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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240.3 180.4 118 it is the complementary color RGB 14.7 74.6 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240.3 180.4 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 240.3 180.4 118 shade: RGB 245.3 180.4 113, RGB 255 198.4 132, RGB 255 216.4 151, RGB 255 234.4 170 and RGB 255 252.4 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240.3 180.4 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 240.3 180.4 118 shade: RGB 240.3 180.4 118, RGB 223.3 162.4 99, RGB 206.3 144.4 80, RGB 189.3 126.4 61 and RGB 172.3 108.4 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 240.3 180.4 118 shade: RGB 240 180 117, RGB 240 146 117 and RGB 240 117 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 240.3 180.4 118 shade: RGB 240 180 117, RGB 240 213 117, RGB 234 240 117, RGB 201 240 117 and RGB 167 240 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 240.3 180.4 118 shade matches the following richer shades: RGB 240 180 117 and RGB 253 180 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 240.3 180.4 118 shade: RGB 240 180 117, RGB 228 180 129, RGB 216 179 141, RGB 203 179 154 and RGB 191 179 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 240.3 180.4 118 shade: RGB 240 117 121, RGB 240 145 117, RGB 240 179 117, RGB 240 212 117 and RGB 236 240 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 240.3 180.4 118 shade: RGB 233 139 42, RGB 237 159 79, RGB 240 180 117, RGB 244 200 154 and RGB 248 220 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 240.3 180.4 118 shade: RGB 240.3 180.4 118, RGB 154 240 117 and RGB 129 117 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 240.3 180.4 118 shade: RGB 240.3 180.4 118, RGB 117 240 179 and RGB 179 117 240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 240.3 180.4 118 shade: RGB 240.3 180.4 118, RGB 154 240 117, RGB 117 179 240 and RGB 203 117 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 240.3 180.4 118 shade: RGB 240.3 180.4 118, RGB 117 240 117, RGB 117 179 240 and RGB 240 117 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 51 / 6

HEX #F0B476

RGB 240.3 180.4 118

HSL 30.61, 0.81%, 0.7%

LAB 77.69, 14.6, 40.1

 

Complementary color

CMYK 89 / 46 / 0 / 46

HEX #0E4A89

RGB 14.7 74.6 137

HSL 210.61, 0.81%, 0.3%

LAB 31.54, 6.61, -39.87

 

CMYK 0 / 26 / 54 / 4

HEX #F5B471

RGB 245.3 180.4 113

HSL 30.57, 0.87%, 0.7%

LAB 78.15, 16.19, 43.33

 

CMYK 0 / 22 / 48 / 0

HEX #FFC684

RGB 255 198.4 132

HSL 32.39, 1%, 0.76%

LAB 83.7, 12.31, 40.86

 

CMYK 0 / 15 / 41 / 0

HEX #FFD897

RGB 255 216.4 151

HSL 37.73, 1%, 0.8%

LAB 88.36, 4.89, 37.21

 

CMYK 0 / 8 / 33 / 0

HEX #FFEAAA

RGB 255 234.4 170

HSL 45.46, 1%, 0.83%

LAB 93.12, -2.15, 33.85

 

CMYK 0 / 1 / 26 / 0

HEX #FFFCBD

RGB 255 252.4 189

HSL 57.64, 1%, 0.87%

LAB 97.96, -8.79, 30.75

 

CMYK 0 / 25 / 51 / 6

HEX #F0B476

RGB 240.3 180.4 118

HSL 30.61, 0.81%, 0.7%

LAB 77.69, 14.6, 40.1

 

CMYK 0 / 27 / 56 / 12

HEX #DFA263

RGB 223.3 162.4 99

HSL 30.6, 0.66%, 0.63%

LAB 71.3, 15.63, 41.52

 

CMYK 0 / 30 / 61 / 19

HEX #CE9050

RGB 206.3 144.4 80

HSL 30.59, 0.56%, 0.56%

LAB 64.81, 16.81, 43.01

 

CMYK 0 / 33 / 68 / 26

HEX #BD7E3D

RGB 189.3 126.4 61

HSL 30.58, 0.51%, 0.49%

LAB 58.24, 18.19, 44.5

 

