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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 230 207 it is the complementary color RGB 15 25 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 230 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 230 207: RGB 245 230 202, RGB 255 248 221, RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 230 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 230 207: RGB 240 230 207, RGB 223 212 188, RGB 206 194 169, RGB 189 176 150 and RGB 172 158 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

Complementary color

CMYK 69 / 48 / 0 / 81

HEX #0F1930

RGB 15 25 48

HSL 221.82, 0.52%, 0.12%

LAB 9.08, 4.26, -16.73

 

CMYK 0 / 6 / 18 / 4

HEX #F5E6CA

RGB 245 230 202

HSL 39.07, 0.68%, 0.88%

LAB 91.81, 0.65, 15.48

 

CMYK 0 / 3 / 13 / 0

HEX #FFF8DD

RGB 255 248 221

HSL 47.65, 1%, 0.93%

LAB 97.48, -2.06, 13.8

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 0 / 5 / 16 / 13

HEX #DFD4BC

RGB 223 212 188

HSL 41.14, 0.35%, 0.81%

LAB 85.2, -0.15, 13.23

 

CMYK 0 / 6 / 18 / 19

HEX #CEC2A9

RGB 206 194 169

HSL 40.54, 0.27%, 0.74%

LAB 78.79, 0.1, 14.09

 

CMYK 0 / 7 / 21 / 26

HEX #BDB096

RGB 189 176 150

HSL 40, 0.23%, 0.66%

LAB 72.28, 0.39, 15.01

 

CMYK 0 / 8 / 24 / 33

HEX #AC9E83

RGB 172 158 131

HSL 39.51, 0.2%, 0.59%

LAB 65.64, 0.71, 15.98

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 0 / 2 / 13 / 6

HEX #F0EBD0

RGB 240 235 208

HSL 50.63, 0.52%, 0.88%

LAB 92.79, -2.77, 13.71

 

CMYK 0 / 0 / 13 / 6

HEX #EFF0D0

RGB 239 240 208

HSL 61.88, 0.52%, 0.88%

LAB 93.98, -5.65, 15.37

 

CMYK 3 / 0 / 13 / 6

HEX #EAF0D0

RGB 234 240 208

HSL 71.25, 0.52%, 0.88%

LAB 93.61, -7.4, 14.8

 

CMYK 5 / 0 / 13 / 6

HEX #E5F0D0

RGB 229 240 208

HSL 80.63, 0.52%, 0.88%

LAB 93.25, -9.15, 14.23

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 0 / 3 / 14 / 86

HEX #24231F

RGB 36 35 31

HSL 48, 0.07%, 0.13%

LAB 13.69, -0.46, 2.85

 

CMYK 0 / 5 / 14 / 66

HEX #57534B

RGB 87 83 75

HSL 40, 0.07%, 0.32%

LAB 35.44, 0.04, 5.27

 

CMYK 0 / 4 / 14 / 46

HEX #8A8477

RGB 138 132 119

HSL 41.05, 0.08%, 0.5%

LAB 55.32, -0.11, 7.82

 

CMYK 0 / 4 / 14 / 26

HEX #BDB5A3

RGB 189 181 163

HSL 41.54, 0.16%, 0.69%

LAB 73.88, -0.25, 10.18

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 12 / 0 / 13 / 6

HEX #D4F0D0

RGB 212 240 208

HSL 112.5, 0.52%, 0.88%

LAB 92.07, -14.96, 12.41

 

CMYK 10 / 13 / 0 / 6

HEX #D9D0F0

RGB 217 208 240

HSL 256.88, 0.52%, 0.88%

LAB 85.08, 9.1, -14.59

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 13 / 0 / 4 / 6

HEX #D0F0E6

RGB 208 240 230

HSL 161.25, 0.52%, 0.88%

LAB 92.33, -12.29, 1.32

 

CMYK 4 / 13 / 0 / 6

HEX #E6D0F0

RGB 230 208 240

HSL 281.25, 0.52%, 0.88%

LAB 86.12, 13.33, -12.92

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 12 / 0 / 13 / 6

HEX #D4F0D0

RGB 212 240 208

HSL 112.5, 0.52%, 0.88%

LAB 92.07, -14.96, 12.41

 

CMYK 13 / 9 / 0 / 6

HEX #D0DAF0

RGB 208 218 240

HSL 221.25, 0.52%, 0.88%

LAB 86.92, 0.95, -11.9

 

CMYK 2 / 13 / 0 / 6

HEX #ECD0F0

RGB 236 208 240

HSL 292.5, 0.52%, 0.88%

LAB 86.62, 15.3, -12.12

 

CMYK 0 / 4 / 14 / 6

HEX #F0E6CF

RGB 240 230 207

HSL 41.82, 0.52%, 0.88%

LAB 91.52, -0.38, 12.41

 

CMYK 13 / 0 / 11 / 6

HEX #D0F0D6

RGB 208 240 214

HSL 131.25, 0.52%, 0.88%

LAB 91.95, -15.24, 9.08

 

CMYK 13 / 9 / 0 / 6

HEX #D0DAF0

RGB 208 218 240

HSL 221.25, 0.52%, 0.88%

LAB 86.92, 0.95, -11.9

 

CMYK 0 / 13 / 3 / 6

HEX #F0D0EA

RGB 240 208 234

HSL 311.25, 0.52%, 0.88%

LAB 86.79, 15.55, -8.65

 

Description

Color code: RGB 240 230 207 | qconv.com Color code: RGB 240 230 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 230 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 230 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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