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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 243 0 it is the complementary color RGB 9 12 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 243 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 243 0: RGB 251 243 0, RGB 255 255 14, RGB 255 255 33, RGB 255 255 52 and RGB 255 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 243 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 243 0: RGB 246 243 0, RGB 229 225 0, RGB 212 207 0, RGB 195 189 0 and RGB 178 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

Complementary color

CMYK 96 / 95 / 0 / 0

HEX #090CFF

RGB 9 12 255

HSL 239.27, 1%, 0.52%

LAB 33.01, 77.45, -106.68

 

CMYK 0 / 3 / 100 / 2

HEX #FBF300

RGB 251 243 0

HSL 58.09, 1%, 0.49%

LAB 93.71, -17.47, 91.84

 

CMYK 0 / 0 / 95 / 0

HEX #FFFF0E

RGB 255 255 14

HSL 60, 1%, 0.53%

LAB 97.15, -21.45, 93.5

 

CMYK 0 / 0 / 87 / 0

HEX #FFFF21

RGB 255 255 33

HSL 60, 1%, 0.56%

LAB 97.18, -21.19, 91.18

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 0 / 2 / 100 / 10

HEX #E5E100

RGB 229 225 0

HSL 58.95, 1%, 0.45%

LAB 87.25, -17.93, 86.33

 

CMYK 0 / 2 / 100 / 17

HEX #D4CF00

RGB 212 207 0

HSL 58.58, 1%, 0.42%

LAB 81.08, -16.28, 81.22

 

CMYK 0 / 3 / 100 / 24

HEX #C3BD00

RGB 195 189 0

HSL 58.15, 1%, 0.38%

LAB 74.82, -14.6, 76.02

 

CMYK 0 / 4 / 100 / 30

HEX #B2AB00

RGB 178 171 0

HSL 57.64, 1%, 0.35%

LAB 68.45, -12.88, 70.73

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 15 / 0 / 100 / 4

HEX #D0F400

RGB 208 244 0

HSL 68.85, 1%, 0.48%

LAB 90.83, -35.5, 88.3

 

CMYK 32 / 0 / 100 / 4

HEX #A7F400

RGB 167 244 0

HSL 78.93, 1%, 0.48%

LAB 88.41, -51.07, 85.39

 

CMYK 48 / 0 / 100 / 4

HEX #7EF400

RGB 126 244 0

HSL 89.02, 1%, 0.48%

LAB 86.57, -64.47, 83.18

 

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 0 / 2 / 100 / 84

HEX #2A2900

RGB 42 41 0

HSL 58.57, 1%, 0.08%

LAB 15.89, -5.49, 22.98

 

CMYK 0 / 1 / 100 / 64

HEX #5D5C00

RGB 93 92 0

HSL 59.35, 1%, 0.18%

LAB 37.81, -9.74, 44.97

 

CMYK 0 / 1 / 100 / 44

HEX #908E00

RGB 144 142 0

HSL 59.17, 1%, 0.28%

LAB 57.34, -13.03, 61.31

 

CMYK 0 / 1 / 100 / 24

HEX #C3C100

RGB 195 193 0

HSL 59.38, 1%, 0.38%

LAB 75.91, -16.62, 76.81

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 100 / 0 / 82 / 4

HEX #00F42C

RGB 0 244 44

HSL 130.82, 1%, 0.48%

LAB 84.42, -82.13, 74.22

 

CMYK 42 / 100 / 0 / 4

HEX #8E00F4

RGB 142 0 244

HSL 274.92, 1%, 0.48%

LAB 41.66, 82.1, -85.82

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 100 / 0 / 2 / 4

HEX #00F4F0

RGB 0 244 240

HSL 179.02, 1%, 0.48%

LAB 87.48, -47.65, -11.76

 

CMYK 2 / 100 / 0 / 4

HEX #F000F4

RGB 240 0 244

HSL 299.02, 1%, 0.48%

LAB 57.13, 94.41, -59.98

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 100 / 0 / 82 / 4

HEX #00F42C

RGB 0 244 44

HSL 130.82, 1%, 0.48%

LAB 84.42, -82.13, 74.22

 

CMYK 100 / 98 / 0 / 4

HEX #0004F4

RGB 0 4 244

HSL 239.02, 1%, 0.48%

LAB 30.92, 75.95, -103.98

 

CMYK 0 / 100 / 18 / 4

HEX #F400C7

RGB 244 0 199

HSL 311.07, 1%, 0.48%

LAB 55.44, 89.19, -37.1

 

CMYK 0 / 1 / 100 / 4

HEX #F6F300

RGB 246 243 0

HSL 59.27, 1%, 0.48%

LAB 93.32, -19.54, 91.37

 

CMYK 100 / 0 / 52 / 4

HEX #00F476

RGB 0 244 118

HSL 149.02, 1%, 0.48%

LAB 85, -74.86, 46.95

 

CMYK 100 / 98 / 0 / 4

HEX #0004F4

RGB 0 4 244

HSL 239.02, 1%, 0.48%

LAB 30.92, 75.95, -103.98

 

CMYK 0 / 100 / 48 / 4

HEX #F4007E

RGB 244 0 126

HSL 329.02, 1%, 0.48%

LAB 52.66, 82.06, 1.78

 

Description

Color code: RGB 246 243 0 | qconv.com Color code: RGB 246 243 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 243 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 243 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 100 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 100% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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