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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 220 184 it is the complementary color RGB 8 35 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 220 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 247 220 184: RGB 252 220 179, RGB 255 238 198, RGB 255 255 217, RGB 255 255 236 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 220 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 247 220 184: RGB 247 220 184, RGB 230 202 165, RGB 213 184 146, RGB 196 166 127 and RGB 179 148 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

Complementary color

CMYK 89 / 51 / 0 / 72

HEX #082347

RGB 8 35 71

HSL 214.29, 0.8%, 0.15%

LAB 13.88, 5.44, -25.41

 

CMYK 0 / 13 / 29 / 1

HEX #FCDCB3

RGB 252 220 179

HSL 33.7, 0.92%, 0.85%

LAB 89.46, 5.16, 24.24

 

CMYK 0 / 7 / 22 / 0

HEX #FFEEC6

RGB 255 238 198

HSL 42.11, 1%, 0.89%

LAB 94.52, -0.38, 21.46

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 0 / 12 / 28 / 10

HEX #E6CAA5

RGB 230 202 165

HSL 34.15, 0.57%, 0.77%

LAB 82.8, 4.37, 22.11

 

CMYK 0 / 14 / 31 / 16

HEX #D5B892

RGB 213 184 146

HSL 34.03, 0.44%, 0.7%

LAB 76.38, 4.83, 23.16

 

CMYK 0 / 15 / 35 / 23

HEX #C4A67F

RGB 196 166 127

HSL 33.91, 0.37%, 0.63%

LAB 69.85, 5.36, 24.29

 

CMYK 0 / 17 / 40 / 30

HEX #B3946C

RGB 179 148 108

HSL 33.8, 0.32%, 0.56%

LAB 63.22, 5.98, 25.5

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 0 / 6 / 25 / 3

HEX #F7E7BA

RGB 247 231 186

HSL 44.26, 0.79%, 0.85%

LAB 91.9, -1.4, 23.91

 

CMYK 0 / 2 / 25 / 3

HEX #F7F1BA

RGB 247 241 186

HSL 54.1, 0.79%, 0.85%

LAB 94.41, -6.44, 27.36

 

CMYK 2 / 0 / 25 / 3

HEX #F3F7BA

RGB 243 247 186

HSL 63.93, 0.79%, 0.85%

LAB 95.63, -10.89, 28.97

 

CMYK 6 / 0 / 25 / 3

HEX #E9F7BA

RGB 233 247 186

HSL 73.77, 0.79%, 0.85%

LAB 94.9, -14.5, 27.86

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 0 / 12 / 26 / 83

HEX #2B2620

RGB 43 38 32

HSL 32.73, 0.15%, 0.15%

LAB 15.51, 1.07, 4.83

 

CMYK 0 / 11 / 26 / 63

HEX #5E5446

RGB 94 84 70

HSL 35, 0.15%, 0.32%

LAB 36.3, 1.57, 9.69

 

CMYK 0 / 11 / 26 / 43

HEX #91816C

RGB 145 129 108

HSL 34.05, 0.15%, 0.5%

LAB 54.87, 2.61, 13.62

 

CMYK 0 / 11 / 26 / 23

HEX #C4AF92

RGB 196 175 146

HSL 34.8, 0.3%, 0.67%

LAB 72.54, 3.03, 17.65

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 19 / 0 / 25 / 3

HEX #C8F7BA

RGB 200 247 186

HSL 106.23, 0.79%, 0.85%

LAB 92.73, -26.02, 24.53

 

CMYK 21 / 25 / 0 / 3

HEX #C4BAF7

RGB 196 186 247

HSL 249.84, 0.79%, 0.85%

LAB 78.21, 15.85, -28.9

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 25 / 0 / 11 / 3

HEX #BAF7DC

RGB 186 247 220

HSL 153.44, 0.79%, 0.85%

LAB 92.63, -24.52, 6.78

 

CMYK 11 / 25 / 0 / 3

HEX #DCBAF7

RGB 220 186 247

HSL 273.44, 0.79%, 0.85%

LAB 80.21, 23.25, -25.67

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 19 / 0 / 25 / 3

HEX #C8F7BA

RGB 200 247 186

HSL 106.23, 0.79%, 0.85%

LAB 92.73, -26.02, 24.53

 

CMYK 25 / 14 / 0 / 3

HEX #BAD4F7

RGB 186 212 247

HSL 214.43, 0.79%, 0.85%

LAB 84.09, -1.13, -20

 

CMYK 6 / 25 / 0 / 3

HEX #E9BAF7

RGB 233 186 247

HSL 286.23, 0.79%, 0.85%

LAB 81.38, 27.35, -23.77

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 25 / 0 / 23 / 3

HEX #BAF7BE

RGB 186 247 190

HSL 123.93, 0.79%, 0.85%

LAB 91.99, -29.97, 21.33

 

CMYK 25 / 14 / 0 / 3

HEX #BAD4F7

RGB 186 212 247

HSL 214.43, 0.79%, 0.85%

LAB 84.09, -1.13, -20

 

CMYK 0 / 25 / 2 / 3

HEX #F7BAF3

RGB 247 186 243

HSL 303.93, 0.79%, 0.85%

LAB 82.57, 31.11, -19.7

 

Description

Color code: RGB 247 220 184 | qconv.com Color code: RGB 247 220 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 220 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 220 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 26 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 26% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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