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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 241 190 169 it is the complementary color RGB 14 65 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 241 190 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 241 190 169: RGB 246 190 164, RGB 255 208 183, RGB 255 226 202, RGB 255 244 221 and RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 241 190 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 241 190 169: RGB 241 190 169, RGB 224 172 150, RGB 207 154 131, RGB 190 136 112 and RGB 173 118 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

Complementary color

CMYK 84 / 24 / 0 / 66

HEX #0E4156

RGB 14 65 86

HSL 197.5, 0.72%, 0.2%

LAB 25.4, -8.21, -17.28

 

CMYK 0 / 23 / 33 / 4

HEX #F6BEA4

RGB 246 190 164

HSL 19.02, 0.82%, 0.8%

LAB 81.35, 16.63, 20.87

 

CMYK 0 / 18 / 28 / 0

HEX #FFD0B7

RGB 255 208 183

HSL 20.83, 1%, 0.86%

LAB 86.89, 13.01, 18.65

 

CMYK 0 / 11 / 21 / 0

HEX #FFE2CA

RGB 255 226 202

HSL 27.17, 1%, 0.9%

LAB 91.65, 6.3, 15.37

 

CMYK 0 / 4 / 13 / 0

HEX #FFF4DD

RGB 255 244 221

HSL 40.59, 1%, 0.93%

LAB 96.48, -0.04, 12.39

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 0 / 23 / 33 / 12

HEX #E0AC96

RGB 224 172 150

HSL 17.84, 0.54%, 0.73%

LAB 74.54, 16.02, 18.66

 

CMYK 0 / 26 / 37 / 19

HEX #CF9A83

RGB 207 154 131

HSL 18.16, 0.44%, 0.66%

LAB 68.03, 16.76, 19.81

 

CMYK 0 / 28 / 41 / 25

HEX #BE8870

RGB 190 136 112

HSL 18.46, 0.38%, 0.59%

LAB 61.42, 17.6, 21.07

 

CMYK 0 / 32 / 46 / 32

HEX #AD765D

RGB 173 118 93

HSL 18.75, 0.33%, 0.52%

LAB 54.69, 18.57, 22.47

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 0 / 17 / 30 / 6

HEX #F0C8A7

RGB 240 200 167

HSL 27.12, 0.71%, 0.8%

LAB 83.24, 9.47, 21.81

 

CMYK 0 / 12 / 30 / 6

HEX #F0D4A7

RGB 240 212 167

HSL 36.99, 0.71%, 0.8%

LAB 86.21, 3.23, 25.87

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 0 / 1 / 30 / 6

HEX #F0EDA7

RGB 240 237 167

HSL 57.53, 0.71%, 0.8%

LAB 92.52, -9.47, 34.36

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 0 / 22 / 30 / 85

HEX #251D1A

RGB 37 29 26

HSL 16.36, 0.17%, 0.12%

LAB 11.6, 3.28, 3.52

 

CMYK 0 / 22 / 30 / 65

HEX #58453E

RGB 88 69 62

HSL 16.15, 0.17%, 0.29%

LAB 31.06, 6.94, 7.32

 

CMYK 0 / 21 / 30 / 45

HEX #8B6E61

RGB 139 110 97

HSL 18.57, 0.18%, 0.46%

LAB 48.89, 9.45, 11.61

 

CMYK 0 / 21 / 30 / 25

HEX #BE9685

RGB 190 150 133

HSL 17.89, 0.3%, 0.63%

LAB 65.32, 12.5, 14.68

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 15 / 0 / 30 / 6

HEX #CDF0A7

RGB 205 240 167

HSL 88.77, 0.71%, 0.8%

LAB 90.82, -23.76, 31.65

 

CMYK 30 / 27 / 0 / 6

HEX #A7AFF0

RGB 167 175 240

HSL 233.42, 0.71%, 0.8%

LAB 73, 11.74, -33.32

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 30 / 0 / 22 / 6

HEX #A7F0BC

RGB 167 240 188

HSL 137.26, 0.71%, 0.8%

LAB 89, -32.99, 18.05

 

CMYK 22 / 30 / 0 / 6

HEX #BCA7F0

RGB 188 167 240

HSL 257.26, 0.71%, 0.8%

LAB 72.64, 22.32, -33.75

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 15 / 0 / 30 / 6

HEX #CDF0A7

RGB 205 240 167

HSL 88.77, 0.71%, 0.8%

LAB 90.82, -23.76, 31.65

 

CMYK 30 / 9 / 0 / 6

HEX #A7DBF0

RGB 167 219 240

HSL 197.26, 0.71%, 0.8%

LAB 84.57, -11.86, -15.69

 

CMYK 16 / 30 / 0 / 6

HEX #CAA7F0

RGB 202 167 240

HSL 268.77, 0.71%, 0.8%

LAB 73.86, 26.55, -31.77

 

CMYK 0 / 21 / 30 / 5

HEX #F1BEA9

RGB 241 190 169

HSL 17.5, 0.72%, 0.8%

LAB 80.96, 15.37, 17.59

 

CMYK 24 / 0 / 30 / 6

HEX #B7F0A7

RGB 183 240 167

HSL 106.85, 0.71%, 0.8%

LAB 89.48, -31.36, 29.61

 

CMYK 30 / 9 / 0 / 6

HEX #A7DBF0

RGB 167 219 240

HSL 197.26, 0.71%, 0.8%

LAB 84.57, -11.86, -15.69

 

CMYK 7 / 30 / 0 / 6

HEX #E0A7F0

RGB 224 167 240

HSL 286.85, 0.71%, 0.8%

LAB 75.93, 33.34, -28.4

 

Description

Color code: RGB 241 190 169 | qconv.com Color code: RGB 241 190 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 190 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 190 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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