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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 235 25 it is the complementary color RGB 16 20 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 235 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 235 25: RGB 244 235 20, RGB 255 253 39, RGB 255 255 58, RGB 255 255 77 and RGB 255 255 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 235 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 235 25: RGB 239 235 25, RGB 222 217 6, RGB 205 199 0, RGB 188 181 0 and RGB 171 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

Complementary color

CMYK 93 / 91 / 0 / 10

HEX #1014E6

RGB 16 20 230

HSL 238.88, 0.87%, 0.48%

LAB 30.21, 69.47, -97.19

 

CMYK 0 / 4 / 92 / 4

HEX #F4EB14

RGB 244 235 20

HSL 57.59, 0.91%, 0.52%

LAB 91.1, -16.33, 87.93

 

CMYK 0 / 1 / 85 / 0

HEX #FFFD27

RGB 255 253 39

HSL 59.44, 1%, 0.58%

LAB 96.68, -20.12, 89.7

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 0 / 2 / 97 / 13

HEX #DED906

RGB 222 217 6

HSL 58.61, 0.95%, 0.45%

LAB 84.57, -16.91, 83.6

 

CMYK 0 / 3 / 100 / 20

HEX #CDC700

RGB 205 199 0

HSL 58.24, 1%, 0.4%

LAB 78.36, -15.3, 78.97

 

CMYK 0 / 4 / 100 / 26

HEX #BCB500

RGB 188 181 0

HSL 57.77, 1%, 0.37%

LAB 72.05, -13.6, 73.74

 

CMYK 0 / 5 / 100 / 33

HEX #ABA300

RGB 171 163 0

HSL 57.19, 1%, 0.34%

LAB 65.63, -11.85, 68.41

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 12 / 0 / 89 / 6

HEX #D2EF1A

RGB 210 239 26

HSL 68.17, 0.87%, 0.52%

LAB 89.63, -32.11, 84.88

 

CMYK 27 / 0 / 89 / 6

HEX #AFEF1A

RGB 175 239 26

HSL 78.03, 0.87%, 0.52%

LAB 87.45, -45.71, 82.21

 

CMYK 42 / 0 / 89 / 6

HEX #8BEF1A

RGB 139 239 26

HSL 88.17, 0.87%, 0.52%

LAB 85.65, -58.23, 79.99

 

CMYK 56 / 0 / 89 / 6

HEX #68EF1A

RGB 104 239 26

HSL 98.03, 0.87%, 0.52%

LAB 84.36, -68.27, 78.38

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 0 / 3 / 89 / 86

HEX #232204

RGB 35 34 4

HSL 58.06, 0.79%, 0.08%

LAB 12.67, -4.41, 17.01

 

CMYK 0 / 1 / 90 / 66

HEX #565509

RGB 86 85 9

HSL 59.22, 0.81%, 0.19%

LAB 34.99, -8.87, 39.74

 

CMYK 0 / 1 / 90 / 46

HEX #89870E

RGB 137 135 14

HSL 59.02, 0.81%, 0.3%

LAB 54.74, -12.25, 56.67

 

CMYK 0 / 2 / 89 / 26

HEX #BCB914

RGB 188 185 20

HSL 58.93, 0.81%, 0.41%

LAB 73.18, -15.37, 72.07

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 89 / 0 / 74 / 6

HEX #1AEF3D

RGB 26 239 61

HSL 129.86, 0.87%, 0.52%

LAB 83.07, -78.69, 68.1

 

CMYK 39 / 89 / 0 / 6

HEX #921AEF

RGB 146 26 239

HSL 273.8, 0.87%, 0.52%

LAB 42.89, 78.09, -80.97

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 89 / 0 / 3 / 6

HEX #1AEFE7

RGB 26 239 231

HSL 177.75, 0.87%, 0.52%

LAB 85.87, -47.33, -9.43

 

CMYK 3 / 89 / 0 / 6

HEX #E71AEF

RGB 231 26 239

HSL 297.75, 0.87%, 0.52%

LAB 56.05, 90.11, -59

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 89 / 0 / 74 / 6

HEX #1AEF3D

RGB 26 239 61

HSL 129.86, 0.87%, 0.52%

LAB 83.07, -78.69, 68.1

 

CMYK 89 / 86 / 0 / 6

HEX #1A21EF

RGB 26 33 239

HSL 238.03, 0.87%, 0.52%

LAB 33, 67.98, -97.65

 

CMYK 0 / 89 / 15 / 6

HEX #EF1ACB

RGB 239 26 203

HSL 310.14, 0.87%, 0.52%

LAB 55.48, 86.55, -39.39

 

CMYK 0 / 2 / 90 / 6

HEX #EFEB19

RGB 239 235 25

HSL 58.88, 0.87%, 0.52%

LAB 90.71, -18.34, 86.79

 

CMYK 89 / 0 / 48 / 6

HEX #1AEF7D

RGB 26 239 125

HSL 147.89, 0.87%, 0.52%

LAB 83.67, -71.25, 41.99

 

CMYK 89 / 86 / 0 / 6

HEX #1A21EF

RGB 26 33 239

HSL 238.03, 0.87%, 0.52%

LAB 33, 67.98, -97.65

 

CMYK 0 / 89 / 42 / 6

HEX #EF1A8B

RGB 239 26 139

HSL 328.17, 0.87%, 0.52%

LAB 52.9, 79.66, -5.81

 

Description

Color code: RGB 239 235 25 | qconv.com Color code: RGB 239 235 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 235 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 235 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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