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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244.7 74.6 87 it is the complementary color RGB 10.3 180.4 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244.7 74.6 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244.7 74.6 87 shade: RGB 249.7 74.6 82, RGB 255 92.6 101, RGB 255 110.6 120, RGB 255 128.6 139 and RGB 255 146.6 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244.7 74.6 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244.7 74.6 87 shade: RGB 244.7 74.6 87, RGB 227.7 56.6 68, RGB 210.7 38.6 49, RGB 193.7 20.6 30 and RGB 176.7 2.6 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244.7 74.6 87 shade: RGB 245 77 89 and RGB 245 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244.7 74.6 87 shade: RGB 245 77 89, RGB 245 77 134, RGB 245 77 179, RGB 245 77 225 and RGB 219 77 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244.7 74.6 87 shade matches the following richer shades: RGB 245 77 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244.7 74.6 87 shade: RGB 245 77 89, RGB 229 92 102, RGB 214 107 115, RGB 199 122 128 and RGB 184 138 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244.7 74.6 87 shade: RGB 245 77 180, RGB 245 77 135, RGB 245 77 91, RGB 245 107 77 and RGB 245 152 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244.7 74.6 87 shade: RGB 226 13 29, RGB 242 38 53, RGB 245 77 89, RGB 247 116 125 and RGB 249 155 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244.7 74.6 87 shade: RGB 244.7 74.6 87, RGB 225 245 77 and RGB 77 158 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244.7 74.6 87 shade: RGB 244.7 74.6 87, RGB 91 245 77 and RGB 77 91 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244.7 74.6 87 shade: RGB 244.7 74.6 87, RGB 225 245 77, RGB 77 245 231 and RGB 96 77 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244.7 74.6 87 shade: RGB 244.7 74.6 87, RGB 175 245 77, RGB 77 245 231 and RGB 147 77 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 64 / 4

HEX #F44A57

RGB 244.7 74.6 87

HSL 355.63, 0.89%, 0.63%

LAB 57.1, 65.03, 31.1

 

Complementary color

CMYK 94 / 0 / 7 / 29

HEX #0AB4A8

RGB 10.3 180.4 168

HSL 175.63, 0.89%, 0.37%

LAB 66.29, -40.43, -4.51

 

CMYK 0 / 70 / 67 / 2

HEX #F94A52

RGB 249.7 74.6 82

HSL 357.46, 0.94%, 0.64%

LAB 57.9, 66.28, 35.15

 

CMYK 0 / 64 / 60 / 0

HEX #FF5C65

RGB 255 92.6 101

HSL 356.9, 1%, 0.68%

LAB 61.62, 62.14, 29.19

 

CMYK 0 / 57 / 53 / 0

HEX #FF6E78

RGB 255 110.6 120

HSL 356.09, 1%, 0.72%

LAB 64.88, 55.73, 22.69

 

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128.6 139

HSL 355.06, 1%, 0.75%

LAB 68.55, 48.91, 16.99

 

CMYK 0 / 43 / 38 / 0

HEX #FF929E

RGB 255 146.6 158

HSL 353.69, 1%, 0.79%

LAB 72.54, 41.92, 11.99

 

CMYK 0 / 70 / 64 / 4

HEX #F44A57

RGB 244.7 74.6 87

HSL 355.63, 0.89%, 0.63%

LAB 57.1, 65.03, 31.1

 

CMYK 0 / 75 / 70 / 11

HEX #E33844

RGB 227.7 56.6 68

HSL 356, 0.76%, 0.56%

LAB 51.55, 65.1, 34.6

 

CMYK 0 / 82 / 77 / 17

HEX #D22631

RGB 210.7 38.6 49

HSL 356.37, 0.69%, 0.49%

LAB 46.25, 64.57, 38.64

 

CMYK 0 / 89 / 85 / 24

HEX #C1141E

RGB 193.7 20.6 30

HSL 356.74, 0.81%, 0.42%

LAB 41.29, 63.13, 43.02

 

