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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 92.2 114 it is the complementary color RGB 232 162.8 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 92.2 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 92.2 114 shade: RGB 28 92.2 109, RGB 45 110.2 128, RGB 62 128.2 147, RGB 79 146.2 166 and RGB 96 164.2 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 92.2 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 92.2 114 shade: RGB 23 92.2 114, RGB 6 74.2 95, RGB 0 56.2 76, RGB 0 38.2 57 and RGB 0 20.2 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 92.2 114 shade: RGB 23 93 114, RGB 23 68 114, RGB 23 44 114, RGB 28 23 114 and RGB 52 23 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 92.2 114 shade: RGB 23 93 114, RGB 23 68 114, RGB 23 44 114 and RGB 23 23 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 92.2 114 shade matches the following richer shades: RGB 23 93 114, RGB 12 98 125 and RGB 1 104 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 92.2 114 shade: RGB 23 93 114, RGB 35 87 103, RGB 46 81 92, RGB 57 75 81 and RGB 68 69 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 92.2 114 shade: RGB 23 114 87, RGB 23 114 111, RGB 23 93 114, RGB 23 69 114 and RGB 23 45 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 92.2 114 shade: RGB 9 37 46, RGB 16 65 80, RGB 23 93 114, RGB 30 120 149 and RGB 37 148 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 92.2 114 shade: RGB 23 92.2 114, RGB 63 23 114 and RGB 114 99 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 92.2 114 shade: RGB 23 92.2 114, RGB 114 23 93 and RGB 93 114 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 92.2 114 shade: RGB 23 92.2 114, RGB 63 23 114, RGB 114 45 23 and RGB 75 114 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 92.2 114 shade: RGB 23 92.2 114, RGB 90 23 114, RGB 114 45 23 and RGB 48 114 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 19 / 0 / 55

HEX #175C72

RGB 23 92.2 114

HSL 194.37, 0.66%, 0.27%

LAB 36.15, -12.88, -18.39

 

Complementary color

CMYK 0 / 30 / 39 / 9

HEX #E8A28D

RGB 232 162.8 141

HSL 14.37, 0.66%, 0.73%

LAB 73.02, 22.97, 21.6

 

CMYK 74 / 15 / 0 / 57

HEX #1C5C6D

RGB 28 92.2 109

HSL 192.44, 0.59%, 0.27%

LAB 36.06, -13.99, -15.43

 

CMYK 65 / 14 / 0 / 50

HEX #2D6E80

RGB 45 110.2 128

HSL 192.87, 0.48%, 0.34%

LAB 43.23, -14.81, -16.01

 

CMYK 58 / 13 / 0 / 42

HEX #3E8093

RGB 62 128.2 147

HSL 193.27, 0.41%, 0.41%

LAB 50.24, -15.33, -16.52

 

CMYK 52 / 12 / 0 / 35

HEX #4F92A6

RGB 79 146.2 166

HSL 193.66, 0.36%, 0.48%

LAB 57.11, -15.68, -16.99

 

CMYK 48 / 11 / 0 / 27

HEX #60A4B9

RGB 96 164.2 185

HSL 194.02, 0.39%, 0.55%

LAB 63.85, -15.92, -17.43

 

CMYK 80 / 19 / 0 / 55

HEX #175C72

RGB 23 92.2 114

HSL 194.37, 0.66%, 0.27%

LAB 36.15, -12.88, -18.39

 

CMYK 94 / 22 / 0 / 63

HEX #064A5F

RGB 6 74.2 95

HSL 194.02, 0.88%, 0.2%

LAB 28.87, -11.18, -17.72

 

CMYK 100 / 26 / 0 / 70

HEX #00384C

RGB 0 56.2 76

HSL 195.63, 1%, 0.15%

LAB 21.47, -8.4, -16.81

 

CMYK 100 / 33 / 0 / 78

HEX #002639

RGB 0 38.2 57

HSL 199.79, 1%, 0.11%

LAB 13.79, -4.76, -15.79

 

CMYK 100 / 47 / 0 / 85

HEX #001426

RGB 0 20.2 38

HSL 208.11, 1%, 0.07%

LAB 5.85, -0.48, -14.45

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 80 / 40 / 0 / 55

HEX #174472

RGB 23 68 114

HSL 210.33, 0.66%, 0.27%

LAB 28.2, 2.39, -30.85

 

CMYK 80 / 61 / 0 / 55

HEX #172C72

RGB 23 44 114

HSL 226.15, 0.66%, 0.27%

LAB 20.82, 19.33, -42.73

 

CMYK 75 / 80 / 0 / 55

HEX #1C1772

RGB 28 23 114

HSL 243.3, 0.66%, 0.27%

LAB 15.87, 33.92, -50.85

 

CMYK 54 / 80 / 0 / 55

HEX #341772

RGB 52 23 114

HSL 259.12, 0.66%, 0.27%

LAB 18.18, 36.98, -46.97

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 80 / 40 / 0 / 55

HEX #174472

RGB 23 68 114

HSL 210.33, 0.66%, 0.27%

LAB 28.2, 2.39, -30.85

 

CMYK 80 / 61 / 0 / 55

HEX #172C72

RGB 23 44 114

HSL 226.15, 0.66%, 0.27%

LAB 20.82, 19.33, -42.73

 

CMYK 80 / 80 / 0 / 55

HEX #171772

RGB 23 23 114

HSL 240, 0.66%, 0.27%

LAB 15.54, 33.47, -51.41

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 90 / 22 / 0 / 51

HEX #0C627D

RGB 12 98 125

HSL 194.34, 0.82%, 0.27%

LAB 38.37, -13.21, -21.74

 