CMYK 0 / 37 / 76 / 32

HEX #AC6C2A

RGB 172.3 108.4 42

HSL 30.58, 0.61%, 0.42%

LAB 51.59, 19.8, 45.87

 

CMYK 0 / 25 / 51 / 6

HEX #F0B475

RGB 240 180 117

HSL 30.73, 0.8%, 0.7%

LAB 77.55, 14.6, 40.43

 

CMYK 0 / 39 / 51 / 6

HEX #F09275

RGB 240 146 117

HSL 14.15, 0.8%, 0.7%

LAB 69.73, 32.55, 30.42

 

CMYK 0 / 51 / 51 / 6

HEX #F07575

RGB 240 117 117

HSL 0, 0.8%, 0.7%

LAB 63.78, 47.28, 22.53

 

CMYK 0 / 25 / 51 / 6

HEX #F0B475

RGB 240 180 117

HSL 30.73, 0.8%, 0.7%

LAB 77.55, 14.6, 40.43

 

CMYK 0 / 11 / 51 / 6

HEX #F0D575

RGB 240 213 117

HSL 46.83, 0.8%, 0.7%

LAB 85.7, -2.57, 50.45

 

CMYK 3 / 0 / 51 / 6

HEX #EAF075

RGB 234 240 117

HSL 62.93, 0.8%, 0.7%

LAB 92.17, -18.42, 58

 

CMYK 16 / 0 / 51 / 6

HEX #C9F075

RGB 201 240 117

HSL 79.02, 0.8%, 0.7%

LAB 89.87, -31.12, 54.71

 

CMYK 30 / 0 / 51 / 6

HEX #A7F075

RGB 167 240 117

HSL 95.61, 0.8%, 0.7%

LAB 87.88, -43.31, 51.86

 

CMYK 0 / 25 / 51 / 6

HEX #F0B475

RGB 240 180 117

HSL 30.73, 0.8%, 0.7%

LAB 77.55, 14.6, 40.43

 

CMYK 0 / 29 / 59 / 1

HEX #FDB468

RGB 253 180 104

HSL 30.6, 0.97%, 0.7%

LAB 78.77, 18.83, 48.77

 

CMYK 0 / 25 / 51 / 6

HEX #F0B475

RGB 240 180 117

HSL 30.73, 0.8%, 0.7%

LAB 77.55, 14.6, 40.43

 

CMYK 0 / 21 / 43 / 11

HEX #E4B481

RGB 228 180 129

HSL 30.91, 0.65%, 0.7%

LAB 76.51, 10.92, 32.61

 

CMYK 0 / 17 / 35 / 15

HEX #D8B38D

RGB 216 179 141

HSL 30.4, 0.49%, 0.7%

LAB 75.3, 8.04, 24.43

 

CMYK 0 / 12 / 24 / 20

HEX #CBB39A

RGB 203 179 154

HSL 30.61, 0.32%, 0.7%

LAB 74.36, 4.72, 15.93

 

CMYK 0 / 6 / 13 / 25

HEX #BFB3A6

RGB 191 179 166

HSL 31.2, 0.16%, 0.7%

LAB 73.59, 2.05, 8.16

 

CMYK 0 / 51 / 50 / 6

HEX #F07579

RGB 240 117 121

HSL 358.05, 0.8%, 0.7%

LAB 63.86, 47.63, 20.37

 

CMYK 0 / 40 / 51 / 6

HEX #F09175

RGB 240 145 117

HSL 13.66, 0.8%, 0.7%

LAB 69.51, 33.07, 30.14

 

CMYK 0 / 25 / 51 / 6

HEX #F0B375

RGB 240 179 117

HSL 30.24, 0.8%, 0.7%

LAB 77.31, 15.13, 40.13

 

CMYK 0 / 12 / 51 / 6

HEX #F0D475

RGB 240 212 117

HSL 46.34, 0.8%, 0.7%

LAB 85.45, -2.06, 50.14

 