CMYK 0 / 99 / 94 / 31

HEX #B0020B

RGB 176.7 2.6 11

HSL 357.11, 0.97%, 0.35%

LAB 36.73, 60.66, 46.74

 

CMYK 0 / 69 / 64 / 4

HEX #F54D59

RGB 245 77 89

HSL 355.71, 0.89%, 0.63%

LAB 57.5, 64.36, 30.46

 

CMYK 0 / 69 / 69 / 4

HEX #F54D4D

RGB 245 77 77

HSL 0, 0.89%, 0.63%

LAB 57.32, 63.72, 37.09

 

CMYK 0 / 69 / 64 / 4

HEX #F54D59

RGB 245 77 89

HSL 355.71, 0.89%, 0.63%

LAB 57.5, 64.36, 30.46

 

CMYK 0 / 69 / 45 / 4

HEX #F54D86

RGB 245 77 134

HSL 339.64, 0.89%, 0.63%

LAB 58.45, 67.66, 5.4

 

CMYK 0 / 69 / 27 / 4

HEX #F54DB3

RGB 245 77 179

HSL 323.57, 0.89%, 0.63%

LAB 59.87, 72.39, -18.71

 

CMYK 0 / 69 / 8 / 4

HEX #F54DE1

RGB 245 77 225

HSL 307.14, 0.89%, 0.63%

LAB 61.79, 78.56, -41.89

 

CMYK 11 / 69 / 0 / 4

HEX #DB4DF5

RGB 219 77 245

HSL 290.71, 0.89%, 0.63%

LAB 58.94, 76.13, -57.83

 

CMYK 0 / 69 / 64 / 4

HEX #F54D59

RGB 245 77 89

HSL 355.71, 0.89%, 0.63%

LAB 57.5, 64.36, 30.46

 

CMYK 0 / 69 / 64 / 4

HEX #F54D59

RGB 245 77 89

HSL 355.71, 0.89%, 0.63%

LAB 57.5, 64.36, 30.46

 

CMYK 0 / 60 / 55 / 10

HEX #E55C66

RGB 229 92 102

HSL 355.62, 0.72%, 0.63%

LAB 57.34, 53.96, 22.2

 

CMYK 0 / 50 / 46 / 16

HEX #D66B73

RGB 214 107 115

HSL 355.51, 0.57%, 0.63%

LAB 58.08, 42.72, 15.29

 

CMYK 0 / 39 / 36 / 22

HEX #C77A80

RGB 199 122 128

HSL 355.32, 0.41%, 0.63%

LAB 59.54, 30.73, 9.54

 

CMYK 0 / 25 / 23 / 28

HEX #B88A8D

RGB 184 138 141

HSL 356.09, 0.24%, 0.63%

LAB 61.9, 17.97, 5.24

 

CMYK 0 / 69 / 27 / 4

HEX #F54DB4

RGB 245 77 180

HSL 323.21, 0.89%, 0.63%

LAB 59.9, 72.52, -19.24

 

CMYK 0 / 69 / 45 / 4

HEX #F54D87

RGB 245 77 135

HSL 339.29, 0.89%, 0.63%

LAB 58.48, 67.75, 4.85

 

CMYK 0 / 69 / 63 / 4

HEX #F54D5B

RGB 245 77 91

HSL 355, 0.89%, 0.63%

LAB 57.54, 64.47, 29.35

 

CMYK 0 / 56 / 69 / 4

HEX #F56B4D

RGB 245 107 77

HSL 10.71, 0.89%, 0.63%

LAB 62.05, 51.1, 42.66

 

CMYK 0 / 38 / 69 / 4

HEX #F5984D

RGB 245 152 77

HSL 26.79, 0.89%, 0.63%

LAB 71.15, 28.59, 52.9

 

