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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 199 180 it is the complementary color RGB 10 56 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 199 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 245 199 180: RGB 250 199 175, RGB 255 217 194, RGB 255 235 213, RGB 255 253 232 and RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 199 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 245 199 180: RGB 245 199 180, RGB 228 181 161, RGB 211 163 142, RGB 194 145 123 and RGB 177 127 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

Complementary color

CMYK 87 / 25 / 0 / 71

HEX #0A384B

RGB 10 56 75

HSL 197.54, 0.76%, 0.17%

LAB 21.58, -7.4, -15.95

 

CMYK 0 / 20 / 30 / 2

HEX #FAC7AF

RGB 250 199 175

HSL 19.2, 0.88%, 0.83%

LAB 84.1, 14.8, 18.91

 

CMYK 0 / 15 / 24 / 0

HEX #FFD9C2

RGB 255 217 194

HSL 22.62, 1%, 0.88%

LAB 89.29, 9.82, 16.23

 

CMYK 0 / 8 / 16 / 0

HEX #FFEBD5

RGB 255 235 213

HSL 31.43, 1%, 0.92%

LAB 94.09, 3.31, 13.12

 

CMYK 0 / 1 / 9 / 0

HEX #FFFDE8

RGB 255 253 232

HSL 54.78, 1%, 0.95%

LAB 98.96, -2.85, 10.28

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 0 / 21 / 29 / 11

HEX #E4B5A1

RGB 228 181 161

HSL 17.91, 0.55%, 0.76%

LAB 77.35, 14.17, 16.66

 

CMYK 0 / 23 / 33 / 17

HEX #D3A38E

RGB 211 163 142

HSL 18.26, 0.44%, 0.69%

LAB 70.87, 14.81, 17.73

 

CMYK 0 / 25 / 37 / 24

HEX #C2917B

RGB 194 145 123

HSL 18.59, 0.37%, 0.62%

LAB 64.28, 15.55, 18.89

 

CMYK 0 / 28 / 41 / 31

HEX #B17F68

RGB 177 127 104

HSL 18.9, 0.32%, 0.55%

LAB 57.58, 16.39, 20.16

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 0 / 15 / 27 / 4

HEX #F4D0B2

RGB 244 208 178

HSL 27.27, 0.75%, 0.83%

LAB 85.79, 8.24, 19.58

 

CMYK 0 / 10 / 27 / 4

HEX #F4DBB2

RGB 244 219 178

HSL 37.27, 0.75%, 0.83%

LAB 88.5, 2.55, 23.34

 

CMYK 0 / 6 / 27 / 4

HEX #F4E6B2

RGB 244 230 178

HSL 47.27, 0.75%, 0.83%

LAB 91.25, -3.07, 27.1

 

CMYK 0 / 1 / 27 / 4

HEX #F4F1B2

RGB 244 241 178

HSL 57.27, 0.75%, 0.83%

LAB 94.04, -8.59, 30.88

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 0 / 20 / 27 / 84

HEX #29211E

RGB 41 33 30

HSL 16.36, 0.15%, 0.14%

LAB 13.55, 3.21, 3.45

 

CMYK 0 / 18 / 26 / 64

HEX #5C4B44

RGB 92 75 68

HSL 17.5, 0.15%, 0.31%

LAB 33.4, 5.93, 6.85

 

CMYK 0 / 19 / 27 / 44

HEX #8F7469

RGB 143 116 105

HSL 17.37, 0.15%, 0.49%

LAB 51.09, 8.8, 10.05

 

CMYK 0 / 19 / 26 / 24

HEX #C29E8F

RGB 194 158 143

HSL 17.65, 0.29%, 0.66%

LAB 67.95, 11.06, 12.85

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 13 / 0 / 27 / 4

HEX #D4F4B2

RGB 212 244 178

HSL 89.09, 0.75%, 0.83%

LAB 92.54, -21.65, 28.46

 

CMYK 27 / 24 / 0 / 4

HEX #B2BAF4

RGB 178 186 244

HSL 232.73, 0.75%, 0.83%

LAB 76.75, 9.81, -29.64

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 27 / 0 / 19 / 4

HEX #B2F4C5

RGB 178 244 197

HSL 137.27, 0.75%, 0.83%

LAB 90.87, -29.86, 16.1

 

CMYK 19 / 27 / 0 / 4

HEX #C5B2F4

RGB 197 178 244

HSL 257.27, 0.75%, 0.83%

LAB 76.22, 19.86, -30.34

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 13 / 0 / 27 / 4

HEX #D4F4B2

RGB 212 244 178

HSL 89.09, 0.75%, 0.83%

LAB 92.54, -21.65, 28.46

 

CMYK 27 / 8 / 0 / 4

HEX #B2E1F4

RGB 178 225 244

HSL 197.27, 0.75%, 0.83%

LAB 86.92, -10.9, -14.21

 

CMYK 14 / 27 / 0 / 4

HEX #D2B2F4

RGB 210 178 244

HSL 269.09, 0.75%, 0.83%

LAB 77.33, 23.84, -28.54

 

CMYK 0 / 19 / 27 / 4

HEX #F5C7B4

RGB 245 199 180

HSL 17.54, 0.76%, 0.83%

LAB 83.73, 13.59, 15.67

 

CMYK 21 / 0 / 27 / 4

HEX #C0F4B2

RGB 192 244 178

HSL 107.27, 0.75%, 0.83%

LAB 91.29, -28.53, 26.56

 

CMYK 27 / 8 / 0 / 4

HEX #B2E1F4

RGB 178 225 244

HSL 197.27, 0.75%, 0.83%

LAB 86.92, -10.9, -14.21

 

CMYK 6 / 27 / 0 / 4

HEX #E6B2F4

RGB 230 178 244

HSL 287.27, 0.75%, 0.83%

LAB 79.15, 30.11, -25.58

 

Description

Color code: RGB 245 199 180 | qconv.com Color code: RGB 245 199 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 199 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 199 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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