CMYK 99 / 24 / 0 / 46

HEX #016889

RGB 1 104 137

HSL 194.56, 0.99%, 0.27%

LAB 40.76, -12.78, -25.31

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 66 / 16 / 0 / 60

HEX #235767

RGB 35 87 103

HSL 194.12, 0.49%, 0.27%

LAB 34.3, -11.82, -14.37

 

CMYK 50 / 12 / 0 / 64

HEX #2E515C

RGB 46 81 92

HSL 194.35, 0.33%, 0.27%

LAB 32.34, -9.28, -10.38

 

CMYK 30 / 7 / 0 / 68

HEX #394B51

RGB 57 75 81

HSL 195, 0.17%, 0.27%

LAB 30.63, -5.42, -5.87

 

CMYK 3 / 1 / 0 / 73

HEX #444546

RGB 68 69 70

HSL 210, 0.01%, 0.27%

LAB 29.23, -0.19, -0.75

 

CMYK 80 / 0 / 24 / 55

HEX #177257

RGB 23 114 87

HSL 162.2, 0.66%, 0.27%

LAB 42.62, -32.72, 7.69

 

CMYK 80 / 0 / 3 / 55

HEX #17726F

RGB 23 114 111

HSL 178.02, 0.66%, 0.27%

LAB 43.31, -25.73, -5.72

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 80 / 39 / 0 / 55

HEX #174572

RGB 23 69 114

HSL 209.67, 0.66%, 0.27%

LAB 28.52, 1.72, -30.34

 

CMYK 80 / 61 / 0 / 55

HEX #172D72

RGB 23 45 114

HSL 225.49, 0.66%, 0.27%

LAB 21.11, 18.61, -42.27

 

CMYK 80 / 20 / 0 / 82

HEX #09252E

RGB 9 37 46

HSL 194.59, 0.67%, 0.11%

LAB 13.1, -6.86, -9.02

 

CMYK 80 / 19 / 0 / 69

HEX #104150

RGB 16 65 80

HSL 194.06, 0.67%, 0.19%

LAB 25.17, -10.28, -13.7

 

CMYK 80 / 18 / 0 / 55

HEX #175D72

RGB 23 93 114

HSL 193.85, 0.66%, 0.27%

LAB 36.42, -13.34, -17.98

 

CMYK 80 / 19 / 0 / 42

HEX #1E7895

RGB 30 120 149

HSL 194.62, 0.66%, 0.35%

LAB 46.82, -15.29, -23.03

 

CMYK 80 / 19 / 0 / 28

HEX #2594B7

RGB 37 148 183

HSL 194.38, 0.66%, 0.43%

LAB 57.07, -18.05, -26.84

 

CMYK 80 / 19 / 0 / 55

HEX #175C72

RGB 23 92.2 114

HSL 194.37, 0.66%, 0.27%

LAB 36.15, -12.88, -18.39

 

CMYK 45 / 80 / 0 / 55

HEX #3F1772

RGB 63 23 114

HSL 266.37, 0.66%, 0.27%

LAB 19.58, 38.8, -44.62

 

CMYK 0 / 13 / 80 / 55

HEX #726317

RGB 114 99 23

HSL 50.11, 0.66%, 0.27%

LAB 42.1, -2.72, 42.38

 

CMYK 80 / 19 / 0 / 55

HEX #175C72

RGB 23 92.2 114

HSL 194.37, 0.66%, 0.27%

LAB 36.15, -12.88, -18.39

 

CMYK 0 / 80 / 18 / 55

HEX #72175D

RGB 114 23 93

HSL 313.85, 0.66%, 0.27%

LAB 26.68, 45.79, -19.08

 

CMYK 18 / 0 / 80 / 55

HEX #5D7217

RGB 93 114 23

HSL 73.85, 0.66%, 0.27%

LAB 44.83, -20.89, 44.27

 

CMYK 80 / 19 / 0 / 55

HEX #175C72

RGB 23 92.2 114

HSL 194.37, 0.66%, 0.27%

LAB 36.15, -12.88, -18.39

 

CMYK 45 / 80 / 0 / 55

HEX #3F1772

RGB 63 23 114

HSL 266.37, 0.66%, 0.27%

LAB 19.58, 38.8, -44.62

 

CMYK 0 / 61 / 80 / 55

HEX #722D17

RGB 114 45 23

HSL 14.51, 0.66%, 0.27%

LAB 28.16, 29.09, 28.71

 

CMYK 34 / 0 / 80 / 55

HEX #4B7217

RGB 75 114 23

HSL 85.71, 0.66%, 0.27%

LAB 43.64, -28.56, 42.72

 

CMYK 80 / 19 / 0 / 55

HEX #175C72

RGB 23 92.2 114

HSL 194.37, 0.66%, 0.27%

LAB 36.15, -12.88, -18.39

 

CMYK 21 / 80 / 0 / 55

HEX #5A1772

RGB 90 23 114

HSL 284.18, 0.66%, 0.27%

LAB 23.68, 44.01, -37.77

 

CMYK 0 / 61 / 80 / 55

HEX #722D17

RGB 114 45 23

HSL 14.51, 0.66%, 0.27%

LAB 28.16, 29.09, 28.71

 

CMYK 58 / 0 / 80 / 55

HEX #307217

RGB 48 114 23

HSL 103.52, 0.66%, 0.27%

LAB 42.35, -38.08, 41.03

 

Description

Color code: RGB 23 92.2 114 | qconv.com Color code: RGB 23 92.2 114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 92.2 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 92.2 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 19 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 19% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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