 70 24 134, RGB 100 24 134 and RGB 130 24 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 36.8 133.4 shade: RGB 24 37 134 and RGB 24 24 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 36.8 133.4 shade matches the following richer shades: RGB 24 37 134 and RGB 11 27 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 36.8 133.4 shade: RGB 24 37 134, RGB 37 46 122, RGB 49 56 109, RGB 62 66 96 and RGB 75 76 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 36.8 133.4 shade: RGB 24 97 134, RGB 24 68 134, RGB 24 38 134, RGB 38 24 134 and RGB 68 24 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 36.8 133.4 shade: RGB 11 18 64, RGB 18 27 99, RGB 24 37 134, RGB 30 46 169 and RGB 36 56 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 36.8 133.4 shade: RGB 24 36.8 133.4, RGB 134 24 127 and RGB 83 134 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 36.8 133.4 shade: RGB 24 36.8 133.4, RGB 134 24 38 and RGB 38 134 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 36.8 133.4 shade: RGB 24 36.8 133.4, RGB 134 24 127, RGB 134 120 24 and RGB 24 134 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 36.8 133.4 shade: RGB 24 36.8 133.4, RGB 134 24 94, RGB 134 120 24 and RGB 24 134 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 72 / 0 / 48

HEX #182485

RGB 24 36.8 133.4

HSL 232.98, 0.7%, 0.31%

LAB 20.86, 32.05, -54.99

 

Complementary color

CMYK 0 / 6 / 47 / 9

HEX #E7DA79

RGB 231 218.2 121.6

HSL 52.98, 0.7%, 0.69%

LAB 86.32, -8.42, 48.8

 

CMYK 77 / 71 / 0 / 50

HEX #1D2480

RGB 29 36.8 128.4

HSL 235.29, 0.63%, 0.31%

LAB 20.6, 30.64, -52.26

 

CMYK 69 / 63 / 0 / 42

HEX #2E3693

RGB 46 54.8 147.4

HSL 234.79, 0.52%, 0.38%

LAB 27.88, 27.96, -52.13

 

CMYK 62 / 56 / 0 / 35

HEX #3F48A6

RGB 63 72.8 166.4

HSL 234.31, 0.45%, 0.45%

LAB 35.13, 25.75, -51.82

 

CMYK 57 / 51 / 0 / 27

HEX #505AB9

RGB 80 90.8 185.4

HSL 233.85, 0.43%, 0.52%

LAB 42.27, 23.96, -51.47

 

CMYK 53 / 47 / 0 / 20

HEX #616CCC

RGB 97 108.8 204.4

HSL 233.41, 0.51%, 0.59%

LAB 49.27, 22.48, -51.15

 

CMYK 82 / 72 / 0 / 48

HEX #182485

RGB 24 36.8 133.4

HSL 232.98, 0.7%, 0.31%

LAB 20.86, 32.05, -54.99

 

CMYK 94 / 84 / 0 / 55

HEX #071272

RGB 7 18.8 114.4

HSL 233.41, 0.88%, 0.24%

LAB 13.99, 35.11, -54.26

 

CMYK 100 / 99 / 0 / 63

HEX #00005F

RGB 0 0.8 95.4

HSL 239.5, 1%, 0.19%

LAB 7.69, 38.04, -52.24

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76.4

HSL 240, 1%, 0.15%

LAB 4.76, 30.64, -44.1

 

CMYK 100 / 100 / 0 / 77

HEX #000039

RGB 0 0 57.4

HSL 240, 1%, 0.11%

LAB 2.7, 19.01, -33.91

 

CMYK 82 / 72 / 0 / 47

HEX #182586

RGB 24 37 134

HSL 232.91, 0.7%, 0.31%

LAB 20.98, 32.14, -55.18

 

CMYK 69 / 82 / 0 / 47

HEX #291886

RGB 41 24 134

HSL 249.27, 0.7%, 0.31%

LAB 19.42, 41.26, -57.72

 

CMYK 48 / 82 / 0 / 47

HEX #461886

RGB 70 24 134

HSL 265.09, 0.7%, 0.31%

LAB 22.57, 44.86, -52.41

 

CMYK 25 / 82 / 0 / 47

HEX #641886

RGB 100 24 134

HSL 281.45, 0.7%, 0.31%

LAB 26.97, 49.91, -45.05

 

CMYK 3 / 82 / 0 / 47

HEX #821886

RGB 130 24 134

HSL 297.82, 0.7%, 0.31%

LAB 32.08, 55.78, -36.56

 

CMYK 82 / 72 / 0 / 47

HEX #182586

RGB 24 37 134

HSL 232.91, 0.7%, 0.31%

LAB 20.98, 32.14, -55.18

 

CMYK 82 / 82 / 0 / 47

HEX #181886

RGB 24 24 134

HSL 240, 0.7%, 0.31%

LAB 18.23, 39.9, -59.73

 

CMYK 82 / 72 / 0 / 47

HEX #182586

RGB 24 37 134

HSL 232.91, 0.7%, 0.31%

LAB 20.98, 32.14, -55.18

 

CMYK 93 / 82 / 0 / 42

HEX #0B1B93

RGB 11 27 147

HSL 232.94, 0.86%, 0.31%

LAB 19.89, 42.11, -65.11

 

CMYK 82 / 72 / 0 / 47

HEX #182586

RGB 24 37 134

HSL 232.91, 0.7%, 0.31%

LAB 20.98, 32.14, -55.18

 

