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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 238 243 it is the complementary color RGB 232 17 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 238 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 238 243 shade: RGB 28 238 238, RGB 45 255 255, RGB 62 255 255, RGB 79 255 255 and RGB 96 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 238 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 238 243 shade: RGB 23 238 243, RGB 6 220 224, RGB 0 202 205, RGB 0 184 186 and RGB 0 166 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 238 243 shade: RGB 22 238 243, RGB 22 178 243, RGB 22 119 243, RGB 22 60 243 and RGB 45 22 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 238 243 shade: RGB 22 238 243, RGB 22 178 243, RGB 22 119 243, RGB 22 60 243 and RGB 22 22 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 238 243 shade matches the following richer shades: RGB 22 238 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 238 243 shade: RGB 22 238 243, RGB 42 219 223, RGB 62 200 203, RGB 82 181 183 and RGB 102 162 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 238 243 shade: RGB 22 243 129, RGB 22 243 188, RGB 22 239 243, RGB 22 180 243 and RGB 22 122 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 238 243 shade: RGB 9 170 174, RGB 11 208 213, RGB 22 238 243, RGB 62 241 245 and RGB 101 244 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 238 243 shade: RGB 23 238 243, RGB 70 22 243 and RGB 243 158 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 238 243 shade: RGB 23 238 243, RGB 243 22 239 and RGB 239 243 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 238 243 shade: RGB 23 238 243, RGB 70 22 243, RGB 243 26 22 and RGB 195 243 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 238 243 shade: RGB 23 238 243, RGB 136 22 243, RGB 243 26 22 and RGB 129 243 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 2 / 0 / 5

HEX #17EEF3

RGB 23 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.91, -43.57, -15.67

 

Complementary color

CMYK 0 / 93 / 95 / 9

HEX #E8110C

RGB 232 17 12

HSL 1.36, 0.9%, 0.48%

LAB 48.99, 73.23, 59.51

 

CMYK 88 / 0 / 0 / 7

HEX #1CEEEE

RGB 28 238 238

HSL 180, 0.86%, 0.52%

LAB 85.79, -44.81, -13.22

 

CMYK 82 / 0 / 0 / 0

HEX #2DFFFF

RGB 45 255 255

HSL 180, 1%, 0.59%

LAB 91.37, -46.41, -13.73

 

CMYK 76 / 0 / 0 / 0

HEX #3EFFFF

RGB 62 255 255

HSL 180, 1%, 0.62%

LAB 91.58, -45.04, -13.4

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 91 / 2 / 0 / 5

HEX #17EEF3

RGB 23 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.91, -43.57, -15.67

 

CMYK 97 / 2 / 0 / 12

HEX #06DCE0

RGB 6 220 224

HSL 181.1, 0.95%, 0.45%

LAB 79.96, -41.68, -14.56

 

CMYK 100 / 1 / 0 / 20

HEX #00CACD

RGB 0 202 205

HSL 180.88, 1%, 0.4%

LAB 73.96, -39.44, -13.35

 

CMYK 100 / 1 / 0 / 27

HEX #00B8BA

RGB 0 184 186

HSL 180.65, 1%, 0.36%

LAB 67.89, -37.02, -12.07

 

CMYK 100 / 1 / 0 / 35

HEX #00A6A7

RGB 0 166 167

HSL 180.36, 1%, 0.33%

LAB 61.71, -34.55, -10.77

 

CMYK 91 / 2 / 0 / 5

HEX #16EEF3

RGB 22 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.9, -43.61, -15.68

 

CMYK 91 / 27 / 0 / 5

HEX #16B2F3

RGB 22 178 243

HSL 197.65, 0.9%, 0.52%

LAB 68.37, -14.3, -42.58

 

CMYK 91 / 51 / 0 / 5

HEX #1677F3

RGB 22 119 243

HSL 213.67, 0.9%, 0.52%

LAB 51.65, 20.46, -69.24

 

CMYK 91 / 75 / 0 / 5

HEX #163CF3

RGB 22 60 243

HSL 229.68, 0.9%, 0.52%

LAB 37.61, 56.7, -92.25

 

CMYK 81 / 91 / 0 / 5

HEX #2D16F3

RGB 45 22 243

HSL 246.24, 0.9%, 0.52%

LAB 33.14, 72.88, -99.67

 

CMYK 91 / 2 / 0 / 5

HEX #16EEF3

RGB 22 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.9, -43.61, -15.68

 

CMYK 91 / 27 / 0 / 5

HEX #16B2F3

RGB 22 178 243

HSL 197.65, 0.9%, 0.52%

LAB 68.37, -14.3, -42.58

 

CMYK 91 / 51 / 0 / 5

HEX #1677F3

RGB 22 119 243

HSL 213.67, 0.9%, 0.52%

LAB 51.65, 20.46, -69.24

 

CMYK 91 / 75 / 0 / 5

HEX #163CF3

RGB 22 60 243

HSL 229.68, 0.9%, 0.52%

LAB 37.61, 56.7, -92.25

 

CMYK 91 / 91 / 0 / 5

HEX #1616F3

RGB 22 22 243

HSL 240, 0.9%, 0.52%

LAB 32.29, 72.42, -101.11

 

CMYK 91 / 2 / 0 / 5

HEX #16EEF3

RGB 22 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.9, -43.61, -15.68

 

CMYK 91 / 2 / 0 / 5

HEX #16EEF3

RGB 22 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.9, -43.61, -15.68

 

