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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 83 20 it is the complementary color RGB 9 172 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 83 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 83 20: RGB 251 83 15, RGB 255 101 34, RGB 255 119 53, RGB 255 137 72 and RGB 255 155 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 83 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 83 20: RGB 246 83 20, RGB 229 65 1, RGB 212 47 0, RGB 195 29 0 and RGB 178 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

Complementary color

CMYK 96 / 27 / 0 / 8

HEX #09ACEB

RGB 9 172 235

HSL 196.73, 0.93%, 0.48%

LAB 66.18, -14.33, -41.65

 

CMYK 0 / 67 / 94 / 2

HEX #FB530F

RGB 251 83 15

HSL 17.29, 0.97%, 0.52%

LAB 58.72, 61.64, 66.18

 

CMYK 0 / 60 / 87 / 0

HEX #FF6522

RGB 255 101 34

HSL 18.19, 1%, 0.57%

LAB 62.24, 55.84, 63.27

 

CMYK 0 / 53 / 79 / 0

HEX #FF7735

RGB 255 119 53

HSL 19.6, 1%, 0.6%

LAB 65.52, 48.1, 58.53

 

CMYK 0 / 46 / 72 / 0

HEX #FF8948

RGB 255 137 72

HSL 21.31, 1%, 0.64%

LAB 69.2, 40.01, 53.54

 

CMYK 0 / 39 / 64 / 0

HEX #FF9B5B

RGB 255 155 91

HSL 23.41, 1%, 0.68%

LAB 73.19, 31.83, 48.72

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 0 / 72 / 100 / 10

HEX #E54101

RGB 229 65 1

HSL 16.84, 0.99%, 0.45%

LAB 52.33, 61.13, 63.58

 

CMYK 0 / 78 / 100 / 17

HEX #D42F00

RGB 212 47 0

HSL 13.3, 1%, 0.42%

LAB 47.01, 61.74, 59.56

 

CMYK 0 / 85 / 100 / 24

HEX #C31D00

RGB 195 29 0

HSL 8.92, 1%, 0.38%

LAB 41.97, 61.46, 55.44

 

CMYK 0 / 94 / 100 / 30

HEX #B20B00

RGB 178 11 0

HSL 3.71, 1%, 0.35%

LAB 37.31, 59.89, 51.46

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 0 / 52 / 93 / 4

HEX #F67512

RGB 246 117 18

HSL 26.05, 0.93%, 0.52%

LAB 63.64, 44.91, 68.29

 

CMYK 0 / 37 / 93 / 4

HEX #F69B12

RGB 246 155 18

HSL 36.05, 0.93%, 0.52%

LAB 71.61, 25.56, 73.86

 

CMYK 0 / 22 / 93 / 4

HEX #F6C112

RGB 246 193 18

HSL 46.05, 0.93%, 0.52%

LAB 80.61, 5.66, 80.4

 

CMYK 0 / 6 / 93 / 4

HEX #F6E712

RGB 246 231 18

HSL 56.05, 0.93%, 0.52%

LAB 90.22, -13.56, 87.58

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 0 / 67 / 93 / 84

HEX #2A0E03

RGB 42 14 3

HSL 16.92, 0.87%, 0.09%

LAB 7.34, 13.44, 10.03

 

CMYK 0 / 67 / 91 / 64

HEX #5D1F08

RGB 93 31 8

HSL 16.24, 0.84%, 0.2%

LAB 21.3, 27.17, 28.06

 

CMYK 0 / 66 / 92 / 44

HEX #90310C

RGB 144 49 12

HSL 16.82, 0.85%, 0.31%

LAB 34.3, 38.59, 41.56

 

CMYK 0 / 66 / 92 / 24

HEX #C34210

RGB 195 66 16

HSL 16.76, 0.85%, 0.41%

LAB 46.36, 49.62, 53.08

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 43 / 0 / 93 / 4

HEX #8CF612

RGB 140 246 18

HSL 87.89, 0.93%, 0.52%

LAB 87.74, -60.73, 82.8

 

CMYK 93 / 80 / 0 / 4

HEX #1231F6

RGB 18 49 246

HSL 231.84, 0.93%, 0.52%

LAB 35.94, 63.14, -96.72

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 93 / 0 / 68 / 4

HEX #12F64F

RGB 18 246 79

HSL 136.05, 0.93%, 0.52%

LAB 85.3, -79.59, 64.03

 

CMYK 68 / 93 / 0 / 4

HEX #4F12F6

RGB 79 18 246

HSL 256.05, 0.93%, 0.52%

LAB 35.5, 75.8, -97.38

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 43 / 0 / 93 / 4

HEX #8CF612

RGB 140 246 18

HSL 87.89, 0.93%, 0.52%

LAB 87.74, -60.73, 82.8

 

CMYK 93 / 25 / 0 / 4

HEX #12B9F6

RGB 18 185 246

HSL 196.05, 0.93%, 0.52%

LAB 70.51, -17.15, -40.87

 

CMYK 49 / 93 / 0 / 4

HEX #7D12F6

RGB 125 18 246

HSL 268.16, 0.93%, 0.52%

LAB 40.32, 78.9, -89.23

 

CMYK 0 / 66 / 92 / 4

HEX #F65314

RGB 246 83 20

HSL 16.73, 0.93%, 0.52%

LAB 57.88, 60.06, 63.93

 

CMYK 71 / 0 / 93 / 4

HEX #47F612

RGB 71 246 18

HSL 106.05, 0.93%, 0.52%

LAB 85.65, -77.53, 80.23

 

CMYK 93 / 25 / 0 / 4

HEX #12B9F6

RGB 18 185 246

HSL 196.05, 0.93%, 0.52%

LAB 70.51, -17.15, -40.87

 

CMYK 22 / 93 / 0 / 4

HEX #C112F6

RGB 193 18 246

HSL 286.05, 0.93%, 0.52%

LAB 50.01, 86.54, -72.98

 

Description

Color code: RGB 246 83 20 | qconv.com Color code: RGB 246 83 20 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 83 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 83 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 92% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Главная
Link: http://itpro100.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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