CMYK 70 / 62 / 0 / 52

HEX #252E7A

RGB 37 46 122

HSL 233.65, 0.53%, 0.31%

LAB 22.84, 23.06, -44.53

 

CMYK 55 / 49 / 0 / 57

HEX #31386D

RGB 49 56 109

HSL 233, 0.38%, 0.31%

LAB 25.52, 13.74, -31.86

 

CMYK 35 / 31 / 0 / 62

HEX #3E4260

RGB 62 66 96

HSL 232.94, 0.22%, 0.31%

LAB 28.81, 6.44, -18.25

 

CMYK 10 / 8 / 0 / 67

HEX #4B4C53

RGB 75 76 83

HSL 232.5, 0.05%, 0.31%

LAB 32.46, 1.19, -4.28

 

CMYK 82 / 28 / 0 / 47

HEX #186186

RGB 24 97 134

HSL 200.18, 0.7%, 0.31%

LAB 38.66, -8.11, -26.74

 

CMYK 82 / 49 / 0 / 47

HEX #184486

RGB 24 68 134

HSL 216, 0.7%, 0.31%

LAB 29.54, 10.74, -41.23

 

CMYK 82 / 72 / 0 / 47

HEX #182686

RGB 24 38 134

HSL 232.36, 0.7%, 0.31%

LAB 21.21, 31.49, -54.79

 

CMYK 72 / 82 / 0 / 47

HEX #261886

RGB 38 24 134

HSL 247.64, 0.7%, 0.31%

LAB 19.17, 40.97, -58.14

 

CMYK 49 / 82 / 0 / 47

HEX #441886

RGB 68 24 134

HSL 264, 0.7%, 0.31%

LAB 22.31, 44.57, -52.84

 

CMYK 83 / 72 / 0 / 75

HEX #0B1240

RGB 11 18 64

HSL 232.08, 0.71%, 0.15%

LAB 7.89, 15.96, -30.19

 

CMYK 82 / 73 / 0 / 61

HEX #121B63

RGB 18 27 99

HSL 233.33, 0.69%, 0.23%

LAB 14.48, 24.76, -43.35

 

CMYK 82 / 72 / 0 / 47

HEX #182586

RGB 24 37 134

HSL 232.91, 0.7%, 0.31%

LAB 20.98, 32.14, -55.18

 

CMYK 82 / 73 / 0 / 34

HEX #1E2EA9

RGB 30 46 169

HSL 233.09, 0.7%, 0.39%

LAB 27, 39.75, -66.75

 

CMYK 82 / 73 / 0 / 20

HEX #2438CD

RGB 36 56 205

HSL 232.9, 0.7%, 0.47%

LAB 33.16, 46.78, -77.86

 

CMYK 82 / 72 / 0 / 48

HEX #182485

RGB 24 36.8 133.4

HSL 232.98, 0.7%, 0.31%

LAB 20.86, 32.05, -54.99

 

CMYK 0 / 82 / 5 / 47

HEX #86187F

RGB 134 24 127

HSL 303.82, 0.7%, 0.31%

LAB 32.38, 55.46, -31.67

 

CMYK 38 / 0 / 82 / 47

HEX #538618

RGB 83 134 24

HSL 87.82, 0.7%, 0.31%

LAB 50.63, -34.61, 49.09

 

CMYK 82 / 72 / 0 / 48

HEX #182485

RGB 24 36.8 133.4

HSL 232.98, 0.7%, 0.31%

LAB 20.86, 32.05, -54.99

 

CMYK 0 / 82 / 72 / 47

HEX #861826

RGB 134 24 38

HSL 352.36, 0.7%, 0.31%

LAB 29.06, 45.75, 21.53

 

CMYK 72 / 0 / 82 / 47

HEX #268618

RGB 38 134 24

HSL 112.36, 0.7%, 0.31%

LAB 48.92, -47.87, 46.87

 

CMYK 82 / 72 / 0 / 48

HEX #182485

RGB 24 36.8 133.4

HSL 232.98, 0.7%, 0.31%

LAB 20.86, 32.05, -54.99

 

CMYK 0 / 82 / 5 / 47

HEX #86187F

RGB 134 24 127

HSL 303.82, 0.7%, 0.31%

LAB 32.38, 55.46, -31.67

 

CMYK 0 / 10 / 82 / 47

HEX #867818

RGB 134 120 24

HSL 52.36, 0.7%, 0.31%

LAB 50.18, -5.13, 50.1

 

CMYK 82 / 0 / 77 / 47

HEX #18861F

RGB 24 134 31

HSL 123.82, 0.7%, 0.31%

LAB 48.69, -49.69, 44.16

 

CMYK 82 / 72 / 0 / 48

HEX #182485

RGB 24 36.8 133.4

HSL 232.98, 0.7%, 0.31%

LAB 20.86, 32.05, -54.99

 

CMYK 0 / 82 / 30 / 47

HEX #86185E

RGB 134 24 94

HSL 321.82, 0.7%, 0.31%

LAB 30.71, 50.73, -13.2

 

CMYK 0 / 10 / 82 / 47

HEX #867818

RGB 134 120 24

HSL 52.36, 0.7%, 0.31%

LAB 50.18, -5.13, 50.1

 

CMYK 82 / 0 / 52 / 47

HEX #188640

RGB 24 134 64

HSL 141.82, 0.7%, 0.31%

LAB 49.03, -45.61, 29.29

 

Description

Color code: RGB 24 36.8 133.4 | qconv.com Color code: RGB 24 36.8 133.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 36.8 green and 133.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 36.8 133.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 72 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 72% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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