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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 136 39 it is the complementary color RGB 9 119 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 136 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 136 39: RGB 251 136 34, RGB 255 154 53, RGB 255 172 72, RGB 255 190 91 and RGB 255 208 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 136 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 136 39: RGB 246 136 39, RGB 229 118 20, RGB 212 100 1, RGB 195 82 0 and RGB 178 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

Complementary color

CMYK 96 / 45 / 0 / 15

HEX #0977D8

RGB 9 119 216

HSL 208.12, 0.92%, 0.44%

LAB 49.75, 9.48, -57.15

 

CMYK 0 / 46 / 86 / 2

HEX #FB8822

RGB 251 136 34

HSL 28.2, 0.96%, 0.56%

LAB 68.19, 37.68, 67.73

 

CMYK 0 / 40 / 79 / 0

HEX #FF9A35

RGB 255 154 53

HSL 30, 1%, 0.6%

LAB 72.65, 30.58, 65.19

 

CMYK 0 / 33 / 72 / 0

HEX #FFAC48

RGB 255 172 72

HSL 32.79, 1%, 0.64%

LAB 76.82, 21.96, 61.53

 

CMYK 0 / 25 / 64 / 0

HEX #FFBE5B

RGB 255 190 91

HSL 36.22, 1%, 0.68%

LAB 81.2, 13.57, 57.8

 

CMYK 0 / 18 / 57 / 0

HEX #FFD06E

RGB 255 208 110

HSL 40.55, 1%, 0.72%

LAB 85.75, 5.53, 54.18

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 0 / 48 / 91 / 10

HEX #E57614

RGB 229 118 20

HSL 28.13, 0.84%, 0.49%

LAB 61.36, 37.82, 65.09

 

CMYK 0 / 53 / 100 / 17

HEX #D46401

RGB 212 100 1

HSL 28.15, 0.99%, 0.42%

LAB 55.19, 39.95, 63.58

 

CMYK 0 / 58 / 100 / 24

HEX #C35200

RGB 195 82 0

HSL 25.23, 1%, 0.38%

LAB 49.05, 42.18, 58.88

 

CMYK 0 / 64 / 100 / 30

HEX #B24000

RGB 178 64 0

HSL 21.57, 1%, 0.35%

LAB 42.96, 44.21, 54.03

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 0 / 31 / 84 / 4

HEX #F6AA27

RGB 246 170 39

HSL 37.97, 0.92%, 0.56%

LAB 75.13, 18.08, 71.65

 

CMYK 0 / 17 / 84 / 4

HEX #F6CC27

RGB 246 204 39

HSL 47.83, 0.92%, 0.56%

LAB 83.4, 0.37, 78.51

 

CMYK 0 / 3 / 84 / 4

HEX #F6EF27

RGB 246 239 39

HSL 57.97, 0.92%, 0.56%

LAB 92.34, -17.1, 85.86

 

CMYK 11 / 0 / 84 / 4

HEX #DAF627

RGB 218 246 39

HSL 68.12, 0.92%, 0.56%

LAB 92.12, -31.83, 84.82

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 0 / 45 / 83 / 84

HEX #2A1707

RGB 42 23 7

HSL 27.43, 0.71%, 0.1%

LAB 9.96, 7.68, 12.18

 

CMYK 0 / 45 / 84 / 64

HEX #5D330F

RGB 93 51 15

HSL 27.69, 0.72%, 0.21%

LAB 25.95, 15.86, 29.62

 

CMYK 0 / 44 / 84 / 44

HEX #905017

RGB 144 80 23

HSL 28.26, 0.72%, 0.33%

LAB 40.78, 22.57, 42.54

 

CMYK 0 / 45 / 84 / 24

HEX #C36C1F

RGB 195 108 31

HSL 28.17, 0.73%, 0.44%

LAB 54.48, 29.37, 54.24

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 56 / 0 / 84 / 4

HEX #6CF627

RGB 108 246 39

HSL 100, 0.92%, 0.56%

LAB 86.63, -69.21, 77.95

 

CMYK 78 / 84 / 0 / 4

HEX #3527F6

RGB 53 39 246

HSL 244.06, 0.92%, 0.56%

LAB 35.72, 68.55, -97.06

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 84 / 0 / 45 / 4

HEX #27F687

RGB 39 246 135

HSL 147.83, 0.92%, 0.56%

LAB 86.05, -71, 40.2

 

CMYK 45 / 84 / 0 / 4

HEX #8727F6

RGB 135 39 246

HSL 267.83, 0.92%, 0.56%

LAB 43.15, 75.16, -84.54

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 56 / 0 / 84 / 4

HEX #6CF627

RGB 108 246 39

HSL 100, 0.92%, 0.56%

LAB 86.63, -69.21, 77.95

 

CMYK 84 / 39 / 0 / 4

HEX #2795F6

RGB 39 149 246

HSL 208.12, 0.92%, 0.56%

LAB 60.41, 4.21, -56.8

 

CMYK 28 / 84 / 0 / 4

HEX #B127F6

RGB 177 39 246

HSL 280, 0.92%, 0.56%

LAB 48.82, 80.64, -75.01

 

CMYK 0 / 45 / 84 / 4

HEX #F68827

RGB 246 136 39

HSL 28.12, 0.92%, 0.56%

LAB 67.54, 35.81, 65.3

 

CMYK 81 / 0 / 84 / 4

HEX #2EF627

RGB 46 246 39

HSL 117.97, 0.92%, 0.56%

LAB 85.32, -80.24, 76.29

 

CMYK 84 / 39 / 0 / 4

HEX #2795F6

RGB 39 149 246

HSL 208.12, 0.92%, 0.56%

LAB 60.41, 4.21, -56.8

 

CMYK 3 / 84 / 0 / 4

HEX #EF27F6

RGB 239 39 246

HSL 297.97, 0.92%, 0.56%

LAB 58.47, 90.45, -58.96

 

Description

Color code: RGB 246 136 39 | qconv.com Color code: RGB 246 136 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 136 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 136 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 84% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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