CMYK 0 / 94 / 87 / 11

HEX #E20D1D

RGB 226 13 29

HSL 355.49, 0.89%, 0.47%

LAB 47.68, 72.36, 51.59

 

CMYK 0 / 84 / 78 / 5

HEX #F22635

RGB 242 38 53

HSL 355.59, 0.89%, 0.55%

LAB 52.42, 73.28, 44.81

 

CMYK 0 / 69 / 64 / 4

HEX #F54D59

RGB 245 77 89

HSL 355.71, 0.89%, 0.63%

LAB 57.5, 64.36, 30.46

 

CMYK 0 / 53 / 49 / 3

HEX #F7747D

RGB 247 116 125

HSL 355.88, 0.89%, 0.71%

LAB 64.76, 50.91, 19.5

 

CMYK 0 / 38 / 35 / 2

HEX #F99BA2

RGB 249 155 162

HSL 355.53, 0.89%, 0.79%

LAB 73.67, 35.9, 11.27

 

CMYK 0 / 70 / 64 / 4

HEX #F44A57

RGB 244.7 74.6 87

HSL 355.63, 0.89%, 0.63%

LAB 57.1, 65.03, 31.1

 

CMYK 8 / 0 / 69 / 4

HEX #E1F54D

RGB 225 245 77

HSL 67.14, 0.89%, 0.63%

LAB 92.51, -27.09, 74.56

 

CMYK 69 / 36 / 0 / 4

HEX #4D9EF5

RGB 77 158 245

HSL 211.07, 0.89%, 0.63%

LAB 63.86, 2.79, -50.71

 

CMYK 0 / 70 / 64 / 4

HEX #F44A57

RGB 244.7 74.6 87

HSL 355.63, 0.89%, 0.63%

LAB 57.1, 65.03, 31.1

 

CMYK 63 / 0 / 69 / 4

HEX #5BF54D

RGB 91 245 77

HSL 115, 0.89%, 0.63%

LAB 86.04, -70.49, 65.88

 

CMYK 69 / 63 / 0 / 4

HEX #4D5BF5

RGB 77 91 245

HSL 235, 0.89%, 0.63%

LAB 46.52, 43.39, -78.64

 

CMYK 0 / 70 / 64 / 4

HEX #F44A57

RGB 244.7 74.6 87

HSL 355.63, 0.89%, 0.63%

LAB 57.1, 65.03, 31.1

 

CMYK 8 / 0 / 69 / 4

HEX #E1F54D

RGB 225 245 77

HSL 67.14, 0.89%, 0.63%

LAB 92.51, -27.09, 74.56

 

CMYK 69 / 0 / 6 / 4

HEX #4DF5E7

RGB 77 245 231

HSL 175, 0.89%, 0.63%

LAB 88.28, -45.49, -5.78

 

CMYK 61 / 69 / 0 / 4

HEX #604DF5

RGB 96 77 245

HSL 246.79, 0.89%, 0.63%

LAB 44.78, 53.85, -81.43

 

CMYK 0 / 70 / 64 / 4

HEX #F44A57

RGB 244.7 74.6 87

HSL 355.63, 0.89%, 0.63%

LAB 57.1, 65.03, 31.1

 

CMYK 29 / 0 / 69 / 4

HEX #AFF54D

RGB 175 245 77

HSL 85, 0.89%, 0.63%

LAB 89.37, -46.11, 70.37

 

CMYK 69 / 0 / 6 / 4

HEX #4DF5E7

RGB 77 245 231

HSL 175, 0.89%, 0.63%

LAB 88.28, -45.49, -5.78

 

CMYK 40 / 69 / 0 / 4

HEX #934DF5

RGB 147 77 245

HSL 265, 0.89%, 0.63%

LAB 49.62, 61.94, -73.32

 

Description

Color code: RGB 244.7 74.6 87 | qconv.com Color code: RGB 244.7 74.6 87 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244.7 red, 74.6 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244.7 74.6 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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