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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 169 74 it is the complementary color RGB 16 86 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 169 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 169 74: RGB 244 169 69, RGB 255 187 88, RGB 255 205 107, RGB 255 223 126 and RGB 255 241 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 169 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 169 74: RGB 239 169 74, RGB 222 151 55, RGB 205 133 36, RGB 188 115 17 and RGB 171 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

 

Complementary color

CMYK 91 / 52 / 0 / 29

HEX #1056B5

RGB 16 86 181

HSL 214.55, 0.84%, 0.39%

LAB 38.02, 17.14, -55.87

 

CMYK 0 / 31 / 72 / 4

HEX #F4A945

RGB 244 169 69

HSL 34.29, 0.89%, 0.61%

LAB 74.85, 18.84, 60.4

 

CMYK 0 / 27 / 65 / 0

HEX #FFBB58

RGB 255 187 88

HSL 35.57, 1%, 0.67%

LAB 80.46, 14.96, 58.35

 

CMYK 0 / 20 / 58 / 0

HEX #FFCD6B

RGB 255 205 107

HSL 39.73, 1%, 0.71%

LAB 84.99, 6.85, 54.69

 

CMYK 0 / 13 / 51 / 0

HEX #FFDF7E

RGB 255 223 126

HSL 45.12, 1%, 0.75%

LAB 89.65, -0.86, 51.21

 

CMYK 0 / 5 / 43 / 0

HEX #FFF191

RGB 255 241 145

HSL 52.36, 1%, 0.78%

LAB 94.4, -8.15, 47.92

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 0 / 32 / 75 / 13

HEX #DE9737

RGB 222 151 55

HSL 34.49, 0.72%, 0.54%

LAB 67.98, 18.51, 58.54

 

CMYK 0 / 35 / 82 / 20

HEX #CD8524

RGB 205 133 36

HSL 34.44, 0.7%, 0.47%

LAB 61.55, 20.25, 59.11

 

CMYK 0 / 39 / 91 / 26

HEX #BC7311

RGB 188 115 17

HSL 34.39, 0.83%, 0.4%

LAB 55.07, 22.25, 58.65

 

CMYK 0 / 43 / 100 / 33

HEX #AB6100

RGB 171 97 0

HSL 34.04, 1%, 0.34%

LAB 48.52, 24.5, 56.68

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 0 / 19 / 70 / 6

HEX #EFC248

RGB 239 194 72

HSL 43.83, 0.84%, 0.61%

LAB 80.41, 3.77, 64.66

 

CMYK 0 / 7 / 70 / 6

HEX #EFDE48

RGB 239 222 72

HSL 53.89, 0.84%, 0.61%

LAB 87.51, -10.49, 71.78

 

CMYK 5 / 0 / 70 / 6

HEX #E3EF48

RGB 227 239 72

HSL 64.31, 0.84%, 0.61%

LAB 91.02, -23.71, 74.9

 

CMYK 16 / 0 / 70 / 6

HEX #C8EF48

RGB 200 239 72

HSL 74.01, 0.84%, 0.61%

LAB 89.15, -34.42, 72.42

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 0 / 29 / 69 / 86

HEX #23190B

RGB 35 25 11

HSL 35, 0.52%, 0.09%

LAB 9.62, 2.73, 9.91

 

CMYK 0 / 29 / 69 / 66

HEX #563D1B

RGB 86 61 27

HSL 34.58, 0.52%, 0.22%

LAB 27.83, 6.83, 24.84

 

CMYK 0 / 29 / 69 / 46

HEX #89612A

RGB 137 97 42

HSL 34.74, 0.53%, 0.35%

LAB 44.28, 10.42, 36.85

 

CMYK 0 / 29 / 69 / 26

HEX #BC853A

RGB 188 133 58

HSL 34.62, 0.53%, 0.48%

LAB 59.68, 13.8, 47.47

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 54 / 0 / 70 / 6

HEX #6EEF48

RGB 110 239 72

HSL 106.35, 0.84%, 0.61%

LAB 84.75, -64.42, 66.54

 

CMYK 59 / 70 / 0 / 6

HEX #6348EF

RGB 99 72 239

HSL 249.7, 0.84%, 0.61%

LAB 43.54, 55.15, -80.09

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 70 / 0 / 31 / 6

HEX #48EFA6

RGB 72 239 166

HSL 153.77, 0.84%, 0.61%

LAB 84.93, -59.02, 23.23

 

CMYK 31 / 70 / 0 / 6

HEX #A648EF

RGB 166 72 239

HSL 273.77, 0.84%, 0.61%

LAB 50.66, 66.31, -68.18

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 54 / 0 / 70 / 6

HEX #6EEF48

RGB 110 239 72

HSL 106.35, 0.84%, 0.61%

LAB 84.75, -64.42, 66.54

 

CMYK 70 / 40 / 0 / 6

HEX #4890EF

RGB 72 144 239

HSL 214.13, 0.84%, 0.61%

LAB 59.49, 8.21, -54.36

 

CMYK 16 / 70 / 0 / 6

HEX #C848EF

RGB 200 72 239

HSL 285.99, 0.84%, 0.61%

LAB 55.22, 72.99, -60.58

 

CMYK 0 / 29 / 69 / 6

HEX #EFA94A

RGB 239 169 74

HSL 34.55, 0.84%, 0.61%

LAB 74.33, 17, 57.5

RAL® 1034

CMYK 70 / 0 / 65 / 6

HEX #48EF53

RGB 72 239 83

HSL 123.95, 0.84%, 0.61%

LAB 83.83, -71.57, 61.07

 

CMYK 70 / 40 / 0 / 6

HEX #4890EF

RGB 72 144 239

HSL 214.13, 0.84%, 0.61%

LAB 59.49, 8.21, -54.36

 

CMYK 0 / 70 / 5 / 6

HEX #EF48E3

RGB 239 72 227

HSL 304.31, 0.84%, 0.61%

LAB 60.37, 79.2, -45.32

 

Description

Color code: RGB 239 169 74 | qconv.com Color code: RGB 239 169 74 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 169 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 169 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 69 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 69% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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