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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 151 222 it is the complementary color RGB 232 104 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 151 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 151 222 shade: RGB 28 151 217, RGB 45 169 236, RGB 62 187 255, RGB 79 205 255 and RGB 96 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 151 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 6 133 203, RGB 0 115 184, RGB 0 97 165 and RGB 0 79 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 23 97 222, RGB 23 44 222, RGB 56 23 222 and RGB 110 23 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 23 97 222, RGB 23 44 222 and RGB 23 23 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 151 222 shade matches the following richer shades: RGB 23 151 222 and RGB 3 156 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 43 145 202, RGB 63 139 182, RGB 83 134 162 and RGB 102 128 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 151 222 shade: RGB 23 222 185, RGB 23 205 222, RGB 23 152 222, RGB 23 99 222 and RGB 23 46 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 151 222 shade: RGB 15 100 147, RGB 19 125 184, RGB 23 151 222, RGB 52 169 234 and RGB 90 185 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 132 23 222 and RGB 222 212 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 222 23 152 and RGB 152 222 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 132 23 222, RGB 222 93 23 and RGB 112 222 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 151 222 shade: RGB 23 151 222, RGB 192 23 222, RGB 222 93 23 and RGB 53 222 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

Complementary color

CMYK 0 / 55 / 86 / 9

HEX #E86821

RGB 232 104 33

HSL 21.41, 0.81%, 0.52%

LAB 59.13, 46.14, 59.61

 

CMYK 87 / 30 / 0 / 15

HEX #1C97D9

RGB 28 151 217

HSL 200.95, 0.77%, 0.48%

LAB 59.33, -8.38, -42.45

 

CMYK 81 / 28 / 0 / 7

HEX #2DA9EC

RGB 45 169 236

HSL 201.05, 0.83%, 0.55%

LAB 65.74, -10.35, -42.87

 

CMYK 76 / 27 / 0 / 0

HEX #3EBBFF

RGB 62 187 255

HSL 201.14, 1%, 0.62%

LAB 72.08, -11.96, -43.23

 

CMYK 69 / 20 / 0 / 0

HEX #4FCDFF

RGB 79 205 255

HSL 197.05, 1%, 0.65%

LAB 77.61, -19.32, -34.61

 

CMYK 62 / 13 / 0 / 0

HEX #60DFFF

RGB 96 223 255

HSL 192.08, 1%, 0.69%

LAB 83.17, -25.82, -26.03

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 97 / 34 / 0 / 20

HEX #0685CB

RGB 6 133 203

HSL 201.32, 0.94%, 0.41%

LAB 53.09, -4.2, -44.45

 

CMYK 100 / 38 / 0 / 28

HEX #0073B8

RGB 0 115 184

HSL 202.5, 1%, 0.36%

LAB 46.61, -0.97, -43.85

 

CMYK 100 / 41 / 0 / 35

HEX #0061A5

RGB 0 97 165

HSL 204.73, 1%, 0.32%

LAB 40.02, 2.66, -43.21

 

CMYK 100 / 46 / 0 / 43

HEX #004F92

RGB 0 79 146

HSL 207.53, 1%, 0.29%

LAB 33.28, 6.56, -42.6

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 90 / 56 / 0 / 13

HEX #1761DE

RGB 23 97 222

HSL 217.69, 0.81%, 0.48%

LAB 44.24, 26.47, -69.46

 

CMYK 90 / 80 / 0 / 13

HEX #172CDE

RGB 23 44 222

HSL 233.67, 0.81%, 0.48%

LAB 32.39, 58.23, -88.98

 

CMYK 75 / 90 / 0 / 13

HEX #3817DE

RGB 56 23 222

HSL 249.95, 0.81%, 0.48%

LAB 31.18, 67.58, -90.95

 

CMYK 50 / 90 / 0 / 13

HEX #6E17DE

RGB 110 23 222

HSL 266.23, 0.81%, 0.48%

LAB 36.37, 71.27, -82.18

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 90 / 56 / 0 / 13

HEX #1761DE

RGB 23 97 222

HSL 217.69, 0.81%, 0.48%

LAB 44.24, 26.47, -69.46

 

CMYK 90 / 80 / 0 / 13

HEX #172CDE

RGB 23 44 222

HSL 233.67, 0.81%, 0.48%

LAB 32.39, 58.23, -88.98

 

CMYK 90 / 90 / 0 / 13

HEX #1717DE

RGB 23 23 222

HSL 240, 0.81%, 0.48%

LAB 29.59, 66.59, -93.65

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 99 / 35 / 0 / 5

HEX #039CF1

RGB 3 156 241

HSL 201.43, 0.98%, 0.48%

LAB 61.78, -3.35, -51.89

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 79 / 28 / 0 / 21

HEX #2B91CA

RGB 43 145 202

HSL 201.51, 0.65%, 0.48%

LAB 57.1, -9.12, -37.53

 