CMYK 2 / 0 / 51 / 6

HEX #ECF075

RGB 236 240 117

HSL 61.95, 0.8%, 0.7%

LAB 92.33, -17.63, 58.22

 

CMYK 0 / 40 / 82 / 9

HEX #E98B2A

RGB 233 139 42

HSL 30.47, 0.81%, 0.54%

LAB 66.49, 29.05, 62.67

 

CMYK 0 / 33 / 67 / 7

HEX #ED9F4F

RGB 237 159 79

HSL 30.38, 0.81%, 0.62%

LAB 71.8, 21.73, 52.4

 

CMYK 0 / 25 / 51 / 6

HEX #F0B475

RGB 240 180 117

HSL 30.73, 0.8%, 0.7%

LAB 77.55, 14.6, 40.43

 

CMYK 0 / 18 / 37 / 4

HEX #F4C89A

RGB 244 200 154

HSL 30.67, 0.8%, 0.78%

LAB 83.38, 9.43, 28.88

 

CMYK 0 / 11 / 23 / 3

HEX #F8DCBF

RGB 248 220 191

HSL 30.53, 0.8%, 0.86%

LAB 89.35, 5.28, 17.79

 

CMYK 0 / 25 / 51 / 6

HEX #F0B476

RGB 240.3 180.4 118

HSL 30.61, 0.81%, 0.7%

LAB 77.69, 14.6, 40.1

 

CMYK 36 / 0 / 51 / 6

HEX #9AF075

RGB 154 240 117

HSL 101.95, 0.8%, 0.7%

LAB 87.23, -47.62, 50.92

 

CMYK 46 / 51 / 0 / 6

HEX #8175F0

RGB 129 117 240

HSL 245.85, 0.8%, 0.7%

LAB 55.77, 35.36, -60.68

 

CMYK 0 / 25 / 51 / 6

HEX #F0B476

RGB 240.3 180.4 118

HSL 30.61, 0.81%, 0.7%

LAB 77.69, 14.6, 40.1

 

CMYK 51 / 0 / 25 / 6

HEX #75F0B3

RGB 117 240 179

HSL 150.24, 0.8%, 0.7%

LAB 86.68, -48.23, 19.14

 

CMYK 25 / 51 / 0 / 6

HEX #B375F0

RGB 179 117 240

HSL 270.24, 0.8%, 0.7%

LAB 60.42, 47.39, -52.97

 

CMYK 0 / 25 / 51 / 6

HEX #F0B476

RGB 240.3 180.4 118

HSL 30.61, 0.81%, 0.7%

LAB 77.69, 14.6, 40.1

 

CMYK 36 / 0 / 51 / 6

HEX #9AF075

RGB 154 240 117

HSL 101.95, 0.8%, 0.7%

LAB 87.23, -47.62, 50.92

 

CMYK 51 / 25 / 0 / 6

HEX #75B3F0

RGB 117 179 240

HSL 209.76, 0.8%, 0.7%

LAB 71.09, -3.24, -36.53

 

CMYK 15 / 51 / 0 / 6

HEX #CB75F0

RGB 203 117 240

HSL 281.95, 0.8%, 0.7%

LAB 63.1, 53.64, -48.56

 

CMYK 0 / 25 / 51 / 6

HEX #F0B476

RGB 240.3 180.4 118

HSL 30.61, 0.81%, 0.7%

LAB 77.69, 14.6, 40.1

 

CMYK 51 / 0 / 51 / 6

HEX #75F075

RGB 117 240 117

HSL 120, 0.8%, 0.7%

LAB 85.7, -58.41, 48.71

 

CMYK 51 / 25 / 0 / 6

HEX #75B3F0

RGB 117 179 240

HSL 209.76, 0.8%, 0.7%

LAB 71.09, -3.24, -36.53

 

CMYK 0 / 51 / 0 / 6

HEX #F075F0

RGB 240 117 240

HSL 300, 0.8%, 0.7%

LAB 67.68, 63.47, -41.05

 

Description

Color code: RGB 240.3 180.4 118 | qconv.com Color code: RGB 240.3 180.4 118 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240.3 red, 180.4 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240.3 180.4 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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