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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 151 145 it is the complementary color RGB 9 104 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 151 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 151 145: RGB 251 151 140, RGB 255 169 159, RGB 255 187 178, RGB 255 205 197 and RGB 255 223 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 151 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 151 145: RGB 246 151 145, RGB 229 133 126, RGB 212 115 107, RGB 195 97 88 and RGB 178 79 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

Complementary color

CMYK 92 / 5 / 0 / 57

HEX #09686E

RGB 9 104 110

HSL 183.56, 0.85%, 0.23%

LAB 39.72, -22.18, -10.5

 

CMYK 0 / 40 / 44 / 2

HEX #FB978C

RGB 251 151 140

HSL 5.95, 0.93%, 0.77%

LAB 72.59, 36.29, 21.9

 

CMYK 0 / 34 / 38 / 0

HEX #FFA99F

RGB 255 169 159

HSL 6.25, 1%, 0.81%

LAB 77.36, 30.47, 18.2

 

CMYK 0 / 27 / 30 / 0

HEX #FFBBB2

RGB 255 187 178

HSL 7.01, 1%, 0.85%

LAB 81.85, 23.34, 14.23

 

CMYK 0 / 20 / 23 / 0

HEX #FFCDC5

RGB 255 205 197

HSL 8.28, 1%, 0.89%

LAB 86.48, 16.48, 10.67

 

CMYK 0 / 13 / 15 / 0

HEX #FFDFD8

RGB 255 223 216

HSL 10.77, 1%, 0.92%

LAB 91.23, 9.93, 7.47

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 0 / 42 / 45 / 10

HEX #E5857E

RGB 229 133 126

HSL 4.08, 0.66%, 0.7%

LAB 65.7, 35.99, 19.82

 

CMYK 0 / 46 / 50 / 17

HEX #D4736B

RGB 212 115 107

HSL 4.57, 0.55%, 0.63%

LAB 59.27, 37.11, 21.47

 

CMYK 0 / 50 / 55 / 24

HEX #C36158

RGB 195 97 88

HSL 5.05, 0.47%, 0.55%

LAB 52.79, 38.31, 23.38

 

CMYK 0 / 56 / 61 / 30

HEX #B24F45

RGB 178 79 69

HSL 5.5, 0.44%, 0.48%

LAB 46.29, 39.56, 25.61

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 0 / 32 / 41 / 4

HEX #F6A892

RGB 246 168 146

HSL 13.2, 0.85%, 0.77%

LAB 75.87, 26.15, 23.02

 

CMYK 0 / 25 / 41 / 4

HEX #F6B892

RGB 246 184 146

HSL 22.8, 0.85%, 0.77%

LAB 79.58, 17.71, 28.04

 

CMYK 0 / 18 / 41 / 4

HEX #F6C992

RGB 246 201 146

HSL 33, 0.85%, 0.77%

LAB 83.67, 8.8, 33.48

 

CMYK 0 / 12 / 41 / 4

HEX #F6D992

RGB 246 217 146

HSL 42.6, 0.85%, 0.77%

LAB 87.63, 0.54, 38.64

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 0 / 38 / 40 / 84

HEX #2A1A19

RGB 42 26 25

HSL 3.53, 0.25%, 0.13%

LAB 11.28, 7.8, 3.91

 

CMYK 0 / 39 / 41 / 64

HEX #5D3937

RGB 93 57 55

HSL 3.16, 0.26%, 0.29%

LAB 28.19, 15.72, 7.93

 

CMYK 0 / 39 / 41 / 44

HEX #905855

RGB 144 88 85

HSL 3.05, 0.26%, 0.45%

LAB 43.6, 22.75, 11.53

 

CMYK 0 / 38 / 41 / 24

HEX #C37873

RGB 195 120 115

HSL 3.75, 0.4%, 0.61%

LAB 58.3, 28.74, 15.19

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 10 / 0 / 41 / 4

HEX #DDF692

RGB 221 246 146

HSL 75, 0.85%, 0.77%

LAB 93.17, -23.46, 45.34

 

CMYK 41 / 26 / 0 / 4

HEX #92B5F6

RGB 146 181 246

HSL 219, 0.85%, 0.77%

LAB 73.42, 4.29, -36.03

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 41 / 0 / 39 / 4

HEX #92F697

RGB 146 246 151

HSL 123, 0.85%, 0.77%

LAB 89.04, -48.09, 36.74

 

CMYK 39 / 41 / 0 / 4

HEX #9792F6

RGB 151 146 246

HSL 243, 0.85%, 0.77%

LAB 64.8, 25.42, -49.51

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 10 / 0 / 41 / 4

HEX #DDF692

RGB 221 246 146

HSL 75, 0.85%, 0.77%

LAB 93.17, -23.46, 45.34

 

CMYK 41 / 2 / 0 / 4

HEX #92F1F6

RGB 146 241 246

HSL 183, 0.85%, 0.77%

LAB 89.71, -26.86, -11.26

 

CMYK 30 / 41 / 0 / 4

HEX #AB92F6

RGB 171 146 246

HSL 255, 0.85%, 0.77%

LAB 66.42, 30.67, -46.84

 

CMYK 0 / 39 / 41 / 4

HEX #F69791

RGB 246 151 145

HSL 3.56, 0.85%, 0.77%

LAB 72.07, 34.95, 18.36

 

CMYK 22 / 0 / 41 / 4

HEX #BFF692

RGB 191 246 146

HSL 93, 0.85%, 0.77%

LAB 91.26, -34.31, 42.52

 

CMYK 41 / 2 / 0 / 4

HEX #92F1F6

RGB 146 241 246

HSL 183, 0.85%, 0.77%

LAB 89.71, -26.86, -11.26

 

CMYK 18 / 41 / 0 / 4

HEX #C992F6

RGB 201 146 246

HSL 273, 0.85%, 0.77%

LAB 69.2, 39.04, -42.28

 

Description

Color code: RGB 246 151 145 | qconv.com Color code: RGB 246 151 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 151 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 151 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 41 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 41% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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