CMYK 81 / 2 / 0 / 13

HEX #2ADBDF

RGB 42 219 223

HSL 181.33, 0.74%, 0.52%

LAB 79.89, -39.85, -14.11

 

CMYK 69 / 1 / 0 / 20

HEX #3EC8CB

RGB 62 200 203

HSL 181.28, 0.58%, 0.52%

LAB 73.96, -34.86, -12.2

 

CMYK 55 / 1 / 0 / 28

HEX #52B5B7

RGB 82 181 183

HSL 181.19, 0.41%, 0.52%

LAB 68.21, -28.12, -9.8

 

CMYK 38 / 1 / 0 / 36

HEX #66A2A4

RGB 102 162 164

HSL 181.94, 0.25%, 0.52%

LAB 62.8, -18.86, -7.2

 

CMYK 91 / 0 / 47 / 5

HEX #16F381

RGB 22 243 129

HSL 149.05, 0.9%, 0.52%

LAB 84.92, -72.1, 41.64

 

CMYK 91 / 0 / 23 / 5

HEX #16F3BC

RGB 22 243 188

HSL 165.07, 0.9%, 0.52%

LAB 85.96, -60.28, 13.2

 

CMYK 91 / 2 / 0 / 5

HEX #16EFF3

RGB 22 239 243

HSL 181.09, 0.9%, 0.52%

LAB 86.19, -44.05, -15.25

 

CMYK 91 / 26 / 0 / 5

HEX #16B4F3

RGB 22 180 243

HSL 197.1, 0.9%, 0.52%

LAB 68.96, -15.38, -41.67

 

CMYK 91 / 50 / 0 / 5

HEX #167AF3

RGB 22 122 243

HSL 212.85, 0.9%, 0.52%

LAB 52.47, 18.57, -67.92

 

CMYK 95 / 2 / 0 / 32

HEX #09AAAE

RGB 9 170 174

HSL 181.45, 0.9%, 0.36%

LAB 63.23, -33.92, -12.4

 

CMYK 95 / 2 / 0 / 16

HEX #0BD0D5

RGB 11 208 213

HSL 181.49, 0.9%, 0.44%

LAB 76.06, -39.45, -14.52

 

CMYK 91 / 2 / 0 / 5

HEX #16EEF3

RGB 22 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.9, -43.61, -15.68

 

CMYK 75 / 2 / 0 / 4

HEX #3EF1F5

RGB 62 241 245

HSL 181.31, 0.9%, 0.6%

LAB 87.25, -41.64, -14.66

 

CMYK 59 / 1 / 0 / 3

HEX #65F4F7

RGB 101 244 247

HSL 181.23, 0.9%, 0.68%

LAB 89.01, -37.22, -12.99

 

CMYK 91 / 2 / 0 / 5

HEX #17EEF3

RGB 23 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.91, -43.57, -15.67

 

CMYK 71 / 91 / 0 / 5

HEX #4616F3

RGB 70 22 243

HSL 253.03, 0.9%, 0.52%

LAB 34.7, 73.79, -97.04

 

CMYK 0 / 35 / 91 / 5

HEX #F39E16

RGB 243 158 22

HSL 36.92, 0.9%, 0.52%

LAB 71.94, 22.78, 73.18

 

CMYK 91 / 2 / 0 / 5

HEX #17EEF3

RGB 23 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.91, -43.57, -15.67

 

CMYK 0 / 91 / 2 / 5

HEX #F316EF

RGB 243 22 239

HSL 301.09, 0.9%, 0.52%

LAB 57.9, 92.55, -55.91

 

CMYK 2 / 0 / 91 / 5

HEX #EFF316

RGB 239 243 22

HSL 61.09, 0.9%, 0.52%

LAB 92.8, -22.23, 88.82

 

CMYK 91 / 2 / 0 / 5

HEX #17EEF3

RGB 23 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.91, -43.57, -15.67

 

CMYK 71 / 91 / 0 / 5

HEX #4616F3

RGB 70 22 243

HSL 253.03, 0.9%, 0.52%

LAB 34.7, 73.79, -97.04

 

CMYK 0 / 89 / 91 / 5

HEX #F31A16

RGB 243 26 22

HSL 1.09, 0.9%, 0.52%

LAB 51.67, 74.97, 58.96

 

CMYK 20 / 0 / 91 / 5

HEX #C3F316

RGB 195 243 22

HSL 73.03, 0.9%, 0.52%

LAB 89.75, -39.91, 85.12

 

CMYK 91 / 2 / 0 / 5

HEX #17EEF3

RGB 23 238 243

HSL 181.36, 0.9%, 0.52%

LAB 85.91, -43.57, -15.67

 

CMYK 44 / 91 / 0 / 5

HEX #8816F3

RGB 136 22 243

HSL 270.95, 0.9%, 0.52%

LAB 41.66, 78.61, -85.3

 

CMYK 0 / 89 / 91 / 5

HEX #F31A16

RGB 243 26 22

HSL 1.09, 0.9%, 0.52%

LAB 51.67, 74.97, 58.96

 

CMYK 47 / 0 / 91 / 5

HEX #81F316

RGB 129 243 22

HSL 90.95, 0.9%, 0.52%

LAB 86.42, -62.9, 81.04

 

Description

Color code: RGB 23 238 243 | qconv.com Color code: RGB 23 238 243 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 238 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 238 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 2 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 2% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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