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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 137 149 it is the complementary color RGB 16 118 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 137 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 239 137 149: RGB 244 137 144, RGB 255 155 163, RGB 255 173 182, RGB 255 191 201 and RGB 255 209 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 137 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 239 137 149: RGB 239 137 149, RGB 222 119 130, RGB 205 101 111, RGB 188 83 92 and RGB 171 65 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

Complementary color

CMYK 86 / 0 / 10 / 54

HEX #10766A

RGB 16 118 106

HSL 172.94, 0.76%, 0.26%

LAB 44.39, -29.94, -1.14

 

CMYK 0 / 44 / 41 / 4

HEX #F48990

RGB 244 137 144

HSL 356.07, 0.83%, 0.75%

LAB 68.85, 41.33, 14.39

 

CMYK 0 / 39 / 36 / 0

HEX #FF9BA3

RGB 255 155 163

HSL 355.2, 1%, 0.8%

LAB 74.41, 38.19, 11.87

 

CMYK 0 / 32 / 29 / 0

HEX #FFADB6

RGB 255 173 182

HSL 353.41, 1%, 0.84%

LAB 78.77, 31.2, 7.69

 

CMYK 0 / 25 / 21 / 0

HEX #FFBFC9

RGB 255 191 201

HSL 350.63, 1%, 0.87%

LAB 83.3, 24.38, 3.98

 

CMYK 0 / 18 / 14 / 0

HEX #FFD1DC

RGB 255 209 220

HSL 345.65, 1%, 0.91%

LAB 87.98, 17.83, 0.67

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 0 / 46 / 41 / 13

HEX #DE7782

RGB 222 119 130

HSL 353.59, 0.61%, 0.67%

LAB 61.94, 41.07, 12.2

 

CMYK 0 / 51 / 46 / 20

HEX #CD656F

RGB 205 101 111

HSL 354.23, 0.51%, 0.6%

LAB 55.52, 42.09, 13.87

 

CMYK 0 / 56 / 51 / 26

HEX #BC535C

RGB 188 83 92

HSL 354.86, 0.44%, 0.53%

LAB 49.07, 43.12, 15.84

 

CMYK 0 / 62 / 57 / 33

HEX #AB4149

RGB 171 65 73

HSL 355.47, 0.45%, 0.46%

LAB 42.64, 44.07, 18.23

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 0 / 41 / 42 / 6

HEX #EF8D8A

RGB 239 141 138

HSL 1.78, 0.76%, 0.74%

LAB 68.92, 36.8, 17.74

 

CMYK 0 / 34 / 42 / 6

HEX #EF9E8A

RGB 239 158 138

HSL 11.88, 0.76%, 0.74%

LAB 72.65, 27.88, 22.86

 

CMYK 0 / 27 / 42 / 6

HEX #EFAF8A

RGB 239 175 138

HSL 21.98, 0.76%, 0.74%

LAB 76.59, 18.88, 28.15

 

CMYK 0 / 20 / 42 / 6

HEX #EFC08A

RGB 239 192 138

HSL 32.08, 0.76%, 0.74%

LAB 80.67, 9.9, 33.56

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 0 / 43 / 37 / 86

HEX #231416

RGB 35 20 22

HSL 352, 0.27%, 0.11%

LAB 8.27, 8.09, 1.69

 

CMYK 0 / 43 / 37 / 66

HEX #563136

RGB 86 49 54

HSL 351.89, 0.27%, 0.26%

LAB 25.08, 17.51, 4.05

 

CMYK 0 / 42 / 38 / 46

HEX #894F55

RGB 137 79 85

HSL 353.79, 0.27%, 0.42%

LAB 40.52, 25.09, 7.06

 

CMYK 0 / 43 / 38 / 26

HEX #BC6C75

RGB 188 108 117

HSL 353.25, 0.37%, 0.58%

LAB 54.76, 32.8, 8.95

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 3 / 0 / 42 / 6

HEX #E8EF8A

RGB 232 239 138

HSL 64.16, 0.76%, 0.74%

LAB 92.01, -16.76, 47.92

 

CMYK 42 / 20 / 0 / 6

HEX #8AC0EF

RGB 138 192 239

HSL 207.92, 0.76%, 0.74%

LAB 75.66, -5.64, -28.84

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 37 / 0 / 42 / 6

HEX #97EF8A

RGB 151 239 138

HSL 112.28, 0.76%, 0.74%

LAB 87.07, -45.49, 40.65

 

CMYK 42 / 37 / 0 / 6

HEX #8A97EF

RGB 138 151 239

HSL 232.28, 0.76%, 0.74%

LAB 64.78, 17.32, -45.76

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 3 / 0 / 42 / 6

HEX #E8EF8A

RGB 232 239 138

HSL 64.16, 0.76%, 0.74%

LAB 92.01, -16.76, 47.92

 

CMYK 42 / 0 / 6 / 6

HEX #8AEFE1

RGB 138 239 225

HSL 171.68, 0.76%, 0.74%

LAB 88.24, -32.82, -2.49

 

CMYK 39 / 42 / 0 / 6

HEX #918AEF

RGB 145 138 239

HSL 244.16, 0.76%, 0.74%

LAB 62.02, 26.61, -50.08

 

CMYK 0 / 43 / 38 / 6

HEX #EF8995

RGB 239 137 149

HSL 352.94, 0.76%, 0.74%

LAB 68.32, 40.08, 10.75

 

CMYK 15 / 0 / 42 / 6

HEX #CAEF8A

RGB 202 239 138

HSL 81.98, 0.76%, 0.74%

LAB 89.92, -28.07, 44.85

 

CMYK 42 / 0 / 6 / 6

HEX #8AEFE1

RGB 138 239 225

HSL 171.68, 0.76%, 0.74%

LAB 88.24, -32.82, -2.49

 

CMYK 27 / 42 / 0 / 6

HEX #AF8AEF

RGB 175 138 239

HSL 261.98, 0.76%, 0.74%

LAB 64.58, 34.55, -45.87

 

Description

Color code: RGB 239 137 149 | qconv.com Color code: RGB 239 137 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 137 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 137 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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