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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 187 216 it is the complementary color RGB 6 68 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 187 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 187 216: RGB 254 187 211, RGB 255 205 230, RGB 255 223 249, RGB 255 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 187 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 187 216: RGB 249 187 216, RGB 232 169 197, RGB 215 151 178, RGB 198 133 159 and RGB 181 115 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

Complementary color

CMYK 91 / 0 / 43 / 73

HEX #064427

RGB 6 68 39

HSL 151.94, 0.84%, 0.15%

LAB 24.7, -26.57, 12.43

 

CMYK 0 / 26 / 17 / 0

HEX #FEBBD3

RGB 254 187 211

HSL 338.51, 0.97%, 0.86%

LAB 82.55, 27.62, -2.5

 

CMYK 0 / 20 / 10 / 0

HEX #FFCDE6

RGB 255 205 230

HSL 330, 1%, 0.9%

LAB 87.31, 21.53, -5.62

 

CMYK 0 / 13 / 2 / 0

HEX #FFDFF9

RGB 255 223 249

HSL 311.25, 1%, 0.94%

LAB 92.08, 15.36, -8.56

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 0 / 30 / 17 / 16

HEX #D797B2

RGB 215 151 178

HSL 334.69, 0.44%, 0.72%

LAB 69.32, 27.97, -4.38

 

CMYK 0 / 33 / 20 / 22

HEX #C6859F

RGB 198 133 159

HSL 336, 0.36%, 0.65%

LAB 62.75, 28.7, -3.59

 

CMYK 0 / 36 / 23 / 29

HEX #B5738C

RGB 181 115 140

HSL 337.27, 0.31%, 0.58%

LAB 56.07, 29.5, -2.72

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 0 / 26 / 18 / 3

HEX #F8B8CC

RGB 248 184 204

HSL 341.25, 0.82%, 0.85%

LAB 81.07, 26.03, -0.97

 

CMYK 0 / 26 / 22 / 3

HEX #F8B8C2

RGB 248 184 194

HSL 350.63, 0.82%, 0.85%

LAB 80.81, 24.55, 4.05

 

CMYK 0 / 25 / 26 / 3

HEX #F8B9B8

RGB 248 185 184

HSL 0.94, 0.82%, 0.85%

LAB 80.8, 22.61, 9.42

 

CMYK 0 / 21 / 26 / 3

HEX #F8C4B8

RGB 248 196 184

HSL 11.25, 0.82%, 0.85%

LAB 83.39, 16.82, 13.1

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 0 / 24 / 13 / 82

HEX #2D2227

RGB 45 34 39

HSL 332.73, 0.14%, 0.15%

LAB 14.67, 6.31, -1.34

 

CMYK 0 / 25 / 14 / 62

HEX #604853

RGB 96 72 83

HSL 332.5, 0.14%, 0.33%

LAB 33.45, 12.22, -2.57

 

CMYK 0 / 25 / 13 / 42

HEX #936E80

RGB 147 110 128

HSL 330.81, 0.15%, 0.5%

LAB 50.59, 17.67, -4.2

 

CMYK 0 / 25 / 13 / 22

HEX #C695AC

RGB 198 149 172

HSL 331.84, 0.3%, 0.68%

LAB 66.88, 22.01, -4.83

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 0 / 7 / 26 / 3

HEX #F8E6B8

RGB 248 230 184

HSL 43.13, 0.82%, 0.85%

LAB 91.69, -0.79, 24.67

 

CMYK 26 / 3 / 0 / 3

HEX #B8F1F8

RGB 184 241 248

HSL 186.56, 0.82%, 0.85%

LAB 91.63, -16.37, -9.25

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 13 / 0 / 26 / 3

HEX #D7F8B8

RGB 215 248 184

HSL 90.94, 0.82%, 0.85%

LAB 93.9, -21.66, 27.3

 

CMYK 26 / 13 / 0 / 3

HEX #B8D7F8

RGB 184 215 248

HSL 210.94, 0.82%, 0.85%

LAB 84.78, -3.07, -19.51

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 0 / 7 / 26 / 3

HEX #F8E6B8

RGB 248 230 184

HSL 43.13, 0.82%, 0.85%

LAB 91.69, -0.79, 24.67

 

CMYK 26 / 0 / 13 / 3

HEX #B8F8D9

RGB 184 248 217

HSL 150.94, 0.82%, 0.85%

LAB 92.72, -26.18, 8.45

 

CMYK 26 / 19 / 0 / 3

HEX #B8CAF8

RGB 184 202 248

HSL 223.13, 0.82%, 0.85%

LAB 81.41, 3.83, -24.62

 

CMYK 0 / 25 / 13 / 2

HEX #F9BBD8

RGB 249 187 216

HSL 331.94, 0.84%, 0.85%

LAB 82.18, 26.67, -5.78

 

CMYK 0 / 0 / 26 / 3

HEX #F7F8B8

RGB 247 248 184

HSL 60.94, 0.82%, 0.85%

LAB 96.15, -10.19, 30.73

 

CMYK 26 / 0 / 13 / 3

HEX #B8F8D9

RGB 184 248 217

HSL 150.94, 0.82%, 0.85%

LAB 92.72, -26.18, 8.45

 

CMYK 25 / 26 / 0 / 3

HEX #B9B8F8

RGB 185 184 248

HSL 240.94, 0.82%, 0.85%

LAB 76.9, 13.9, -31.51

 

Description

Color code: RGB 249 187 216 | qconv.com Color code: RGB 249 187 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 187 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 187 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 13 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 13% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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