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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 248 250 it is the complementary color RGB 16 7 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 248 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 248 250: RGB 244 248 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 248 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 248 250: RGB 239 248 250, RGB 222 230 231, RGB 205 212 212, RGB 188 194 193 and RGB 171 176 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

Complementary color

CMYK 0 / 56 / 69 / 94

HEX #100705

RGB 16 7 5

HSL 10.91, 0.52%, 0.04%

LAB 2.47, 2.36, 1.68

 

CMYK 2 / 0 / 1 / 3

HEX #F4F8F5

RGB 244 248 245

HSL 135, 0.22%, 0.96%

LAB 97.21, -1.85, 0.96

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 4 / 0 / 0 / 9

HEX #DEE6E7

RGB 222 230 231

HSL 186.67, 0.16%, 0.89%

LAB 90.73, -2.48, -1.42

 

CMYK 3 / 0 / 0 / 17

HEX #CDD4D4

RGB 205 212 212

HSL 180, 0.08%, 0.82%

LAB 84.39, -2.37, -0.84

 

CMYK 3 / 0 / 1 / 24

HEX #BCC2C1

RGB 188 194 193

HSL 170, 0.05%, 0.75%

LAB 77.95, -2.25, -0.23

 

CMYK 3 / 0 / 1 / 31

HEX #ABB0AE

RGB 171 176 174

HSL 156, 0.03%, 0.68%

LAB 71.39, -2.13, 0.4

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 4 / 2 / 0 / 2

HEX #EFF6FA

RGB 239 246 250

HSL 201.82, 0.52%, 0.96%

LAB 96.48, -1.57, -2.73

 

CMYK 4 / 2 / 0 / 2

HEX #EFF4FA

RGB 239 244 250

HSL 212.73, 0.52%, 0.96%

LAB 95.98, -0.56, -3.47

 

CMYK 4 / 3 / 0 / 2

HEX #EFF3FA

RGB 239 243 250

HSL 218.18, 0.52%, 0.96%

LAB 95.73, -0.05, -3.83

 

CMYK 4 / 4 / 0 / 2

HEX #EFF1FA

RGB 239 241 250

HSL 229.09, 0.52%, 0.96%

LAB 95.23, 0.97, -4.57

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 4 / 0 / 0 / 82

HEX #2C2E2E

RGB 44 46 46

HSL 180, 0.02%, 0.18%

LAB 18.74, -0.88, -0.31

 

CMYK 4 / 1 / 0 / 62

HEX #5D6061

RGB 93 96 97

HSL 195, 0.02%, 0.37%

LAB 40.5, -0.96, -0.98

 

CMYK 5 / 1 / 0 / 42

HEX #8D9394

RGB 141 147 148

HSL 188.57, 0.03%, 0.57%

LAB 60.49, -1.97, -1.29

 

CMYK 5 / 1 / 0 / 22

HEX #BEC5C7

RGB 190 197 199

HSL 193.33, 0.07%, 0.76%

LAB 79.04, -2.02, -1.84

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 3 / 4 / 0 / 2

HEX #F3EFFA

RGB 243 239 250

HSL 261.82, 0.52%, 0.96%

LAB 95.03, 3.3, -4.83

 

CMYK 0 / 1 / 4 / 2

HEX #FAF7EF

RGB 250 247 239

HSL 43.64, 0.52%, 0.96%

LAB 97.26, -0.37, 4.18

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 0 / 4 / 1 / 2

HEX #FAEFF8

RGB 250 239 248

HSL 310.91, 0.52%, 0.96%

LAB 95.51, 5.26, -3.02

 

CMYK 1 / 0 / 4 / 2

HEX #F8FAEF

RGB 248 250 239

HSL 70.91, 0.52%, 0.96%

LAB 97.86, -2.56, 5.03

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 3 / 4 / 0 / 2

HEX #F3EFFA

RGB 243 239 250

HSL 261.82, 0.52%, 0.96%

LAB 95.03, 3.3, -4.83

 

CMYK 0 / 4 / 4 / 2

HEX #FAF1EF

RGB 250 241 239

HSL 10.91, 0.52%, 0.96%

LAB 95.78, 2.68, 2.03

 

CMYK 2 / 0 / 4 / 2

HEX #F6FAEF

RGB 246 250 239

HSL 81.82, 0.52%, 0.96%

LAB 97.71, -3.23, 4.8

 

CMYK 4 / 1 / 0 / 2

HEX #EFF8FA

RGB 239 248 250

HSL 190.91, 0.52%, 0.96%

LAB 96.98, -2.59, -2

 

CMYK 2 / 4 / 0 / 2

HEX #F6EFFA

RGB 246 239 250

HSL 278.18, 0.52%, 0.96%

LAB 95.26, 4.29, -4.47

 

CMYK 0 / 4 / 4 / 2

HEX #FAF1EF

RGB 250 241 239

HSL 10.91, 0.52%, 0.96%

LAB 95.78, 2.68, 2.03

 

CMYK 3 / 0 / 4 / 2

HEX #F3FAEF

RGB 243 250 239

HSL 98.18, 0.52%, 0.96%

LAB 97.49, -4.23, 4.46

 

Description

Color code: RGB 239 248 250 | qconv.com Color code: RGB 239 248 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 248 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 248 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 1 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 1% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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