CMYK 65 / 24 / 0 / 29

HEX #3F8BB6

RGB 63 139 182

HSL 201.68, 0.49%, 0.48%

LAB 54.97, -9.87, -29.47

 

CMYK 49 / 17 / 0 / 36

HEX #5386A2

RGB 83 134 162

HSL 201.27, 0.32%, 0.48%

LAB 53.49, -9.17, -20.19

 

CMYK 28 / 10 / 0 / 44

HEX #66808E

RGB 102 128 142

HSL 201, 0.16%, 0.48%

LAB 52.08, -5.89, -10.62

 

CMYK 90 / 0 / 17 / 13

HEX #17DEB9

RGB 23 222 185

HSL 168.84, 0.81%, 0.48%

LAB 79.57, -52.78, 5.66

 

CMYK 90 / 8 / 0 / 13

HEX #17CDDE

RGB 23 205 222

HSL 185.13, 0.81%, 0.48%

LAB 75.53, -34.87, -20.17

 

CMYK 90 / 32 / 0 / 13

HEX #1798DE

RGB 23 152 222

HSL 201.11, 0.81%, 0.48%

LAB 59.81, -7.41, -44.49

 

CMYK 90 / 55 / 0 / 13

HEX #1763DE

RGB 23 99 222

HSL 217.09, 0.81%, 0.48%

LAB 44.77, 25.18, -68.6

 

CMYK 90 / 79 / 0 / 13

HEX #172EDE

RGB 23 46 222

HSL 233.07, 0.81%, 0.48%

LAB 32.72, 57.25, -88.42

 

CMYK 90 / 32 / 0 / 42

HEX #0F6493

RGB 15 100 147

HSL 201.36, 0.81%, 0.32%

LAB 40.12, -5.68, -32.31

 

CMYK 90 / 32 / 0 / 28

HEX #137DB8

RGB 19 125 184

HSL 201.45, 0.81%, 0.4%

LAB 49.82, -6.17, -38.75

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 78 / 28 / 0 / 8

HEX #34A9EA

RGB 52 169 234

HSL 201.43, 0.81%, 0.56%

LAB 65.78, -10.37, -41.69

 

CMYK 62 / 22 / 0 / 7

HEX #5AB9EE

RGB 90 185 238

HSL 201.49, 0.81%, 0.64%

LAB 71.59, -12.45, -34.75

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 41 / 90 / 0 / 13

HEX #8417DE

RGB 132 23 222

HSL 272.86, 0.81%, 0.48%

LAB 39.23, 73.56, -77.37

 

CMYK 0 / 5 / 90 / 13

HEX #DED417

RGB 222 212 23

HSL 56.98, 0.81%, 0.48%

LAB 83.27, -14.24, 80.71

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 0 / 90 / 32 / 13

HEX #DE1798

RGB 222 23 152

HSL 321.11, 0.81%, 0.48%

LAB 49.99, 77.66, -18.3

 

CMYK 32 / 0 / 90 / 13

HEX #98DE17

RGB 152 222 23

HSL 81.11, 0.81%, 0.48%

LAB 81.28, -47.05, 77.11

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 41 / 90 / 0 / 13

HEX #8417DE

RGB 132 23 222

HSL 272.86, 0.81%, 0.48%

LAB 39.23, 73.56, -77.37

 

CMYK 0 / 58 / 90 / 13

HEX #DE5D17

RGB 222 93 23

HSL 21.11, 0.81%, 0.48%

LAB 55.5, 47.41, 59.51

 

CMYK 50 / 0 / 90 / 13

HEX #70DE17

RGB 112 222 23

HSL 93.17, 0.81%, 0.48%

LAB 79.47, -60.24, 74.87

 

CMYK 90 / 32 / 0 / 13

HEX #1797DE

RGB 23 151 222

HSL 201.41, 0.81%, 0.48%

LAB 59.52, -6.84, -44.95

 

CMYK 14 / 90 / 0 / 13

HEX #C017DE

RGB 192 23 222

HSL 290.95, 0.81%, 0.48%

LAB 48.38, 81.68, -62.07

 

CMYK 0 / 58 / 90 / 13

HEX #DE5D17

RGB 222 93 23

HSL 21.11, 0.81%, 0.48%

LAB 55.5, 47.41, 59.51

 

CMYK 76 / 0 / 90 / 13

HEX #35DE17

RGB 53 222 23

HSL 110.95, 0.81%, 0.48%

LAB 77.91, -73.11, 72.93

 

Description

Color code: RGB 23 151 222 | qconv.com Color code: RGB 23 151 222 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 151 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 151 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 32 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 32% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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